This book dedicated to the exhibition New Topographics: Photographs of a Man-Altered Landscape, held in 1975 at the International Museum of Photography, demonstrates both the historical significance of the show and its continued relevance in today's culture. The show brought together Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Joe Deal, Frank Gohlke, Nicholas Nixon, John Schott, Stephen Shore, and Henry Wessel (Jr.). Signaling the emergence of a new approach to landscape, the exhibition effectively gave a name to a movement. Even today, the catchphrase New Topographics is used to characterize the work of artists not yet born when the exhibition was held. New Topographics has since come to be understood as marking a paradigm shift. The show occurred just as photography took its place within the contemporary art world. Arguably the last traditionally photographic style, New Topographics was also the first photoconceptual style. Illustrated with selected works from the 1975 exhibition, installation views, and contextual comparisons, the book also includes an illustrated checklist of the show and an extensive bibliography.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
This book dedicated to the exhibition New Topographics: Photographs of a Man-Altered Landscape, held in 1975 at the International Museum of Photography, demonstrates both the historical significance of the show and its continued relevance in today's culture. The show brought together Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Joe Deal, Frank Gohlke, Nicholas Nixon, John Schott, Stephen Shore, and Henry Wessel (Jr.). Signaling the emergence of a new approach to landscape, the exhibition effectively gave a name to a movement. Even today, the catchphrase New Topographics is used to characterize the work of artists not yet born when the exhibition was held. New Topographics has since come to be understood as marking a paradigm shift. The show occurred just as photography took its place within the contemporary art world. Arguably the last traditionally photographic style, New Topographics was also the first photoconceptual style. Illustrated with selected works from the 1975 exhibition, installation views, and contextual comparisons, the book also includes an illustrated checklist of the show and an extensive bibliography.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Andre Strong Bookseller, Blue Hill, ME, Etats-Unis
Hardcover. Etat : Very good. second edition. 10 x 12 in. Cloth boards. Condition is VERY GOOD ; front cover like new, rear has two mild scuffs, mild bumping to corners, no wear. Binding tight. Text and plates spotless. Phot. RGR. N° de réf. du vendeur 56092
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Vendeur : Acadia Art & Rare Books. Est. 1931, Toronto, ON, Canada
Cloth over boards. Etat : Good. Second edition. Hardcover grey cloth over boards. Oblong 4to. 303 pp. Illustrated with 168 b/w and full colour, full-page plate photographs with additional smaller b/w and full colour plates, and a reproduction of the original 1975 show catalogue "New Topographics: Photographs of a Man-altered Landscape." An exhibition catalogue of a travelling show of the same name that debuted at the George Eastman House International Museum of Photography and Film (Rochester, NY) from June 13 - September 27, 2009, and toured internationally until late 2012. Edges toned. Pages bright and clean, save for a black smudge on the prologue. Binding strong and square. Board and spine lightly worn with some faint scratch marks front and back. A good copy. N° de réf. du vendeur 67674
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Vendeur : RZABASBOOKs, Toronto, ON, Canada
Hardcover. Etat : Very Good. No Jacket. 2nd Edition. Mild handling wear. N° de réf. du vendeur 017318
Quantité disponible : 1 disponible(s)
Vendeur : Studio Bibliografico Marini, ROMA, RM, Italie
hardcover. Etat : As New. Prima edizione (First Edition). Robert Adams, Lewis Baltz, Bernd e Hilla Becher, Joe Deal, Frank Gohlke, Nicholas Nixon, John Schott, Stephen Shore, Henry Wessel, Jr. Fotografie in bianco e nero. Testi di Britt Salvesen e Alison Nordstrom. Bibliografia. In appendice Catalogo delle opere esposte nella mostra "New Topographics" del 1975 . Cm 24,5x30. pp. 304. . Perfetto (Mint). . Prima edizione (First Edition). . Questo libro è dedicato alla mostra New Topographics: Photographs of a Man-Altered Landscape, tenutasi nel 1975 all'International Museum of Photography e dimostra sia il significato storico della mostra sia la sua continua rilevanza nella cultura odierna. La mostra riunì Lewis Baltz, Bernd e Hilla Becher, Joe Deal, Frank Gohlke, Henry Wessel. Segnando l'emergere di un nuovo approccio al paesaggio, la mostra diede effettivamente un nome a un movimento.Ancora oggi, il termine New Topographics viene utilizzato per caratterizzare il lavoro di artisti non ancora nati al momento della mostra. Da allora, New Topographics ha segnato un cambiamento di paradigma. La mostra si è svolta proprio quando la fotografia ha preso il suo posto nel mondo dell'arte contemporanea. Probabilmente l'ultimo stile tradizionalmente fotografico, New Topographics è stato anche il primo stile foto-concettuale. Illustrata con opere selezionate dalla mostra del 1975, vedute dell'installazione e confronti contestuali, questa nuova edizione comprende anche una checklist illustrata della mostra e un'ampia bibliografia. Book. N° de réf. du vendeur bc_228775
