This book demonstrates how contemporary theories of subjectivity have their roots in early modern philosophical and literary arguments, particularly in Shakespeare’s “distracted Globe.” Abdulhamit Arvas discusses Shakespeare’s Hamlet in relation to the modernist idea of the autonomous self and the postmodernist idea of the decentered subjectivities to explore the notion of the self in early modern thought and to suggest how Hamlet’s preoccupation with philosophical and rhetorical modes of self-display can be seen as anticipating certain postmodern theories. This work offers an interpretation for Hamlet’s subjectivity from a postmodernist point of view which asserts that the play examines the very discursive formulation of the self and uncovers the fragility of the idea itself. In conjunction with these arguments, the book includes a close analysis of Hamlet’s postmodern film adaptations—of Coronado and Almereyda versions in particular— to elucidate the early modern- postmodern relations. By offering new insights to the question of subjectivity and closely analyzing movie adaptations of Hamlet, this book is a contribution to discussions in Shakespeare and Shakespearean film studies.
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This book demonstrates how contemporary theories of subjectivity have their roots in early modern philosophical and literary arguments, particularly in Shakespeare’s “distracted Globe.” Abdulhamit Arvas discusses Shakespeare’s Hamlet in relation to the modernist idea of the autonomous self and the postmodernist idea of the decentered subjectivities to explore the notion of the self in early modern thought and to suggest how Hamlet’s preoccupation with philosophical and rhetorical modes of self-display can be seen as anticipating certain postmodern theories. This work offers an interpretation for Hamlet’s subjectivity from a postmodernist point of view which asserts that the play examines the very discursive formulation of the self and uncovers the fragility of the idea itself. In conjunction with these arguments, the book includes a close analysis of Hamlet’s postmodern film adaptations—of Coronado and Almereyda versions in particular— to elucidate the early modern- postmodern relations. By offering new insights to the question of subjectivity and closely analyzing movie adaptations of Hamlet, this book is a contribution to discussions in Shakespeare and Shakespearean film studies.
obtained his BA in English Language and Literature from Hacettepe University,Turkey, and his MA in English from Eastern Michigan University as a Fulbright scholar. Currently, he is a PhD candidate in English specializing in early modern studies at Michigan State University where he at the same time teaches literature classes as a teaching assistant
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Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book demonstrates how contemporary theories of subjectivity have their roots in early modern philosophical and literary arguments, particularly in Shakespeare s distracted Globe. Abdulhamit Arvas discusses Shakespeare s Hamlet in relation to the modernist idea of the autonomous self and the postmodernist idea of the decentered subjectivities to explore the notion of the self in early modern thought and to suggest how Hamlet s preoccupation with philosophical and rhetorical modes of self-display can be seen as anticipating certain postmodern theories. This work offers an interpretation for Hamlet s subjectivity from a postmodernist point of view which asserts that the play examines the very discursive formulation of the self and uncovers the fragility of the idea itself. In conjunction with these arguments, the book includes a close analysis of Hamlet s postmodern film adaptations of Coronado and Almereyda versions in particular to elucidate the early modern- postmodern relations. By offering new insights to the question of subjectivity and closely analyzing movie adaptations of Hamlet, this book is a contribution to discussions in Shakespeare and Shakespearean film studies. 100 pp. Englisch. N° de réf. du vendeur 9783846587188
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Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Arvas Abdulhamitobtained his BA in English Language and Literature from Hacettepe University,Turkey, and his MA in English from Eastern Michigan University as a Fulbright scholar. Currently, he is a PhD candidate in English specializ. N° de réf. du vendeur 5501476
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Taschenbuch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -This book demonstrates how contemporary theories of subjectivity have their roots in early modern philosophical and literary arguments, particularly in Shakespeare's 'distracted Globe.' Abdulhamit Arvas discusses Shakespeare's Hamlet in relation to the modernist idea of the autonomous self and the postmodernist idea of the decentered subjectivities to explore the notion of the self in early modern thought and to suggest how Hamlet's preoccupation with philosophical and rhetorical modes of self-display can be seen as anticipating certain postmodern theories. This work offers an interpretation for Hamlet's subjectivity from a postmodernist point of view which asserts that the play examines the very discursive formulation of the self and uncovers the fragility of the idea itself. In conjunction with these arguments, the book includes a close analysis of Hamlet's postmodern film adaptations-of Coronado and Almereyda versions in particular- to elucidate the early modern- postmodern relations. By offering new insights to the question of subjectivity and closely analyzing movie adaptations of Hamlet, this book is a contribution to discussions in Shakespeare and Shakespearean film studies.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 100 pp. Englisch. N° de réf. du vendeur 9783846587188
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Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book demonstrates how contemporary theories of subjectivity have their roots in early modern philosophical and literary arguments, particularly in Shakespeare s distracted Globe. Abdulhamit Arvas discusses Shakespeare s Hamlet in relation to the modernist idea of the autonomous self and the postmodernist idea of the decentered subjectivities to explore the notion of the self in early modern thought and to suggest how Hamlet s preoccupation with philosophical and rhetorical modes of self-display can be seen as anticipating certain postmodern theories. This work offers an interpretation for Hamlet s subjectivity from a postmodernist point of view which asserts that the play examines the very discursive formulation of the self and uncovers the fragility of the idea itself. In conjunction with these arguments, the book includes a close analysis of Hamlet s postmodern film adaptations of Coronado and Almereyda versions in particular to elucidate the early modern- postmodern relations. By offering new insights to the question of subjectivity and closely analyzing movie adaptations of Hamlet, this book is a contribution to discussions in Shakespeare and Shakespearean film studies. N° de réf. du vendeur 9783846587188
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Taschenbuch. Etat : Neu. This Distracted Globe | The Question of Subjectivity in the Postmodern Renaissance and Shakespeare's Hamlet on Stage and on Screen | Abdulhamit Arvas | Taschenbuch | 100 S. | Englisch | 2012 | LAP LAMBERT Academic Publishing | EAN 9783846587188 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu. N° de réf. du vendeur 106636899
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