In the midst of recent globalization, where networks have steadily become more and more interconnected, and the exchange of information faster than ever, the idea of high art museums as commodified attraction is increasingly prevalent. Two mega collectors are opening their own private museums. Carlos Slim Helu, inaugurated a striking torqued aluminum tower to house his old masters and Rodins. Eugenio Lopez Alonso, is designing a new space, next to Slim Helu's, to transplant his contemporary art collection from the grounds of the company’s factory. Both museums, built with modern designs and located in the heart of the city will give Mexico City a fresh look. How will these two new museums affect or engage in the political and economic transformations associated with the establishment of a neoliberal government, and reposition Mexico City on the cultural map? The present investigation explores Mexico City and Istanbul (as a case study), two cities mostly known for their anthropological cities and ancient cultures that lately are adopting high art as part of a global cities formula. Mexico City and Istanbul are in the class of global cities without influence and privileges.
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In the midst of recent globalization, where networks have steadily become more and more interconnected, and the exchange of information faster than ever, the idea of high art museums as commodified attraction is increasingly prevalent. Two mega collectors are opening their own private museums. Carlos Slim Helu, inaugurated a striking torqued aluminum tower to house his old masters and Rodins. Eugenio Lopez Alonso, is designing a new space, next to Slim Helu's, to transplant his contemporary art collection from the grounds of the company’s factory. Both museums, built with modern designs and located in the heart of the city will give Mexico City a fresh look. How will these two new museums affect or engage in the political and economic transformations associated with the establishment of a neoliberal government, and reposition Mexico City on the cultural map? The present investigation explores Mexico City and Istanbul (as a case study), two cities mostly known for their anthropological cities and ancient cultures that lately are adopting high art as part of a global cities formula. Mexico City and Istanbul are in the class of global cities without influence and privileges.
Sarabeth has a bachelor in Business Administration by ITAM (Instituto Tecnológico Autónomo de México) and a master degree in Arts Administration and Policy by SAIC (The School of the Art Institute of Chicago). Her professional development started in the business area, however her interests changed toward the artistic and cultural realm.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -In the midst of recent globalization, where networks have steadily become more and more interconnected, and the exchange of information faster than ever, the idea of high art museums as commodified attraction is increasingly prevalent. Two mega collectors are opening their own private museums. Carlos Slim Helu, inaugurated a striking torqued aluminum tower to house his old masters and Rodins. Eugenio Lopez Alonso, is designing a new space, next to Slim Helu's, to transplant his contemporary art collection from the grounds of the company s factory. Both museums, built with modern designs and located in the heart of the city will give Mexico City a fresh look. How will these two new museums affect or engage in the political and economic transformations associated with the establishment of a neoliberal government, and reposition Mexico City on the cultural map The present investigation explores Mexico City and Istanbul (as a case study), two cities mostly known for their anthropological cities and ancient cultures that lately are adopting high art as part of a global cities formula. Mexico City and Istanbul are in the class of global cities without influence and privileges. 64 pp. Englisch. N° de réf. du vendeur 9783846545119
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Taschenbuch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -In the midst of recent globalization, where networks have steadily become more and more interconnected, and the exchange of information faster than ever, the idea of high art museums as commodified attraction is increasingly prevalent. Two mega collectors are opening their own private museums. Carlos Slim Helu, inaugurated a striking torqued aluminum tower to house his old masters and Rodins. Eugenio Lopez Alonso, is designing a new space, next to Slim Helu's, to transplant his contemporary art collection from the grounds of the company's factory. Both museums, built with modern designs and located in the heart of the city will give Mexico City a fresh look. How will these two new museums affect or engage in the political and economic transformations associated with the establishment of a neoliberal government, and reposition Mexico City on the cultural map The present investigation explores Mexico City and Istanbul (as a case study), two cities mostly known for their anthropological cities and ancient cultures that lately are adopting high art as part of a global cities formula. Mexico City and Istanbul are in the class of global cities without influence and privileges.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 64 pp. Englisch. N° de réf. du vendeur 9783846545119
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Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In the midst of recent globalization, where networks have steadily become more and more interconnected, and the exchange of information faster than ever, the idea of high art museums as commodified attraction is increasingly prevalent. Two mega collectors are opening their own private museums. Carlos Slim Helu, inaugurated a striking torqued aluminum tower to house his old masters and Rodins. Eugenio Lopez Alonso, is designing a new space, next to Slim Helu's, to transplant his contemporary art collection from the grounds of the company s factory. Both museums, built with modern designs and located in the heart of the city will give Mexico City a fresh look. How will these two new museums affect or engage in the political and economic transformations associated with the establishment of a neoliberal government, and reposition Mexico City on the cultural map The present investigation explores Mexico City and Istanbul (as a case study), two cities mostly known for their anthropological cities and ancient cultures that lately are adopting high art as part of a global cities formula. Mexico City and Istanbul are in the class of global cities without influence and privileges. N° de réf. du vendeur 9783846545119
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Taschenbuch. Etat : Neu. Global Cities, In Third World Countries | Mexico City's Two New Museums | Sarabeth Avila Abud | Taschenbuch | 64 S. | Englisch | 2013 | LAP LAMBERT Academic Publishing | EAN 9783846545119 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu. N° de réf. du vendeur 105564708
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