Ursula Mayer studied at the Academy of Fine Arts in Vienna and Goldsmiths College in London. She won the Otto Mauer Prize in 2007, and was a scholar in the International Studio & Curatorial Program (ISCP) in New York in 2011. Her films have been presented at international film festivals such as Locarno, Oberhausen and Rotterdam. The title BUT WE LOVED HER was taken from a picture in the April 17, 2013 issue of the British daily paper The Independent, the day Margaret Thatcher was interred. The London-based artist collected all the newspaper articles in the days that followed Thatcher s death, programmatically positioning these four words at the forefront of her exhibition in Vienna, and in a phase of her work that foregrounds questions about the opportunities offers by neoliberal identity, about consumer culture in a post-capitalistic society, and about their precursors.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Ursula Mayer studied at the Academy of Fine Arts in Vienna and Goldsmiths College in London. She won the Otto Mauer Prize in 2007, and was a scholar in the International Studio & Curatorial Program (ISCP) in New York in 2011. Her films have been presented at international film festivals such as Locarno, Oberhausen and Rotterdam. The title BUT WE LOVED HER was taken from a picture in the April 17, 2013 issue of the British daily paper The Independent, the day Margaret Thatcher was interred. The London-based artist collected all the newspaper articles in the days that followed Thatcher s death, programmatically positioning these four words at the forefront of her exhibition in Vienna, and in a phase of her work that foregrounds questions about the opportunities offers by neoliberal identity, about consumer culture in a post-capitalistic society, and about their precursors.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Paperback. Etat : Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized. N° de réf. du vendeur M3869844795Z2
Quantité disponible : 6 disponible(s)
Vendeur : medimops, Berlin, Allemagne
Etat : very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages. N° de réf. du vendeur M03869844795-V
Quantité disponible : 1 disponible(s)
Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Paperback. Etat : Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized. N° de réf. du vendeur M3869844795Z4
Quantité disponible : 1 disponible(s)
Vendeur : Antiquariat UEBUE, Zürich, Suisse
Softcover. Etat : Sehr gut. 1. Auflage. Z : 196 Seiten/pp. - Through films and installations, Ursula Mayer (born 1970) explores questions of individualism and consumerism. This monograph documents her films Gonda (2012) and Pheres (2013), and a 16-mm installation referencing Michael Snow s Two Sides to Every Story. N° de réf. du vendeur ABE-1580717710117
Quantité disponible : 1 disponible(s)
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. 196 pages. 9.50x7.50x0.75 inches. In Stock. N° de réf. du vendeur __3869844795
Quantité disponible : 1 disponible(s)