Peter Sekaer Signs of Life /anglais - Couverture rigide

Seaker, Peter

 
9783869301204: Peter Sekaer Signs of Life /anglais

Synopsis

Peter Sekaer (1901-50) emerged as an artist in the company of Ben Shahn, Berenice Abbott, and Walker Evans. This book intends to show how he stepped from their benign shadows to build his own distinctive style. It is the first monograph to show the full range of his accomplishments. Sekaer's early work combines dispassionate images with others that show his concern and intuitive grasp of the human condition. Many of his most memorable photographs were made while fulfilling mundane assignments for various government agencies. Sekaer had none of the reformer's passion found in the works of Jacob Riis or Lewis Hine. His stance was more that of the artist/anthropologist, who delighted in recording the artifacts and gestures that defined American society in the 1930s. John T. Hill is a photographer, designer, and formerly Director of Graduate Studies in Photography at Yale University. He first became attracted to Sekaer's work in his capacity as executor of the Walker Evans estate. He is co-author of Walker Evans: The Hungry Eye and author of Walker Evans: Lyric Documentary. Current projects include volumes on the works of Herbert Matter and Norman Ives. Julian Cox is curator of photography at the High Museum of Art, Atlanta. His recent publications include The Portrait Unbound: Photographs by Robert Weingarten (2010), Road to Freedom: Photographs of the Civil Rights Movement, 1956-1968 (2008) and Harry Callahan: Eleanor (2007). Christina Sekaer, is the younger daughter of Peter Sekaer. In addition to her work as a psychiatrist, she is active as a photographer and painter. She lives in Dobbs Ferry, New York. Co-Published with the High Museum of Art, Atlanta in cooperation with the Howard Greenberg Gallery, New York. Exhibition: High Museum of Art, Atlanta, June 5, 2010 to January 9, 2011

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À propos de la quatrième de couverture

Peter Sekaer (1901-50) emerged as an artist in the company of Ben Shahn, Berenice Abbott, and Walker Evans. This book intends to show how he stepped from their benign shadows to build his own distinctive style. It is the first monograph to show the full range of his accomplishments. Sekaer's early work combines dispassionate images with others that show his concern and intuitive grasp of the human condition. Many of his most memorable photographs were made while fulfilling mundane assignments for various government agencies. Sekaer had none of the reformer's passion found in the works of Jacob Riis or Lewis Hine. His stance was more that of the artist/anthropologist, who delighted in recording the artifacts and gestures that defined American society in the 1930s. John T. Hill is a photographer, designer, and formerly Director of Graduate Studies in Photography at Yale University. He first became attracted to Sekaer's work in his capacity as executor of the Walker Evans estate. He is co-author of Walker Evans: The Hungry Eye and author of Walker Evans: Lyric Documentary. Current projects include volumes on the works of Herbert Matter and Norman Ives. Julian Cox is curator of photography at the High Museum of Art, Atlanta. His recent publications include The Portrait Unbound: Photographs by Robert Weingarten (2010), Road to Freedom: Photographs of the Civil Rights Movement, 1956-1968 (2008) and Harry Callahan: Eleanor (2007). Christina Sekaer, is the younger daughter of Peter Sekaer. In addition to her work as a psychiatrist, she is active as a photographer and painter. She lives in Dobbs Ferry, New York. Co-Published with the High Museum of Art, Atlanta in cooperation with the Howard Greenberg Gallery, New York. Exhibition: High Museum of Art, Atlanta, June 5, 2010 to January 9, 2011

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

Autres éditions populaires du même titre

9781932543360: Signs of Life: Photographs by Peter Sekaer

Edition présentée

ISBN 10 :  1932543368 ISBN 13 :  9781932543360
Editeur : High Museum of Art, 2010
Couverture rigide