Photographer Chauncey Hare captures the terrifying, claustrophobic ordinariness of the real America. Tan boards with grey titling, sepia photograph on front, tan end papers, essays by Hare's wife, Judy Wyatt, and Jack von Euw, illustrated throughout with sepia photographs.
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Vendeur : Antiquariat Stefan Krüger, Essen, NRW, Allemagne
25 x 31 cm 373 S. Opp. Quer-4° (Kopfschnitt minimal fleckig). überw. Ill. KMEX Fotografie. N° de réf. du vendeur 69926
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Vendeur : Marcus Campbell Art Books, London, Royaume-Uni
Hardback. Etat : Very good. 23 x 31cm 372pp very good hardback in which Chauncey Hare's highly detailed photographs of the interiors of working-class homes and workplaces across America in the late 1960s and early 1970s are displayed in black and white reproduction. This new book contains twice as many moving, disturbing and often surprising photographs as have appeared in his two earlier books, Interior America (1977) and This Was Corporate America (1984). Hare's fast-paced introduction to the book highlights his life of protest, a life filled with unbelievable coincidences, learning, and pain. He describes his strong identification with the people whose homes he photographs and his adamant unwillingness to betray them by selling their photographs at any price. He tells of his struggles to have his photographs, accompanied by explanatory text, accepted by the art world. He relates the abusive situations he has endured in his childhood, and in his work life as an engineer at a major oil company and at the U.S. Environmental Protection Agency. Chauncey Hare does not define himself as a photographer, but instead an engineer, a family therapist and, above all, a protester.A very heavy book, may require extra postage. N° de réf. du vendeur 33843
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Vendeur : Antiquariat Langguth - lesenhilft, Köln, Allemagne
Chauncey Hare does not define himself as a photographer, but rather as an engineer, a family therapist and, above all, a protester. In his fast-paced introduction to this volume, Hare recounts a life devoted to protest. He describes his keen identification with the people whose homes he photographed throughout the late 60s and early 70s, and his refusal to betray them by selling his photography. He tells of his struggles to have his photographs accepted by the art world, and relates his abusive childhood, and the difficulties of his work life as an engineer at a major oil company and at the U.S. Environmental Protection Agency. Protest Photographs contains twice as many images as his two earlier books, Interior America (1977) and This Was Corporate America (1984). Mint. Vom Verlag eingeschweisstes Exemplar. Sprache: Englisch Gewicht in Gramm: 4100 24,5 x 30 cm. Fotoillustrierter Orig.-Pappband. N° de réf. du vendeur 31161
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Vendeur : Studio Bibliografico Marini, ROMA, RM, Italie
hardcover. Etat : As New. Prima edizione (First Edition). A cura di Steven Kasher e Jack von Euw. Testi di Judy Wyatt e Jack von Euw. Fotografie in bianco e nero di Chauncey Hare . Cm 24,5x30. pp. 374. . Perfetto (Mint). . Prima edizione (First Edition). . Chauncey Hare ha fatto fotografie molto dettagliate degli interni delle case e dei luoghi di lavoro della classe operaia in tutta l'America fra la fine degli anni '60 e l'inizio degli anni '70. Questo nuovo libro contiene il doppio delle fotografie commoventi, inquietanti e spesso sorprendenti che sono apparse nei suoi due libri precedenti, Interior America (1977) e This Was Corporate America (1984).Il libro evidenzia la vita di protesta di Hare, una vita piena di incredibili coincidenze, apprendimento e dolore. Descrive la sua forte identificazione con le persone di cui fotografa le case e la sua irremovibile riluttanza a tradirle vendendo le loro fotografie. Racconta le sue lotte per far accettare le fotografie, accompagnate da un testo esplicativo, dal mondo dell'arte. Racconta le situazioni di abuso che ha sopportato nella sua infanzia, e nella vita lavorativa come ingegnere presso una grande compagnia petrolifera e presso l'Agenzia per la Protezione dell'Ambiente degli Stati Uniti.Chauncey Hare non si definisce un fotografo, ma piuttosto un ingegnere, un terapeuta familiare e, soprattutto, un attivista. Finanziato da tre borse di studio Guggenheim e tre borse di studio National Endowment, ha dedicato solo un breve periodo della sua vita alla fotografia. Frustrato dal mondo dell'arte, ha scattato foto solo sporadicamente fino al 1985, quando ha smesso completamente di fotografare. Nel 2000, diffidando dei musei d'arte, Hare ha donato tutte le sue fotografie e i suoi negativi alla Bancroft Library dell'Università della California a Berkeley. Ha conseguito una laurea in ingegneria alla Columbia University, un master in belle arti al San Francisco Art Institute, un master in sviluppo organizzativo alla Pepperdine University e un master in psicologia clinica alla Sierra University. Insieme alla moglie Judith Wyatt è coautore del manuale clinico Work Abuse: How to Recognize and Survive It (1997), che rompe il tabù dell'abuso sui luoghi di lavoro. In qualità di terapeuta familiare abilitato, Hare aiuta ora i lavoratori - di persona, al telefono e su Internet - a ridurre al minimo gli abusi che subiscono come dipendenti di aziende e enti pubblici. Book. N° de réf. du vendeur bc_225925
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Vendeur : 1968agency, Montecatini Terme, PT, Italie
Rilegato. Etat : nuovo. prima edizione. Chauncey Hare documents the ordinary and claustrophobic reality of suburban America in the early 1970s and its inhabitants, victims of the unexpected and disconcerting implications of the American Dream. The beautifully printed photographs take up the legacy of authors such as Walker Evans and Dorothea Lange, who were active in the field of social photography, and undoubtedly belong to the so-called Social Landscape of the 1960s; Hare's research also parallels that of Robert Adams, who published his famous 'The New West' in 1974. " [Hare's America] is an America where the cracks in the plaster, the piles of dirty dishes in the sink and the stains on the linoleum make up a hieroglyphic of despair. ? After reading Hare's introduction, I can say that these are not simply photographs of interiors of American houses, but images of the author's interiority. He himself experienced the alienation and despair of these images" - Theodore Roszak Hare gave up photography altogether in 1985 to devote himself, with a degree in psychology, to helping workers - the same ones he had portrayed in their empty, desolate homes a decade earlier - to combat abuses of power in the workplace. N° de réf. du vendeur ABE-1778064555242
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