Pathos As Distance - Couverture rigide

Muhe, Andreas

 
9783868288322: Pathos As Distance
Couverture rigide
ISBN 10 : 3868288325 ISBN 13 : 9783868288322
Editeur : Kehrer Verlag, 2017

Synopsis

Both pathos and distance play a role in the work of Andreas Mühe. In an effort to emphasize the inevitable interaction of these two concepts, the artist chose to link the »Pathos« and »Distance« in the title of this book with the conjunction »as.« Pathos as Distance. Not in the sense of a comparison, as in »as tasty as an apple,« but rather as a transformation of one concept into the other and their mutual dependency. Pathos becomes distance, and this distance becomes a precondition that allows for pathos. Mühe’s themes are often ambiguous, already emotional, and charged by their respective historical context: Christmas trees, chancellors, the chalk cliffs on Rügen, the Obersalzberg.
Andreas Mühe comes from a theatrical family and had also danced a bit on the Berlin Wall when it came down. It is to this upheaval that he owes the fact that he grew up with contrasts, thinks in terms of contradictions, and fed on a hint of dialectics as a substitute for mother’s milk. It is here that he sees the origins of his capability to constantly change perspective and transform pathos into distance. The photographs by Andreas Mühe are accompanied by excerpts from the novel 1913 – The Year before the Storm by Florian Illies.

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

À propos de l?auteur

Andreas Mühe (b. 1979, Karl-Marx-Stadt) came to photography through an apprenticeship as a photo laboratory technician, after which he worked as an assistant to Ali Kepenek and Anatol Kotte. Mühe has worked as a freelance photographer and has published his portraits of actors, musicians, and artists in a wide variety of magazines and newspapers. An early supporter is F.C. Gundlach, who describes his work as being "of extraordinary consequence." Since 2010, Mühe has exhibited his works in solo and group exhibitions at museums including the Kunsthalle Rostock, the NRW Forum in Düsseldorf, the Martin-Gropius-Bau in Berlin, the Benaki Museum in Athens, and the House of Photography at the Deichtorhallen Hamburg.

À propos de la quatrième de couverture

Both pathos and distance play a role in the work of Andreas Mühe. In an effort to emphasize the inevitable interaction of these two concepts, the artist chose to link the »Pathos« and »Distance« in the title of this book with the conjunction »as.« Pathos as Distance. Not in the sense of a comparison, as in »as tasty as an apple,« but rather as a transformation of one concept into the other and their mutual dependency. Pathos becomes distance, and this distance becomes a precondition that allows for pathos. Mühe’s themes are often ambiguous, already emotional, and charged by their respective historical context: Christmas trees, chancellors, the chalk cliffs on Rügen, the Obersalzberg.
Andreas Mühe comes from a theatrical family and had also danced a bit on the Berlin Wall when it came down. It is to this upheaval that he owes the fact that he grew up with contrasts, thinks in terms of contradictions, and fed on a hint of dialectics as a substitute for mother’s milk. It is here that he sees the origins of his capability to constantly change perspective and transform pathos into distance. The photographs by Andreas Mühe are accompanied by excerpts from the novel 1913 – The Year before the Storm by Florian Illies.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

Éditeur
Kehrer Verlag
Date d'édition
2017
Langue
anglais
ISBN 10 
3868288325
ISBN 13 
9783868288322
Reliure
Relié
Nombre de pages
260
Coordonnées du fabricant
non disponible
Personne responsable
eucomply OÜ
hello@eucompliancepartner.com

Pärnu mnt 139b-14
Tallinn
11317
Estonie

Autres éditions populaires du même titre

9783868288315: Pathos Als Distanz

Edition présentée

ISBN 10 :  3868288317 ISBN 13 :  9783868288315
Editeur : Kehrer Verlag, 2017
Couverture rigide