Composition, Perception, Analysis: The Musical Observer - Couverture souple

Barkl, Michael

 
9783838365015: Composition, Perception, Analysis: The Musical Observer
Couverture souple
ISBN 10 : 3838365011 ISBN 13 : 9783838365015
Editeur : LAP LAMBERT Academic Publishing, 2010

Synopsis

This study looks at the ways in which music is analysed in the present time and the present context. It places the observer central to the overall picture and examines the individual’s relationship to the types of compositions produced and the individual’s relationship to the ways in which compositions can be perceived and understood. The process of composition is analysed in terms of spectatorship and reception: a social hierarchy is acknowledged which includes aspects of the contemporary composer’s role as a teacher- philosopher-hero interacting with the practical concerns of training, competition, and the marketplace. The approach taken is an interdisciplinary one (incorporating, in a non- technical fashion, theories of perception) and examines the ways in which viewpoints of analysis of music carry with them the seeds of their own conclusions. The aim of the study is not to give a complete description of all issues that may be raised under the banner of composition-perception- analysis, but to make reference to some aspects that may be worth noting in the course of analytical work, and to suggest a wider context in which to place analytical results.

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

Présentation de l'éditeur

This study looks at the ways in which music is analysed in the present time and the present context. It places the observer central to the overall picture and examines the individual’s relationship to the types of compositions produced and the individual’s relationship to the ways in which compositions can be perceived and understood. The process of composition is analysed in terms of spectatorship and reception: a social hierarchy is acknowledged which includes aspects of the contemporary composer’s role as a teacher- philosopher-hero interacting with the practical concerns of training, competition, and the marketplace. The approach taken is an interdisciplinary one (incorporating, in a non- technical fashion, theories of perception) and examines the ways in which viewpoints of analysis of music carry with them the seeds of their own conclusions. The aim of the study is not to give a complete description of all issues that may be raised under the banner of composition-perception- analysis, but to make reference to some aspects that may be worth noting in the course of analytical work, and to suggest a wider context in which to place analytical results.

Biographie de l'auteur

Michael Barkl (PhD, DCA) is an Australian composer born in Sydney. His works, which investigate the interplay of modernist and popular materials, have been performed by Michael Kieran Harvey, Sally Mays, James Wishart, Elision, Synergy, The Ensemble InterContemporain and the Adelaide, Tasmanian and Western Australian Symphony Orchestras.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

Éditeur
LAP LAMBERT Academic Publishing
Date d'édition
2010
Langue
anglais
ISBN 10 
3838365011
ISBN 13 
9783838365015
Reliure
Broché
Nombre de pages
152
Coordonnées du fabricant
non disponible
Personne responsable
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