Au cours des dernières décennies, la pertinence de Carlo Scarpa n'a cessé de croître. À l'heure où les architectes doivent utiliser la ville et les bâtiments existants comme point de départ pour leur travail, son œuvre reste une source d'inspiration. Des bâtiments comme le Castelvecchio de Vérone nous montrent que l'architecture est capable de communiquer sa propre histoire, a du sens et développe une dynamique contemporaine qui lui est propre. L’architecture en couches de Scarpa rend visible le processus de devenir et la sédimentation temporelle des matériaux et des significations. C'est surtout aux points de transition et d'interface que la stratification devient un élément narratif qui élucide les qualités tectoniques du bâtiment. La superposition consiste à laisser un enregistrement de la façon dont un objet a vu le jour - soit au moyen des sédiments de son histoire, soit grâce à l'intervention de l'architecte. Dans ce livre, Anne-Catrin Schultz présente ses recherches sur le phénomène de la superposition dans l'architecture de Carlo Scarpa. La superposition décrit la composition physique des couches définissant l'espace ainsi que la présence parallèle de références culturelles et d'associations formelles ancrées dans les couches physiques. Le travail de Scarpa est une incarnation de la stratification multidimensionnelle et en même temps, un point focal pour les mouvements architecturaux de son temps qui ont pour thème la stratification. La première partie du livre examine les champs d’influence et les racines intellectuelles de Scarpa et les met en perspective avec les anciennes théories et leur interprétation de l’architecture en couches, par exemple la théorie du vêtement de Gottfried Semper. La deuxième partie présente une analyse de trois projets majeurs, Castelvecchio et Banca Popolare à Vérone et la Fondation Querini à Venise.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Anne-Catrin Schultz a étudié l'architecture à Stuttgart et à Florence et a obtenu un doctorat en théorie de l'architecture à l'Université de Stuttgart. Après des recherches post-doctorales au MIT, elle s'est installée dans la région de la baie de San Francisco et a travaillé pendant plusieurs années avec Turnbull Griffin Haesloop et Skidmore Owings & Merrill. Elle a enseigné en tant que conférencière à l'Université de Californie à Berkeley et enseigne actuellement au California College of the Arts et au San Francisco City College.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardback. Etat : New. In recent decades, Carlo Scarpa's relevance has been steadily on the rise. At a time when architects have to use existing city and building structures as a point of departure for their work, his oeuvre remains a source of inspiration. Buildings such as the Castelvecchio in Verona show us that architecture is capable of communicating its own history, has meaning, and develops a contemporary dynamic of its own. Scarpa's layered architecture makes visible the process of becoming and the time-related sedimentation of material and meanings. It is especially at points of transition and interface that layering becomes a narrative element that elucidates the tectonic qualities of the building. Overlaying includes leaving a record of how an object came into being -- either by means of the sediments of its history or through the intervention of the architect. In this book Anne-Catrin Schultz presents her research about the phenomenon of layering in Carlo Scarpa's architecture. Layering describes the physical composition of layers defining space as well as the parallel presence of cultural referrals and formal associations imbedded in the physical layers. Scarpa's work is an embodiment of multidimensional layering and, at the same time, a focal point for architectural movements of his time that have stratification as their theme. In most buildings, the principle of layering may be regarded as something that is part of the nature of building. Functional conditions call for planes, elements, or "layers" to provide the supporting structure, and others to protect from rain, cold or the heat of the sun. However, architectonic layering goes beyond merely fulfilling technical requirements -- the principle of layering may be used as a formative method that allows elements of different origins to be combined into a non-hierarchical whole. Layering exists in a realm of complexity and implies a capacity of being interpreted that goes beyond itself and creates references to the world at large. The first part of the book examines Scarpa's fields of influence and intellectual roots and puts them in perspective with former theories and their interpretation of architecture as layered, for example Gottfried Semper's theory of clothing. The second part displays an analysis of three major projects, Castelvecchio and Banca Popolare in Verona and the Querini Foundation in Venice. N° de réf. du vendeur LU-9783930698141
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Hardcover. Etat : new. Hardcover. In recent decades, Carlo Scarpa's relevance has been steadily on the rise. At a time when architects have to use existing city and building structures as a point of departure for their work, his oeuvre remains a source of inspiration. Buildings such as the Castelvecchio in Verona show us that architecture is capable of communicating its own history, has meaning, and develops a contemporary dynamic of its own. Scarpa's layered architecture makes visible the process of becoming and the time-related sedimentation of material and meanings. It is especially at points of transition and interface that layering becomes a narrative element that elucidates the tectonic qualities of the building. Overlaying includes leaving a record of how an object came into being -- either by means of the sediments of its history or through the intervention of the architect. In this book Anne-Catrin Schultz presents her research about the phenomenon of layering in Carlo Scarpa's architecture. Layering describes the physical composition of layers defining space as well as the parallel presence of cultural referrals and formal associations imbedded in the physical layers. Scarpa's work is an embodiment of multidimensional layering and, at the same time, a focal point for architectural movements of his time that have stratification as their theme. In most buildings, the principle of layering may be regarded as something that is part of the nature of building. Functional conditions call for planes, elements, or "layers" to provide the supporting structure, and others to protect from rain, cold or the heat of the sun. However, architectonic layering goes beyond merely fulfilling technical requirements -- the principle of layering may be used as a formative method that allows elements of different origins to be combined into a non-hierarchical whole. Layering exists in a realm of complexity and implies a capacity of being interpreted that goes beyond itself and creates references to the world at large. The first part of the book examines Scarpa's fields of influence and intellectual roots and puts them in perspective with former theories and their interpretation of architecture as layered, for example Gottfried Semper's theory of clothing. The second part displays an analysis of three major projects, Castelvecchio and Banca Popolare in Verona and the Querini Foundation in Venice. Carlo Scarpa's layered architecture makes visible the process of becoming and the time-related sedimentation of material and meanings. This book examines Scarpa's fields of influence and intellectual roots and puts them in perspective with former theories and their interpretation of architecture as layered. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783930698141
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Etat : New. 2007. Hardcover. Carlo Scarpa's layered architecture makes visible the process of becoming and the time-related sedimentation of material and meanings. This book examines Scarpa's fields of influence and intellectual roots and puts them in perspective with former theories and their interpretation of architecture as layered. Num Pages: 152 pages, 344 colour & b/w illus. BIC Classification: AMB. Category: (UF) Further/Higher Education. Dimension: 293 x 246 x 16. Weight in Grams: 1018. . . . . . N° de réf. du vendeur V9783930698141
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