For the past three years, Stacey Baker has been photographing women’s legs in New York City and posting the pictures on Instagram, where she has over 75,000 followers. The women are strangers she meets on the street who agree to pose in front of a nearby wall. Only their legs are visible in the frame: »She always frames them so the subject is cut off at the waist. She rigorously stages these photographs, asking the muse to stand in front of a gritty, textured wall, and composing each image so the heels line up with the horizon line where the wall meets the chewing-gum-pocked sidewalk, and always framing it so the thin strip of pavement takes up about a sixth of the picture. By following this disciplined approach, Baker has figured out a way to commandeer a portrait studio out of the chaos of midtown Manhattan.« (Kathy Ryan).
The images, viewed collectively, reflect the diversity of the female figure and also reflect the personality of each subject as well as the fashion of the moment: leggings, miniskirts, jeans, etc. Many of the pictures were taken on West 40th Street between 7th and 8th Avenues, near where Baker works as a photo editor at The New York Times Magazine, often during her lunch hour.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Stacey Baker works as a photo editor at The New York Times Magazine.
Kathy Ryan is the Director of Photography at The New York Times Magazine. She has also made a name for herself as as an author, teacher, mentor and exhibition curator.
For the past three years, Stacey Baker has been photographing women’s legs in New York City and posting the pictures on Instagram, where she has over 75,000 followers. The women are strangers she meets on the street who agree to pose in front of a nearby wall. Only their legs are visible in the frame: »She always frames them so the subject is cut off at the waist. She rigorously stages these photographs, asking the muse to stand in front of a gritty, textured wall, and composing each image so the heels line up with the horizon line where the wall meets the chewing-gum-pocked sidewalk, and always framing it so the thin strip of pavement takes up about a sixth of the picture. By following this disciplined approach, Baker has figured out a way to commandeer a portrait studio out of the chaos of midtown Manhattan.« (Kathy Ryan).
The images, viewed collectively, reflect the diversity of the female figure and also reflect the personality of each subject as well as the fashion of the moment: leggings, miniskirts, jeans, etc. Many of the pictures were taken on West 40th Street between 7th and 8th Avenues, near where Baker works as a photo editor at The New York Times Magazine, often during her lunch hour.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : new. Hardcover. For the past three years, Stacey Baker has been photographing women's legs in New York City and posting the pictures on Instagram. The women are all strangers she met on the street who agreed to pose in front of a nearby wall. Only their legs are in frame, yet from this single starting point, the kaleidoscopic diversity of women in New York is revealed. The ease of making pictures with a cell phone has sparked a revolution in photography; Stacey's body of work is perhaps the most powerful to come out of a cultural moment of technology, fashion and people watching. A book full of ladies legs photographed on the streets of New York - a celebration of the female figure Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783868286984
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