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Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Sarah M. Schlachetzki (Dr. phil.) is an art historian and has taught contemporary art history at the University of Zurich. Her research interests include general questions in art sociology, media art, and art's significance in post-dictatorship Argentina.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Paperback. Etat : Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized. N° de réf. du vendeur M3837620263Z2
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Etat : Gebraucht - Sehr gut. Transcript Verlag - 2012 - h4. N° de réf. du vendeur LZ-8Z8U-AK22
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
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Paperback. Etat : new. Paperback. Why do Japanese artists team up with engineers in order to create so-called "Device Art"? What is a nanoscientist's motivation in approaching the artworld? In the past few years, there has been a remarkable increase in attempts to foster the exchange between art, technology, and science an exchange taking place in academies, museums, or even in research laboratories. Media art has proven especially important in the dialogue between these cultural fields. This book is a contribution to the current debate on "art & science", interdisciplinarity, and the discourse of innovation. It critically assesses artistic positions that appear as the ongoing attempt to localize art's position within technological and societal change between now and the future. Why do Japanese artists team up with engineers in order to create so-called Device Art? What is a nanoscientist's motivation in approaching the artworld? In the past few years, there has been a remarkable increase in attempts to foster the exchange between art, technology, and science - an exchange taking place in academies, museums, or even in research laboratories. Media art has proven especially important in the dialogue between these cultural fields. This book is a contribution to the current debate on art & science, interdisciplinarity, and the discourse of innovation. It critically assesses artistic positions that appear as the ongoing attempt to localize art's position within technological and societal change - between now and the future. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783837620269
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Paperback. Etat : New. Why do Japanese artists team up with engineers in order to create so-called »Device Art«? What is a nanoscientist's motivation in approaching the artworld? In the past few years, there has been a remarkable increase in attempts to foster the exchange between art, technology, and science - an exchange taking place in academies, museums, or even in research laboratories. Media art has proven especially important in the dialogue between these cultural fields. This book is a contribution to the current debate on »art and science«, interdisciplinarity, and the discourse of innovation. It critically assesses artistic positions that appear as the ongoing attempt to localize art's position within technological and societal change - between now and the future. N° de réf. du vendeur LU-9783837620269
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Etat : New. pp. 262. N° de réf. du vendeur 92350411
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. Num Pages: 262 pages, 17 b/w & 28 colour illus. BIC Classification: AFKB; AGZ; PDN; TJF. Category: (G) General (US: Trade). Dimension: 225 x 150 x 19. Weight in Grams: 418. . 2012. Paperback. . . . . N° de réf. du vendeur V9783837620269
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