Film festivals during the Cold War were fraught with the political and social tensions that dominated the world at the time. While film was becoming an increasingly powerful medium, the European festivals in particular established themselves as showcases for filmmakers and their perceptions of reality. At the same time, their prestigious, international character attracted the interest of states and private players. The history of these festivals thus sheds light not only on the films they made available to various publics, but on the cultural policies and political processes that informed their operations. Presenting new research by an international group of younger scholars, Cultural Transfer and Political Conflicts critically investigates postwar history in the context of film festivals reconstructing not only their social background and international dispensation, but also their centrality for cultural transfers between the East, the West and the South during the Cold War.
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Dr. Andreas Kötzing ist Lehrbeauftragter an der Universität Leipzig und Wissenschaftlicher Mitarbeiter am Hannah-Arendt-Institut für Totalitarismusforschung in Dresden. Dr. Caroline Moine ist Assistenzprofessorin an der Universität Versailles Saint-Quentin-en-Yvelines und Vize-Direktorin des Centre d'histoire culturelle des sociétés contemporaines. Dr. Caroline Moine ist Assistenzprofessorin an der Universität Versailles Saint-Quentin-en-Yvelines und Vize-Direktorin des Centre d'histoire culturelle des sociétés contemporaines. Dr. Andreas Kötzing ist Lehrbeauftragter an der Universität Leipzig und Wissenschaftlicher Mitarbeiter am Hannah-Arendt-Institut für Totalitarismusforschung in Dresden.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Etat : Wie Neu. Zustandsbeschreibung: leichte Lagerspuren/minor shelfwear. Film Festivals in the Cold War. Edited by Andreas Kötzing and Caroline Moine. English-language copyediting by Bill Martin. Film festivals during the Cold War were fraught with the political and social tensions that dominated the world at the time. While film was becoming an increasingly powerful medium, the European festivals in particular established themselves as showcases for filmmakers and their perceptions of reality. At the same time, their prestigious, international character attracted the interest of states and private players. The history of these festivals thus sheds light not only on the films they made available to various publics, but on the cultural policies and political processes that informed their operations. With contributions by Tobias Ebbrecht-Hartmann, Regina Câmara, Anne Bruch et al. 169 Seiten, broschiert (Hannah-Arendt-Institut für Totalitarismusforschung. Berichte und Studien; Nr. 72/V&R unipress 2017). Statt EUR 35,00. Gewicht: 271 g - Softcover/Taschenbuch. N° de réf. du vendeur 120820
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Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. While film was becoming an increasingly powerful medium, the European festivals in particular established themselves as showcases for filmmakers and their perceptions of reality. At the same time, their prestigious, international character attracted the int. N° de réf. du vendeur 121946714
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