Although opera first emerged in principalities such as Florence and Mantua at the turn of the seventeenth century, the Republic of Venice was the true birthplace of opera as we know it. It was there that this genre turned into a public and commercial endeavor, the first opera theaters were built and singers became sought-after divas. Set to music by Claudio Monteverdi and Francesco Cavalli, Gian Francesco Busenello?s dramatic works offer a unique perspective into the cultural, political and aesthetic transformation of opera from an occasional courtly display to an international pop genre. The highly hierarchical order present on the courtly stage, which reflected the social structure of principalities, is replaced by the pluralistic ?disorder? of the Republic: one narrative vs. multiple plots; uniform and socially defining poetic language vs. eclectic poetic language independent of social distinction; a single reading vs. multiple novel reinterpretations of literary sources. Busenello's works, set to music by the two foremost composers of the time, represent the crowning of a new genre: republican opera.
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Although opera first emerged in principalities such as Florence and Mantua at the turn of the seventeenth century, the Republic of Venice was the true birthplace of opera as we know it. It was there that this genre turned into a public and commercial endeavor, the first opera theaters were built and singers became sought-after divas. Set to music by Claudio Monteverdi and Francesco Cavalli, Gian Francesco Busenello?s dramatic works offer a unique perspective into the cultural, political and aesthetic transformation of opera from an occasional courtly display to an international pop genre. The highly hierarchical order present on the courtly stage, which reflected the social structure of principalities, is replaced by the pluralistic ?disorder? of the Republic: one narrative vs. multiple plots; uniform and socially defining poetic language vs. eclectic poetic language independent of social distinction; a single reading vs. multiple novel reinterpretations of literary sources. Busenello's works, set to music by the two foremost composers of the time, represent the crowning of a new genre: republican opera.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Allemagne
Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Although opera first emerged in principalities such as Florence and Mantua at the turn of the seventeenth century, the Republic of Venice was the true birthplace of opera as we know it. It was there that this genre turned into a public and commercial endeavor, the first opera theaters were built and singers became sought-after divas. Set to music by Claudio Monteverdi and Francesco Cavalli, Gian Francesco Busenello s dramatic works offer a unique perspective into the cultural, political and aesthetic transformation of opera from an occasional courtly display to an international pop genre. The highly hierarchical order present on the courtly stage, which reflected the social structure of principalities, is replaced by the pluralistic disorder of the Republic: one narrative vs. multiple plots; uniform and socially defining poetic language vs. eclectic poetic language independent of social distinction; a single reading vs. multiple novel reinterpretations of literary sources. Busenello's works, set to music by the two foremost composers of the time, represent the crowning of a new genre: republican opera. 236 pp. Englisch. N° de réf. du vendeur 9783838363240
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Vendeur : moluna, Greven, Allemagne
Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Yates Moretti PietroPietro Yates Moretti holds a joint Ph.D. in Renaissance Studies and Music History from Yale University, as well as a master s degree in music performance from the Yale School of Music. He is currently Vice Presid. N° de réf. du vendeur 5416668
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Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Although opera first emerged in principalities such as Florence and Mantua at the turn of the seventeenth century, the Republic of Venice was the true birthplace of opera as we know it. It was there that this genre turned into a public and commercial endeavor, the first opera theaters were built and singers became sought-after divas. Set to music by Claudio Monteverdi and Francesco Cavalli, Gian Francesco Busenello s dramatic works offer a unique perspective into the cultural, political and aesthetic transformation of opera from an occasional courtly display to an international pop genre. The highly hierarchical order present on the courtly stage, which reflected the social structure of principalities, is replaced by the pluralistic disorder of the Republic: one narrative vs. multiple plots; uniform and socially defining poetic language vs. eclectic poetic language independent of social distinction; a single reading vs. multiple novel reinterpretations of literary sources. Busenello's works, set to music by the two foremost composers of the time, represent the crowning of a new genre: republican opera. N° de réf. du vendeur 9783838363240
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Vendeur : preigu, Osnabrück, Allemagne
Taschenbuch. Etat : Neu. The Beginnings of Republican Opera | Gian Francesco Busenello and His Composers: Claudio Monteverdi and Francesco Cavalli | Pietro Yates Moretti | Taschenbuch | 236 S. | Englisch | 2010 | LAP LAMBERT Academic Publishing | EAN 9783838363240 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu. N° de réf. du vendeur 101096683
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Vendeur : buchversandmimpf2000, Emtmannsberg, BAYE, Allemagne
Taschenbuch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -Although opera first emerged in principalities such as Florence and Mantua at the turn of the seventeenth century, the Republic of Venice was the true birthplace of opera as we know it. It was there that this genre turned into a public and commercial endeavor, the first opera theaters were built and singers became sought-after divas. Set to music by Claudio Monteverdi and Francesco Cavalli, Gian Francesco Busenello's dramatic works offer a unique perspective into the cultural, political and aesthetic transformation of opera from an occasional courtly display to an international pop genre. The highly hierarchical order present on the courtly stage, which reflected the social structure of principalities, is replaced by the pluralistic 'disorder' of the Republic: one narrative vs. multiple plots; uniform and socially defining poetic language vs. eclectic poetic language independent of social distinction; a single reading vs. multiple novel reinterpretations of literary sources. Busenello''s works, set to music by the two foremost composers of the time, represent the crowning of a new genre: republican opera.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 236 pp. Englisch. N° de réf. du vendeur 9783838363240
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