Articles liés à This Distracted Globe: The Question of Subjectivity...

This Distracted Globe: The Question of Subjectivity in the Postmodern Renaissance and Shakespeare's Hamlet on Stage and on Screen - Couverture souple

Arvas, Abdulhamit

 
9783846587188: This Distracted Globe: The Question of Subjectivity in the Postmodern Renaissance and Shakespeare's Hamlet on Stage and on Screen

Synopsis

This book demonstrates how contemporary theories of subjectivity have their roots in early modern philosophical and literary arguments, particularly in Shakespeare’s “distracted Globe.” Abdulhamit Arvas discusses Shakespeare’s Hamlet in relation to the modernist idea of the autonomous self and the postmodernist idea of the decentered subjectivities to explore the notion of the self in early modern thought and to suggest how Hamlet’s preoccupation with philosophical and rhetorical modes of self-display can be seen as anticipating certain postmodern theories. This work offers an interpretation for Hamlet’s subjectivity from a postmodernist point of view which asserts that the play examines the very discursive formulation of the self and uncovers the fragility of the idea itself. In conjunction with these arguments, the book includes a close analysis of Hamlet’s postmodern film adaptations—of Coronado and Almereyda versions in particular— to elucidate the early modern- postmodern relations. By offering new insights to the question of subjectivity and closely analyzing movie adaptations of Hamlet, this book is a contribution to discussions in Shakespeare and Shakespearean film studies.

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

Présentation de l'éditeur

This book demonstrates how contemporary theories of subjectivity have their roots in early modern philosophical and literary arguments, particularly in Shakespeare’s “distracted Globe.” Abdulhamit Arvas discusses Shakespeare’s Hamlet in relation to the modernist idea of the autonomous self and the postmodernist idea of the decentered subjectivities to explore the notion of the self in early modern thought and to suggest how Hamlet’s preoccupation with philosophical and rhetorical modes of self-display can be seen as anticipating certain postmodern theories. This work offers an interpretation for Hamlet’s subjectivity from a postmodernist point of view which asserts that the play examines the very discursive formulation of the self and uncovers the fragility of the idea itself. In conjunction with these arguments, the book includes a close analysis of Hamlet’s postmodern film adaptations—of Coronado and Almereyda versions in particular— to elucidate the early modern- postmodern relations. By offering new insights to the question of subjectivity and closely analyzing movie adaptations of Hamlet, this book is a contribution to discussions in Shakespeare and Shakespearean film studies.

Biographie de l'auteur

obtained his BA in English Language and Literature from Hacettepe University,Turkey, and his MA in English from Eastern Michigan University as a Fulbright scholar. Currently, he is a PhD candidate in English specializing in early modern studies at Michigan State University where he at the same time teaches literature classes as a teaching assistant

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.