Darkroom charts the physical and psychic terrain of photographic printing rooms while conveying their transition from the realm of pure functionality into historical artifact. Indirect portraits of both producer and product, Bartos' work explores the physical space linking artist to artwork and linking the tools of the medium to the signs of their use. As more darkrooms switch to digital printing or close shop altogether, we become more aware that the tangible elements of darkroom printing may one day be lost. Bartos' recent large-format work documents and explores in equal measure the visual language and ethos of that analogue printing culture before it slips beyond our experience forever. The acrid odour of chemistry, an uncanny stillness hanging in damp air - Bartos records the descriptive aspects and spatial constraints of the darkroom but also visualizes the lab as a site of limitless creative potential, invested with as much aura as a photographic print. Heroic and humbling at the same time, these portraits speak to the individuality of the workspaces and their inhabitants but also to the shared architecture of all darkrooms. Bartos presents us with the perceptual tools to know the darkroom as it is today and to remember it one day as it will have been.
Adam Bartos' photographs have been exhibited throughout the United States and Europe and were included in the recent MoMA exhibition "Into the Sunset: Photography's Image of the American West". Monographs of his work include International Territory, KOSMOS, Yard Sale Photographs, and Boulevard, published by Steidldangin in 2005. He lives and works in New York.
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Darkroom charts the physical and psychic terrain of photographic printing rooms while conveying their transition from the realm of pure functionality into historical artifact. Indirect portraits of both producer and product, Bartos' work explores the physical space linking artist to artwork and linking the tools of the medium to the signs of their use. As more darkrooms switch to digital printing or close shop altogether, we become more aware that the tangible elements of darkroom printing may one day be lost. Bartos' recent large-format work documents and explores in equal measure the visual language and ethos of that analogue printing culture before it slips beyond our experience forever. The acrid odour of chemistry, an uncanny stillness hanging in damp air - Bartos records the descriptive aspects and spatial constraints of the darkroom but also visualizes the lab as a site of limitless creative potential, invested with as much aura as a photographic print. Heroic and humbling at the same time, these portraits speak to the individuality of the workspaces and their inhabitants but also to the shared architecture of all darkrooms. Bartos presents us with the perceptual tools to know the darkroom as it is today and to remember it one day as it will have been.
Adam Bartos' photographs have been exhibited throughout the United States and Europe and were included in the recent MoMA exhibition "Into the Sunset: Photography's Image of the American West". Monographs of his work include International Territory, KOSMOS, Yard Sale Photographs, and Boulevard, published by Steidldangin in 2005. He lives and works in New York.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Widney Manor Books, Solihull, MIDLA, Royaume-Uni
Hardcover. Etat : Good. 1st Edition. Book is in good condition. 88pp with colour photographs. N° de réf. du vendeur 035289
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Vendeur : Haymes Bookdealers, Kingscliff, NSW, Australie
Hardcover. Etat : Fine. First Edition. 300 X 10 X 380 millimeters; 80 pages; Darkroom charts the physical and psychic terrain of photographic printing rooms while conveying their transition from the realm of pure functionality into historical artifact. Indirect portraits of both producer and product, Bartos' work explores the physical space linking artist to artwork and linking the tools of the medium to the signs of their use. N° de réf. du vendeur F7369
Quantité disponible : 1 disponible(s)
Vendeur : Last Exit Books, Charlottesville, VA, Etats-Unis
Hardcover. Etat : Very Good. Hardcover. 4to. Published by Steidl, Gottingen, Germany. 2012. 80 pgs. Signed by Adam Bartos on the title page. Bound in illustrated paper coverd boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. Darkroom charts the physical and psychic terrain of photographic printing rooms while conveying their transition from the realm of pure functionality into historical artifact. Indirect portraits of both producer and product, Bartos' work explores the physical space linking artist to artwork and linking the tools of the medium to the signs of their use. As more darkrooms switch to digital printing or close shop altogether, we become more aware that the tangible elements of darkroom printing may one day be lost. Bartos' recent large-format work documents and explores in equal measure the visual language and ethos of that analogue printing culture before it slips beyond our experience forever. The acrid odor of chemistry, an uncanny stillness hanging in damp air--Bartos records the descriptive aspects and spatial constraints of the darkroom but also visualizes the lab as a site of limitless creative potential, invested with as much aura as a photographic print. Heroic and humbling at the same time, these portraits speak to the individuality of the workspaces and their inhabitants but also to the shared architecture of all darkrooms. Bartos presents us with the perceptual tools to know the darkroom as it is today and to remember it one day as it will have been. EB; 14.7 X 11.7 X 0.6 inches; 80 pages. N° de réf. du vendeur 60908
Quantité disponible : 1 disponible(s)
Vendeur : BWS BKS, Ferndale, NY, Etats-Unis
Hardcover. Etat : New. Orderbook -- wwb -- ADAM BARTOS: DARKROOM. Nicholas Negroponte. Steidldangin, Steidl Verlag, Gottingen, 2012. 80 pp. (4 foldout) with 46 ills. (39 col. ). 38 x 30 cm. ISBN 9783869303321 In English. Large format. Artist(s) : Bartos, Adam Indexing: Western â" United States â" Post-2000 â" Photography Plans: 73 Worldwide Number: 146676Hardcover $98.00x (libraries receive a 10% discount on this title); *** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened -- 80 pp. ; 46 illus. (39 in color. ) -- with a bonus offer--; Darkroom charts the physical and psychic terrain of photographic printing rooms while conveying their transition from the realm of pure functionality into historical artifact. Indirect portraits of both producer and product, Bartos' work explores the physical space linking artist to artwork and linking the tools of the medium to the signs of their use. As more darkrooms switch to digital printing or close shop altogether, we become more aware that the tangible elements of darkroom printing may one day be lost. Bartos' recent large-format work documents and explores in equal measure the visual language and ethos of that analogue printing culture before it slips beyond our experience forever. The acrid odour of chemistry, an uncanny stillness hanging in damp air - Bartos records the descriptive aspects and spatial constraints of the darkroom but also visualizes the lab as a site of limitless creative potential, invested with as much aura as a photographic print. Heroic and humbling at the same time, these portraits speak to the individuality of the workspaces and their inhabitants but also to the shared architecture of all darkrooms. Bartos presents us with the perceptual tools to know the darkroom as it is today and to remember it one day as it will have been. N° de réf. du vendeur 99519
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