Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Founded in 2005, Museum Marta Herford is a contemporary art museum with a focus on architecture and interior design.<br />
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Paperback. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. N° de réf. du vendeur M3858815780Z3
Quantité disponible : 6 disponible(s)
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur CW-9783858815781
Quantité disponible : 4 disponible(s)
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. N° de réf. du vendeur 30454820-n
Quantité disponible : 1 disponible(s)
Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. New edition. Swiss artist, architect, designer, typographer, and theorist Max Bill (1908-94) was one of the most important exponents of concrete and constructive art and a key figure in the history of 20th-century European applied arts and design. Educated by such eminent teachers as Paul Klee, Wassily Kandinsky, and Walter Gropius at the Bauhaus in Dessau, Bill immediately displayed a genius for work in fields as diverse as painting, sculpture, architecture, typography and design from the outset of his career in the 1930s. In the 1950s, he teamed up with Inge Scholl and Otl Aicher to found the legendary Ulm College of Design in Ulm, of which he became the first director. In his work, Max Bill carried on the Bauhaus legacy, both as an artist and a teacher, and made a decisive and lasting contribution to 20th-century cultural life.The new edition of this authoritative and much sought-after monograph displays Bill's wide-ranging work and sets him in the context of his cultural milieu by featuring works by his contemporaries, such as Kurt Schwitters, Wassily Kandinsky, and Donald Judd. Accompanying essays investigate Bill's influence on other artists and the lasting importance of his oeuvre in the present.Text in English and German. N° de réf. du vendeur LU-9783858815781
Quantité disponible : 5 disponible(s)
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 30454820
Quantité disponible : 3 disponible(s)
Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Paperback. Etat : new. Paperback. Swiss artist, architect, and theorist Max Bill (190894) was an important proponent of concrete and constructive art and a key figure in twentieth-century European applied arts and design. Trained at the Bauhaus with eminent figures like Wassily Kandinsky, Walter Gropius, and Paul Klee, Bill displayed an early virtuosity across a diverse range of fields, including painting, sculpture, architecture, typography, and design. In the 1950s, he collaborated with Inge Scholl and Otl Aicher to found the legendary Ulm College of Design, where he carried on the Bauhaus legacy as both artist and teacher and made a decisive and lasting contribution to twentieth-century cultural life.This long-awaited new edition of the authoritative book on Bills wide-ranging work, Max Bill: No Beginning, No End situates Bill within the context of his cultural moment. With more than two hundred illustrations of works by Bill and his contemporaries, the book also includes contributions by Getulio Alviani, Lorenzo Benedetti, Ulrike Bestgen, Friederike Fast, Erich Schmid, and Angela Thomas Schmid that investigate Bills influence on other artists and the lasting importance of his work to the present day. The authoritative monograph on Max Bill, featuring essays on Bill's life and work. Text in English and German. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783858815781
Quantité disponible : 1 disponible(s)
Vendeur : Speedyhen LLC, Hialeah, FL, Etats-Unis
Etat : NEW. N° de réf. du vendeur NWUS9783858815781
Quantité disponible : 6 disponible(s)
Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
Etat : New. N° de réf. du vendeur 30454820-n
Quantité disponible : 1 disponible(s)
Vendeur : Brook Bookstore On Demand, Napoli, NA, Italie
Etat : new. N° de réf. du vendeur 5b312e9a9a8132687d953afbe55d7c15
Quantité disponible : 3 disponible(s)
Vendeur : Rarewaves USA, OSWEGO, IL, Etats-Unis
Paperback. Etat : New. New edition. Swiss artist, architect, designer, typographer, and theorist Max Bill (1908-94) was one of the most important exponents of concrete and constructive art and a key figure in the history of 20th-century European applied arts and design. Educated by such eminent teachers as Paul Klee, Wassily Kandinsky, and Walter Gropius at the Bauhaus in Dessau, Bill immediately displayed a genius for work in fields as diverse as painting, sculpture, architecture, typography and design from the outset of his career in the 1930s. In the 1950s, he teamed up with Inge Scholl and Otl Aicher to found the legendary Ulm College of Design in Ulm, of which he became the first director. In his work, Max Bill carried on the Bauhaus legacy, both as an artist and a teacher, and made a decisive and lasting contribution to 20th-century cultural life.The new edition of this authoritative and much sought-after monograph displays Bill's wide-ranging work and sets him in the context of his cultural milieu by featuring works by his contemporaries, such as Kurt Schwitters, Wassily Kandinsky, and Donald Judd. Accompanying essays investigate Bill's influence on other artists and the lasting importance of his oeuvre in the present.Text in English and German. N° de réf. du vendeur LU-9783858815781
Quantité disponible : 2 disponible(s)