Sets of impulse responses were designed/simulated with different temporal distributions of early acoustic energy (specular and diffuse reflections); then, three types of anechoic sound sources: orchestral music, trumpet, and piano were convolved with the designed impulse responses. The results from the listening tests revealed that different room environments were needed to acoustically support different source characteristics: 1) A large number of diffuse reflections arriving within 40 and 80 msec of the direct sound improved perceived “intimacy”, “texture”, and “overall impression” for all sound sources; heightened perceived “clarity” for trumpet and piano; and reduced perceived “glare” for trumpet. 2) Diffuse reflections arriving between 80-160 msec of the direct sound preserved perceived “reverberance” and reduced perceived “echoes” as opposed to specular reflections arriving at the same time period. The results of this study indicated that music performance halls should be designed to include diffuse reflections from surfaces within the 80 msec time period to achieve preferred texture, intimacy, clarity and overall impression and in the 160 msec time period to reduce echoes.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Sets of impulse responses were designed/simulated with different temporal distributions of early acoustic energy (specular and diffuse reflections); then, three types of anechoic sound sources: orchestral music, trumpet, and piano were convolved with the designed impulse responses. The results from the listening tests revealed that different room environments were needed to acoustically support different source characteristics: 1) A large number of diffuse reflections arriving within 40 and 80 msec of the direct sound improved perceived “intimacy”, “texture”, and “overall impression” for all sound sources; heightened perceived “clarity” for trumpet and piano; and reduced perceived “glare” for trumpet. 2) Diffuse reflections arriving between 80-160 msec of the direct sound preserved perceived “reverberance” and reduced perceived “echoes” as opposed to specular reflections arriving at the same time period. The results of this study indicated that music performance halls should be designed to include diffuse reflections from surfaces within the 80 msec time period to achieve preferred texture, intimacy, clarity and overall impression and in the 160 msec time period to reduce echoes.
Dr. Pattra Smitthakorn obtained her Doctor of Philosophy degree in Architectural Acoustics in 2006. She afterwards returned to Thailand, and worked as an instructor at the School of Architecture and Design, King Mongkut’s University of Technology Thonburi, Bangkok.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Allemagne
Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Sets of impulse responses were designed/simulated with different temporal distributions of early acoustic energy (specular and diffuse reflections); then, three types of anechoic sound sources: orchestral music, trumpet, and piano were convolved with the designed impulse responses. The results from the listening tests revealed that different room environments were needed to acoustically support different source characteristics: 1) A large number of diffuse reflections arriving within 40 and 80 msec of the direct sound improved perceived intimacy , texture , and overall impression for all sound sources; heightened perceived clarity for trumpet and piano; and reduced perceived glare for trumpet. 2) Diffuse reflections arriving between 80-160 msec of the direct sound preserved perceived reverberance and reduced perceived echoes as opposed to specular reflections arriving at the same time period. The results of this study indicated that music performance halls should be designed to include diffuse reflections from surfaces within the 80 msec time period to achieve preferred texture, intimacy, clarity and overall impression and in the 160 msec time period to reduce echoes. 92 pp. Englisch. N° de réf. du vendeur 9783846589564
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Etat : New. Print on Demand pp. 92 2:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on Creme w/Gloss Lam. N° de réf. du vendeur 95318993
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Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Smitthakorn PattraDr. Pattra Smitthakorn obtained her Doctor of Philosophy degree in Architectural Acoustics in 2006. She afterwards returned to Thailand, and worked as an instructor at the School of Architecture and Design, King Mo. N° de réf. du vendeur 5501628
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Taschenbuch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -Sets of impulse responses were designed/simulated with different temporal distributions of early acoustic energy (specular and diffuse reflections); then, three types of anechoic sound sources: orchestral music, trumpet, and piano were convolved with the designed impulse responses. The results from the listening tests revealed that different room environments were needed to acoustically support different source characteristics: 1) A large number of diffuse reflections arriving within 40 and 80 msec of the direct sound improved perceived 'intimacy', 'texture', and 'overall impression' for all sound sources; heightened perceived 'clarity' for trumpet and piano; and reduced perceived 'glare' for trumpet. 2) Diffuse reflections arriving between 80-160 msec of the direct sound preserved perceived 'reverberance' and reduced perceived 'echoes' as opposed to specular reflections arriving at the same time period. The results of this study indicated that music performance halls should be designed to include diffuse reflections from surfaces within the 80 msec time period to achieve preferred texture, intimacy, clarity and overall impression and in the 160 msec time period to reduce echoes.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 92 pp. Englisch. N° de réf. du vendeur 9783846589564
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Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Sets of impulse responses were designed/simulated with different temporal distributions of early acoustic energy (specular and diffuse reflections); then, three types of anechoic sound sources: orchestral music, trumpet, and piano were convolved with the designed impulse responses. The results from the listening tests revealed that different room environments were needed to acoustically support different source characteristics: 1) A large number of diffuse reflections arriving within 40 and 80 msec of the direct sound improved perceived intimacy , texture , and overall impression for all sound sources; heightened perceived clarity for trumpet and piano; and reduced perceived glare for trumpet. 2) Diffuse reflections arriving between 80-160 msec of the direct sound preserved perceived reverberance and reduced perceived echoes as opposed to specular reflections arriving at the same time period. The results of this study indicated that music performance halls should be designed to include diffuse reflections from surfaces within the 80 msec time period to achieve preferred texture, intimacy, clarity and overall impression and in the 160 msec time period to reduce echoes. N° de réf. du vendeur 9783846589564
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Taschenbuch. Etat : Neu. Architectural Acoustics | Effects of Specular & Diffuse Reflections on Perceived Music Quality | Pattra Smitthakorn (u. a.) | Taschenbuch | 92 S. | Englisch | 2012 | LAP LAMBERT Academic Publishing | EAN 9783846589564 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu. N° de réf. du vendeur 106577411
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