The scripted television comedy series was first presented to audiences via the 'sitcom' form and thus the sitcom has continued to be defined by many of the characteristics with which it was first identified in the 1950s. In examining the evolution of the American comedy series, this book seeks to highlight the similarities between the formulaic studio-bound approach to series comedy (the sitcom) and more contemporary innovations in aesthetic production modes, such as those employed in the ‘single-camera’ comedy. This investigation comes to view the comedy series as being characterised definitively by its narrative conventions rather than its visual style, and it thus redefines the term ‘sitcom’ in a manner which better encompasses the series comedy genre as a whole. The sitcom is explored through aesthetic, narrative, commercial and ideological frameworks in order to highlight salient aspects of its generic form, commercial function, ideological flexibility and future potential. The analysis of specific case studies demonstrates the tension between innovation and convention which continues to characterise the sitcom’s evolution as a televisual form.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
The scripted television comedy series was first presented to audiences via the 'sitcom' form and thus the sitcom has continued to be defined by many of the characteristics with which it was first identified in the 1950s. In examining the evolution of the American comedy series, this book seeks to highlight the similarities between the formulaic studio-bound approach to series comedy (the sitcom) and more contemporary innovations in aesthetic production modes, such as those employed in the ‘single-camera’ comedy. This investigation comes to view the comedy series as being characterised definitively by its narrative conventions rather than its visual style, and it thus redefines the term ‘sitcom’ in a manner which better encompasses the series comedy genre as a whole. The sitcom is explored through aesthetic, narrative, commercial and ideological frameworks in order to highlight salient aspects of its generic form, commercial function, ideological flexibility and future potential. The analysis of specific case studies demonstrates the tension between innovation and convention which continues to characterise the sitcom’s evolution as a televisual form.
Tiara studied philosophy, English, music and education at the University of Manitoba and completed her Masters degree in Media Studies at Victoria University of Wellington. She has spent the last 5 years teaching for the Gifted Kids Programme in New Zealand, and is currently completing a doctorate at the University of Western Ontario.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Allemagne
Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The scripted television comedy series was first presented to audiences via the 'sitcom' form and thus the sitcom has continued to be defined by many of the characteristics with which it was first identified in the 1950s. In examining the evolution of the American comedy series, this book seeks to highlight the similarities between the formulaic studio-bound approach to series comedy (the sitcom) and more contemporary innovations in aesthetic production modes, such as those employed in the 'single-camera' comedy. This investigation comes to view the comedy series as being characterised definitively by its narrative conventions rather than its visual style, and it thus redefines the term 'sitcom' in a manner which better encompasses the series comedy genre as a whole. The sitcom is explored through aesthetic, narrative, commercial and ideological frameworks in order to highlight salient aspects of its generic form, commercial function, ideological flexibility and future potential. The analysis of specific case studies demonstrates the tension between innovation and convention which continues to characterise the sitcom's evolution as a televisual form. 160 pp. Englisch. N° de réf. du vendeur 9783838303802
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Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Sukhan Tiara LalitaTiara studied philosophy, English, music and education at theUniversity of Manitoba and completed her Masters degree in MediaStudies at Victoria University of Wellington. She has spent thelast 5 years teaching for . N° de réf. du vendeur 5411113
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Taschenbuch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -The scripted television comedy series was first presented to audiences via the 'sitcom' form and thus the sitcom has continued to be defined by many of the characteristics with which it was first identified in the 1950s. In examining the evolution of the American comedy series, this book seeks to highlight the similarities between the formulaic studio-bound approach to series comedy (the sitcom) and more contemporary innovations in aesthetic production modes, such as those employed in the 'single-camera' comedy. This investigation comes to view the comedy series as being characterised definitively by its narrative conventions rather than its visual style, and it thus redefines the term 'sitcom' in a manner which better encompasses the series comedy genre as a whole. The sitcom is explored through aesthetic, narrative, commercial and ideological frameworks in order to highlight salient aspects of its generic form, commercial function, ideological flexibility and future potential. The analysis of specific case studies demonstrates the tension between innovation and convention which continues to characterise the sitcom's evolution as a televisual form.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 160 pp. Englisch. N° de réf. du vendeur 9783838303802
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Taschenbuch. Etat : Neu. The Sitcom is Dead. Long Live the Sitcom! | Continuity and Change in the American Comedy Series | Tiara Lalita Sukhan | Taschenbuch | 160 S. | Englisch | 2010 | LAP LAMBERT Academic Publishing | EAN 9783838303802 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu Print on Demand. N° de réf. du vendeur 101501887
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Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The scripted television comedy series was first presented to audiences via the 'sitcom' form and thus the sitcom has continued to be defined by many of the characteristics with which it was first identified in the 1950s. In examining the evolution of the American comedy series, this book seeks to highlight the similarities between the formulaic studio-bound approach to series comedy (the sitcom) and more contemporary innovations in aesthetic production modes, such as those employed in the 'single-camera' comedy. This investigation comes to view the comedy series as being characterised definitively by its narrative conventions rather than its visual style, and it thus redefines the term 'sitcom' in a manner which better encompasses the series comedy genre as a whole. The sitcom is explored through aesthetic, narrative, commercial and ideological frameworks in order to highlight salient aspects of its generic form, commercial function, ideological flexibility and future potential. The analysis of specific case studies demonstrates the tension between innovation and convention which continues to characterise the sitcom's evolution as a televisual form. N° de réf. du vendeur 9783838303802
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