À travers des portraits photographiques du tout début du 20e siècle tirés des archives d'une dizaine de familles noires sud-africaines, Santu Mofokeng interroge la représentation de cette communauté noire de la classe moyenne qui verra son destin basculer avec l'apartheid.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
With the so-called civilised workers, almost without exception their civilisation was only skin deep. O. Pirow, quoting South African Prime Minister J. B. M. Hertzog For this book Santu Mofokeng collected private photographs which urban black working and middle-class families in South Africa commissioned between 1890 and 1950, a time when the government was creating policies towards those designated as natives. Painterly in style, the images evoke the artifices of Victorian photography. Some of them are fiction, a creation of the artist in terms of setting, props, clothing and pose yet there is no evidence of coercion. We believe these images, as they reveal something about how these people imagined themselves. In this work Mofokeng analyses the sensibilities, aspirations and self-image of the black population and its desire for representation and social recognition in times of colonial rule and suppression. The Black Photo Album / Look at Me: 18901950 is drawn from an ongoing research project of the University of Witwatersrand in Johannesburg. Santu Mofokeng was born in Johannesburg in 1956 and began his career as a street photographer in Soweto during the apartheid era. Having received the Ernest Cole Scholarship in 1991, he studied at the International Centre for Photography in New York. In 1998 Mofokeng received the Ku¨nstlerhaus Worpswede Fellowship and in 2002 a DAAD Fellowship in Berlin. His first international retrospective opened in May 2011 at Jeu de Paume in Paris. Mofokeng lives and works in Johannesburg.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Chiron Media, Wallingford, Royaume-Uni
Hardcover. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. N° de réf. du vendeur 6666-GRD-9783869303109
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Vendeur : Brook Bookstore On Demand, Napoli, NA, Italie
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Hardback. Etat : New. This book is a reproduction of an artwork, bearing the same title, by Santu Mofokeng. The work, which is as much a research project as it is a work of art, is comprised of private photographs collected, scanned, and retouched over a number of years by the artist. Each of the original images were commissioned by urban black working and middle-class families in South Africa between 1890 and 1950, a time when the government was entrenching its infamous policies towards those designated as "natives." Painterly in style, the images evoke the artifices of Victorian photography and reveal something about how the people captured within the frame imagined themselves, asking meditative questions on the meaning of African imagery: "Who were these people?," "What were their aspirations?," "Are these images evidence of mental colonization or did they serve to challenge prevailing images of 'The African' in the western world?" In this work Mofokeng thus analyses the sensibilities, aspirations and self-image of the urban black population in South Africa and its desire for representation and social recognition in times of colonial rule and suppression. This book contains the complete sequence of slides with reproduced photographs and Mofokeng's own texts. The Black Photo Album / Look at Me: 1890-1950 also features selections from Mofokeng's field notes and the original, unretouched photographs, published for the first time. N° de réf. du vendeur LU-9783869303109
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Vendeur : Majestic Books, Hounslow, Royaume-Uni
Etat : New. pp. 162. N° de réf. du vendeur 53990955
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Vendeur : medimops, Berlin, Allemagne
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Vendeur : medimops, Berlin, Allemagne
Etat : very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages. N° de réf. du vendeur M03869303107-V
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Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
Etat : New. N° de réf. du vendeur 18521407-n
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. 2013. Hardcover. Analyses the sensibilities, aspirations and self-image of the urban black population in South Africa and its desire for representation and social recognition in times of colonial rule and suppression. This book contains the complete sequence of slides with reproduced photographs and Mofokeng's own texts. Num Pages: 152 pages, Illustrations. BIC Classification: AJB. Category: (G) General (US: Trade). Dimension: 184 x 260 x 24. Weight in Grams: 776. . . . . . N° de réf. du vendeur V9783869303109
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Vendeur : Ria Christie Collections, Uxbridge, Royaume-Uni
Etat : New. In English. N° de réf. du vendeur ria9783869303109_new
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Hardcover. Etat : Brand New. illustrated edition. 100 pages. 10.87x7.44x0.98 inches. In Stock. N° de réf. du vendeur __3869303107
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