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The Dramatic in Murdoch's Fiction: Iris Murdoch and the Dramatic: Self-knowledge in The Nice and The Good, The Black Prince and The Sea, The Sea - Couverture souple
Synopsis
Murdoch’s fiction has been influenced by dramatic elements, particularly comic elements. This influence has been revealed as parody. Murdoch parodies the comic character types of the eiron, alazon, buffoon and agroikos by exaggerating and mixing their functions and themes of love, separated lovers and metamorphosis in her novels, The Nice and the Good, The Black Prince, and The Sea, The Sea. In addition, she makes parodic uses of Shakespearean plays, As You Like It and Love's Labour's Lost, Hamlet, and The Tempest, in her novels in question. Her use of parody as a weapon against the genre of romantic comedy, its character types and main themes is the result of her philosophical view of drama and the dramatic. She argues that comedy and tragedy deal with appearance whereas drama and the dramatic ought to involve reality. In her novels in question, she shows that the dramatic is the conflict of selfish self with itself to reach self-knowledge Murdochian self- knowledge is the knowledge of what lies beyond self. This kind of knowledge is achieved by unselfing, a process through which a solipsistic self recognizes its solipsism and challenges it by means of love and art.
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Présentation de l'éditeur
Murdoch’s fiction has been influenced by dramatic elements, particularly comic elements. This influence has been revealed as parody. Murdoch parodies the comic character types of the eiron, alazon, buffoon and agroikos by exaggerating and mixing their functions and themes of love, separated lovers and metamorphosis in her novels, The Nice and the Good, The Black Prince, and The Sea, The Sea. In addition, she makes parodic uses of Shakespearean plays, As You Like It and Love's Labour's Lost, Hamlet, and The Tempest, in her novels in question. Her use of parody as a weapon against the genre of romantic comedy, its character types and main themes is the result of her philosophical view of drama and the dramatic. She argues that comedy and tragedy deal with appearance whereas drama and the dramatic ought to involve reality. In her novels in question, she shows that the dramatic is the conflict of selfish self with itself to reach self-knowledge Murdochian self- knowledge is the knowledge of what lies beyond self. This kind of knowledge is achieved by unselfing, a process through which a solipsistic self recognizes its solipsism and challenges it by means of love and art.
Biographie de l'auteur
Farzaneh Naseri-Sis has got her BA, MA, and PhD in English Literature. She has worked as an English teacher, an academic member and adjunct teacher from 1993-2008 in Iran. She has worked as an interpreter for Farsi, Azerbaijani and Turkish Languages from 2009-2010 in Minnesota. From 2010-2011 she has taught Expository writing at KSU, Kansas, USA.
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The Dramatic in Murdoch's Fiction
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LAP LAMBERT Academic Publishing Dez 2011, 2011
ISBN 10 : 3846543292
ISBN 13 : 9783846543290
Neuf
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Vendeur : BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Allemagne
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Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Murdoch s fiction has been influenced by dramatic elements, particularly comic elements. This influence has been revealed as parody. Murdoch parodies the comic character types of the eiron, alazon, buffoon and agroikos by exaggerating and mixing their functions and themes of love, separated lovers and metamorphosis in her novels, The Nice and the Good, The Black Prince, and The Sea, The Sea. In addition, she makes parodic uses of Shakespearean plays, As You Like It and Love's Labour's Lost, Hamlet, and The Tempest, in her novels in question. Her use of parody as a weapon against the genre of romantic comedy, its character types and main themes is the result of her philosophical view of drama and the dramatic. She argues that comedy and tragedy deal with appearance whereas drama and the dramatic ought to involve reality. In her novels in question, she shows that the dramatic is the conflict of selfish self with itself to reach self-knowledge Murdochian self- knowledge is the knowledge of what lies beyond self. This kind of knowledge is achieved by unselfing, a process through which a solipsistic self recognizes its solipsism and challenges it by means of love and art. 140 pp. Englisch. N° de réf. du vendeur 9783846543290
