Synopsis
Prefazione di Bernhard Schulz.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Présentation de l'éditeur
Never before have so many buildings been constructed as today, and never has architecture had so many technological and design possibilities at its disposal. And yet there is a sense of unease about contemporary architecture. In their book, Sergei Tchoban and Vladimir Sedov show how in modern times we have lost the balance between outstanding works of architecture and the background structures that surround them, with every building striving to assert itself in relation to all the others - to drown them out if it can. Yet the modern age is certainly capable of developing a harmony of contrasts - it has everything it needs at its disposal. After taking the reader on a foray through 2,500 years of architectural history, the authors arrive at the anomaly of modernism. They show what contemporary architecture must take into account if it is to achieve a satisfactory overall architectural impression that is harmonious in an entirely new way.
Biographie de l'auteur
Sergei Tchoban (b. 1962 in Saint Petersburg) is a Russian-German architect who works internationally. In 2013 he established the Tchoban Foundation - Museum for Architectural Drawing in Berlin. He has twice curated the Russian Pavilion at the Venice Architecture Biennale and in 2015 he designed the Russian Pavilion at the EXPO in Milan. He is the founder of the first biennale for young architects in Russia and chairman and member of numerous international architecture and architectural drawing competitions.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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30:70 : Architecture as a Balancing Act
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Paperback. Etat : new. Paperback. Never before have so many buildings been constructed as they are today, and never has architecture had so many technolog-ical and design possibilities at its disposal. And yet there is a sense of unease about contemporary architecture. The authors of this book show how in modern times we have lost the balance between outstanding works of architecture and the back-ground structures that surround them, with every building striving to assert itself in relation to all others. Yet the modern age is certainly capable of developing a harmony of contrasts - it has everything it needs at its disposal. The authors show what contemporary architecture must take into account if it is to achieve a satisfactory overall architectural impression that is harmonious in an entirely new way. Never before have so many buildings been constructed as they are today, and never has architecture had so many technolog-ical and design possibilities at its disposal. And yet there is a sense of unease about contemporary architecture. The authors of this book show how in modern times we have lost the balance between outstanding works of architectu Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783869226835
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Paperback. Etat : New. Builders have never been so prolific as they are today. And never have there been so many technical and design-related options available to architects. Yet contemporary architecture often creates a sense of unease. In their book, Sergei Tchoban and Wladimir Sedow show how the balance between prominent buildings and the buildings around them in the background has been lost in the modern era. Every building strives to assert itself over others - to drown out its peers. At the same time, contemporary architects are capable of developing "a sense of harmony full of contrasts". They have a wealth of options at their disposal to this end. After prowling through 2,500 years of architectural history, the authors arrive at what makes modern buildings so particular. They show what contemporary architects must consider in order to create buildings with a satisfactory, harmonious appearance in a new way."Sergei Tchoban and Wladimir Sedow do not write about beauty in this essay - certainly not in the sense of defining the term or putting forth a conceptual history. Rather, they write about the relationship between prominent buildings and the nameless buildings around them - the buildings in the background. Or to put it another way, they write about the relationship between architectural monuments and ordinary buildings." (from the preface by Bernhard Schulz). N° de réf. du vendeur LU-9783869226835
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