Within the emerging interdisciplinary scope of landscape theory, and taking as its object of study the work written for the stage by contemporary British playwright Harold Pinter, this book is the first sustained in-depth study that relates Pinter’s dramatic images and sensory landscapes to Symbolist theatre and theory, so as to disclose several unexplored ecocritical and micropolitical resonances of his theatre for our times. Ecocritically, Pinter’s landscapes evoke a sense of warning against the end of “nature,” or against the ending of vital connections between human and extra-human realities. Micropolitically, his sensory images expose a concern with the ethical dimension of individuals, and with the ecology of their relationships within a commonly shared space. Methodologically, this transdisciplinary study argues for a phenomenological experience of playtexts, and for a reading of their landscapes not just in terms of their actual spatial and sensory features, but also by examining their aesthetic interactions with other authors’ drama, fiction, philosophy, poetry, and paintings.
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Within the emerging interdisciplinary scope of landscape theory, and taking as its object of study the work written for the stage by contemporary British playwright Harold Pinter, this book is the first sustained in-depth study that relates Pinter’s dramatic images and sensory landscapes to Symbolist theatre and theory, so as to disclose several unexplored ecocritical and micropolitical resonances of his theatre for our times. Ecocritically, Pinter’s landscapes evoke a sense of warning against the end of “nature,” or against the ending of vital connections between human and extra-human realities. Micropolitically, his sensory images expose a concern with the ethical dimension of individuals, and with the ecology of their relationships within a commonly shared space. Methodologically, this transdisciplinary study argues for a phenomenological experience of playtexts, and for a reading of their landscapes not just in terms of their actual spatial and sensory features, but also by examining their aesthetic interactions with other authors’ drama, fiction, philosophy, poetry, and paintings.
Graça P. Corrêa is a research fellow at CIAC-University of Algarve, Department of Communication, Culture and Arts. Ph.D. in Theatre Theory (The Graduate Center of the City University of New York); MA in Directing (Emerson College-Boston); Architecture degree (UTL-Lisboa). She has worked as director, dramaturg, translator, playwright, and designer.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Within the emerging interdisciplinary scope of landscape theory, and taking as its object of study the work written for the stage by contemporary British playwright Harold Pinter, this book is the first sustained in-depth study that relates Pinter s dramatic images and sensory landscapes to Symbolist theatre and theory, so as to disclose several unexplored ecocritical and micropolitical resonances of his theatre for our times. Ecocritically, Pinter s landscapes evoke a sense of warning against the end of nature, or against the ending of vital connections between human and extra-human realities. Micropolitically, his sensory images expose a concern with the ethical dimension of individuals, and with the ecology of their relationships within a commonly shared space. Methodologically, this transdisciplinary study argues for a phenomenological experience of playtexts, and for a reading of their landscapes not just in terms of their actual spatial and sensory features, but also by examining their aesthetic interactions with other authors drama, fiction, philosophy, poetry, and paintings. 372 pp. Englisch. N° de réf. du vendeur 9783846545140
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Taschenbuch. Etat : Neu. Sensory Landscapes in Harold Pinter | A Study on Ecocriticism and Symbolist Aesthetics | Graça P. Corrêa | Taschenbuch | Paperback | 296 S. | Englisch | 2012 | LAP Lambert Academic Publishing | EAN 9783846545140 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu. N° de réf. du vendeur 106706636
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Taschenbuch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -Within the emerging interdisciplinary scope of landscape theory, and taking as its object of study the work written for the stage by contemporary British playwright Harold Pinter, this book is the first sustained in-depth study that relates Pinter's dramatic images and sensory landscapes to Symbolist theatre and theory, so as to disclose several unexplored ecocritical and micropolitical resonances of his theatre for our times. Ecocritically, Pinter's landscapes evoke a sense of warning against the end of 'nature,' or against the ending of vital connections between human and extra-human realities. Micropolitically, his sensory images expose a concern with the ethical dimension of individuals, and with the ecology of their relationships within a commonly shared space. Methodologically, this transdisciplinary study argues for a phenomenological experience of playtexts, and for a reading of their landscapes not just in terms of their actual spatial and sensory features, but also by examining their aesthetic interactions with other authors' drama, fiction, philosophy, poetry, and paintings.Books on Demand GmbH, Überseering 33, 22297 Hamburg 372 pp. Englisch. N° de réf. du vendeur 9783846545140
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