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The Dramatic in Murdoch's Fiction
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ISBN 13 : 9783846543290
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The Dramatic in Murdoch's Fiction
Edité par
Editorial Academica Espanola, 2011
ISBN 10 : 3846543292
ISBN 13 : 9783846543290
Neuf
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The Dramatic in Murdoch's Fiction
Edité par
Editorial Academica Espanola, 2011
ISBN 10 : 3846543292
ISBN 13 : 9783846543290
Neuf
Couverture souple
Vendeur : Biblios, Frankfurt am main, HESSE, Allemagne
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The Dramatic in Murdoch s Fiction
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ISBN 10 : 3846543292
ISBN 13 : 9783846543290
Neuf
Couverture souple
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Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Naseri-Sis FarzanehFarzaneh Naseri-Sis has got her BA, MA, and PhD in English Literature. She has worked as an English teacher, an academic member and adjunct teacher from 1993-2008 in Iran. She has worked as an interpreter for Farsi. N° de réf. du vendeur 5497933
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The Dramatic in Murdoch's Fiction
Edité par
LAP LAMBERT Academic Publishing Dez 2011, 2011
ISBN 10 : 3846543292
ISBN 13 : 9783846543290
Neuf
Taschenbuch
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Taschenbuch. Etat : Neu. Neuware -Murdoch¿s fiction has been influenced by dramatic elements, particularly comic elements. This influence has been revealed as parody. Murdoch parodies the comic character types of the eiron, alazon, buffoon and agroikos by exaggerating and mixing their functions and themes of love, separated lovers and metamorphosis in her novels, The Nice and the Good, The Black Prince, and The Sea, The Sea. In addition, she makes parodic uses of Shakespearean plays, As You Like It and Love's Labour's Lost, Hamlet, and The Tempest, in her novels in question. Her use of parody as a weapon against the genre of romantic comedy, its character types and main themes is the result of her philosophical view of drama and the dramatic. She argues that comedy and tragedy deal with appearance whereas drama and the dramatic ought to involve reality. In her novels in question, she shows that the dramatic is the conflict of selfish self with itself to reach self-knowledge Murdochian self- knowledge is the knowledge of what lies beyond self. This kind of knowledge is achieved by unselfing, a process through which a solipsistic self recognizes its solipsism and challenges it by means of love and art.Books on Demand GmbH, Überseering 33, 22297 Hamburg 140 pp. Englisch. N° de réf. du vendeur 9783846543290
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The Dramatic in Murdoch's Fiction : Iris Murdoch and the Dramatic: Self-knowledge in The Nice and The Good, The Black Prince and The Sea, The Sea
Edité par
LAP LAMBERT Academic Publishing, 2011
ISBN 10 : 3846543292
ISBN 13 : 9783846543290
Neuf
Taschenbuch
Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Évaluation du vendeur 5 sur 5 étoiles
Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Murdoch s fiction has been influenced by dramatic elements, particularly comic elements. This influence has been revealed as parody. Murdoch parodies the comic character types of the eiron, alazon, buffoon and agroikos by exaggerating and mixing their functions and themes of love, separated lovers and metamorphosis in her novels, The Nice and the Good, The Black Prince, and The Sea, The Sea. In addition, she makes parodic uses of Shakespearean plays, As You Like It and Love's Labour's Lost, Hamlet, and The Tempest, in her novels in question. Her use of parody as a weapon against the genre of romantic comedy, its character types and main themes is the result of her philosophical view of drama and the dramatic. She argues that comedy and tragedy deal with appearance whereas drama and the dramatic ought to involve reality. In her novels in question, she shows that the dramatic is the conflict of selfish self with itself to reach self-knowledge Murdochian self- knowledge is the knowledge of what lies beyond self. This kind of knowledge is achieved by unselfing, a process through which a solipsistic self recognizes its solipsism and challenges it by means of love and art. N° de réf. du vendeur 9783846543290
Quantité disponible : 1 disponible(s)