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Vendeur : Gibbs Books, Buffalo, NY, Etats-Unis
Hardcover. Etat : New. Etat de la jaquette : No Dust Jacket as Issued. Various Photographers (illustrateur). 1st Edition. 1st. Edition, 1st. Printing 2009, Gray cloth hardcover with white letters to the cover and spine , 256 page book.This is a new examination of the landmark exhibition catalog for the 1975 showing at the George Eastman House in Rochester, NY. Illustrated with black & white images by Robert Adams , Lewis Baltz , Bernd & Hilla Becher , Joe Deal , Frank Gohlke, Nicholas Nixon, John Schott, Stephen Shore , and Henry Wessel Jr. A very scarce copy in this condition. Conditio : NEW. Size: 4to - over 9¾ - 12" tall. Book. N° de réf. du vendeur 091525-L
Quantité disponible : 1 disponible(s)
Vendeur : Jeff Hirsch Books, ABAA, Wadsworth, IL, Etats-Unis
First Edition. First edition and first printing. Oblong hardcover. 303 pages. A new examination of the landmark exhibition catalog for the 1975 show at the George Eastman House. Essays by Britt Salvesen and Alison Nordström. Includes black and white images by Adams, Baltz, the Bechers, Deal, Gohlke, Nixon, Schott, Wessel and color images by Shore. A fine and tight copy in cloth boards. No dust jacket as issued. N° de réf. du vendeur 210180
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Vendeur : Ethan Daniel Books, Toronto, ON, Canada
Hardcover. Etat : Very Good. Third edition. The landmark photographic exhibition presented in tritone images with essays exploring its meaning and influence. A near-fine copy with no marks to covers or inside pages. Binding is firm. 304 pages. s167. N° de réf. du vendeur EDB06009
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Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
hardcover. Etat : Good. GOOD - Collectible. Oversized. N° de réf. du vendeur mon0000358742
Quantité disponible : 1 disponible(s)
Vendeur : Bucklin Gallery, Thornwood, NY, Etats-Unis
Hardcover. Etat : Fine. Stated First Edition. Steidl & Partners. 2009. Hardcover (no dust jacket as issued). First Edition (stated - with full numberline ending in 1). 256 pages. Illustrated throughout. Text by Britt Salvesen, Alison Nordstrom in English. BOOK CONDITION: Fine; a solid, tight, clean copy of the scarce 2009 First Edition, First Printing. N° de réf. du vendeur 5198
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Vendeur : BWS BKS, Ferndale, NY, Etats-Unis
Hardcover. Etat : New. The New Topographics: Photographs of a Man-Altered Landscape was one of those rare exhibitions that permanently alters how an art form is perceived. Held at the International Museum of Photography in Rochester, New York, in January 1975, it was curated by William Jenkins, who brought together ten contemporary photographers: Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Joe Deal, Frank Gohlke, Nicholas Nixon, John Schott, Stephen Shore and Henry Wessel, Jr. Signaling the emergence of a new approach to landscape, the show effectively gave a name to a movement or style, although even today, the term "New Topographics"--more a conceptual gist than a precise adjective--is used to characterize the work of artists not yet born when the exhibition was held. Although the exhibit's ambitions were hardly so grand, New Topographics has since come to be understood as marking a paradigm shift, for the show occurred just as photography ceased to be an isolated, self-defined practice and took its place within the contemporary art world. Arguably the last traditionally photographic style, New Topographics was also the first Photoconceptual style. In different ways, the artists thoughtfully engaged with their medium and its history, while simultaneously absorbing such issues as environmentalism, capitalism and national identity. In this vital reassessment of the genre, essays by Britt Salvesen and Alison Nordstrom accompany illustrations of selected works from the 1975 exhibition, with installation views and contextual comparisons, to demonstrate both the historical significance of New Topographics and its continued relevance today. The book also includes an illustrated checklist of the 1975 exhibition and an extensive bibliography. N° de réf. du vendeur 835222
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