Sans autre forme de procès, Michael Kimmelman, le critique d'art du New York Times, avait qualifié Robert Smithson de " James Dean de l'art " en 1973 lorsque l'artiste, né en 1938 à Rutherford (New Jersey), était mort suite à un accident d'avion à 35 ans alors qu'il travaillait à une nouvelle oeuvre. Hormis ce parallélisme, cela s'explique surtout par l'effet magistral de la sculpture de Land Art de Robert Smithson, " Spiral Jetty ", dans le Grand Lac salé de l'Utah que Kimmelman avait qualifiée d'icône de l'Americana. Dans son oeuvre artistique et théorique, Robert Smithson s'est essentiellement consacré aux fondamentaux, de l'art postminimaliste au Land Art, en passant par l'auto-perception artistique. C'est ainsi que " Spiral Jetty " s'est hissé au niveau de la légende, grâce au film éponyme oscillant entre fiction et documentaire. Une deuxième oeuvre de Land Art a vu le jour en 1971 en Europe à l'occasion de l'exposition " Sonsbeek 71 " près de la ville hollandaise d'Emmen. Smithson avait également formulé ses idées sous .snoeck la forme de notes et d'esquisses pour un film pour lequel il avait déjà effectué les premières prises. Aujourd'hui, quarante ans plus tard, l'artiste et veuve de Smithson Nancy Holt a terminé ce film en collaboration avec SKOR (Amsterdam). Le livre documente l'exposition dans laquelle trois films, 50 dessins et photographies sont présentés, et traite en particulier des rapports de la sculpture de Land Art et des films chez Robert Smithson.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
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Soft cover. Etat : Fine. Etat de la jaquette : Very Good. 1st Edition. 135 pages, illustrated in color an B&W. Text in German and English by Eva Schmidt, Roel Arkesteijn, Theo Tegelaers, Kai Vockler, Marc Glode and a conversation between Robert Smithson ans Gregoire Muller : Robert Smithson - die Erfindung der Landschaft - The Invention of Landscape - Broken Circle / Spiral Hill & Film - Soft cover with dust wrapper - 230 x 270 mm - Very fine condition the book, the jacket with slight wear on the front. Book. N° de réf. du vendeur 079921
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Softcover. Etat : Gut bis sehr gut. 1. Auflage. Z : 136 Seiten/pages with 150 coloured illustrations - Upon the news of Robert Smithson s untimely death, Michael Kimmelman, editor of The New York Times, summarily declared the artist born in Rutherford New Jersey and perished at the age of thirty-five in a plane crash in 1973 whilst working on a new piece to be the »James Dean of Art«. A certain parallelism aside, the appellation is due to the phenomenal effect of Robert Smithson s site-specific earthwork sculpture Spiral Jetty on the shores of the Great Salt Lake in Utah that Kimmelman called an »icon of Americana«. And in his artistic and theoretical work, Robert Smithson was concerned with nothing less than fundamentals of this sort Postminimalism, Land Art and artistic self-perception. In this way, Spiral Jetty has become legend through the eponymous film that oscillates between fiction and documentation. A second Land Art project was initiated in 1971 in Europe on the occasion of the exhibition Sonsbeek 71 near Emmen in Holland. Smithson had also formulated his ideas for a film about this work for which he had already begun filming. Forty years on, the artist and Smithson s widow, Nancy Holt has completed this film in conjunction with SKOR, Amsterdam. The book is a documentation of the exhibition which features three films as well as 50 sketches and photographs and which also specifically describes the relationship between earthwork sculpture and film in the context of Robert Smithson s oeuvre. N° de réf. du vendeur ABE-1733390080981
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Paperback. Etat : Fair. Tear on back as seen in picture, otherwise good condition. Upon the news of Robert Smithson's (1938-1973) untimely death, Michael Kimmelman, editor of The New York Times, summarily declared the artist-who was born in Rutherford New Jersey, and who perished at the age of thirty-five in a 1973 plane crash whilst working on a new piece-to be the James Dean of Art. A certain parallelism aside, the appellation is due to the - phenomenal effect of Robert Smithson's site-specific earthwork sculpture Spiral Jetty on the shores of the Great Salt Lake in Utah that Kimmelman called an icon of Americana&. And in his artistic and theoretical work, Robert Smithson was concerned with -nothing less than fundamentals of this sort-Postminimalism, Land Art and artistic self-perception. In this way, Spiral Jetty has become legend through the eponymous film that oscillates between fiction and documentation. A second Land Art project was initiated in 1971 in Europe on the occasion of the exhibition Sonsbeek 71 near Emmen in Holland. Smithson had also formulated his ideas for a film about this work for which he had already begun filming. Forty years on, the artist Nancy Holt, (and Smithson's widow), has completed this film in conjunction with SKOR, -Amsterdam. The book is a documentation of the exhibition which features three films as well as 50 sketches and photographs and which also specifically describes the relationship between earthwork sculpture and film in the context of Robert Smithson's oeuvre. Exhibitions: Museum fr Gegenwartskunst Siegen, 4/3-3/5/2012 Reykjavik Art Museum, Reykjavik, 17/1-13/4/2013 Copyright © Snoeck Publishing Company. N° de réf. du vendeur 458857
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