EUR 3,32 expédition vers Etats-Unis
Destinations, frais et délaisGratuit expédition vers Etats-Unis
Destinations, frais et délaisVendeur : HPB-Red, Dallas, TX, Etats-Unis
hardcover. Etat : Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_431154518
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Vendeur : HPB-Movies, Dallas, TX, Etats-Unis
hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_407283724
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Vendeur : WeBuyBooks, Rossendale, LANCS, Royaume-Uni
Etat : Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. A tan to the page edges/pages . Previous owners name inside the front page/cover. N° de réf. du vendeur wbb0022434872
Quantité disponible : 1 disponible(s)
Vendeur : Grand Eagle Retail, Fairfield, OH, Etats-Unis
Hardcover. Etat : new. Hardcover. Text in English and German. Mankind needs to relate to inanimate matter as well. Manking 'animates' stones, mountains, rivers, yes even the world and the cosmos so that it can communicate with them. There is quite clearly a need to initiate individual contact also with architecture, with our surroundings. This is easier if we can also recognise certain characteristics of our own bodies in the constructed bodies of the built environment. We can go well beyond the common phenomenon of corporeality to find countless analogies between buildings and human beings, thus demonstrating a first step towards an anthropomorphy of architecture. These statements become clearer if a column is interpreted as an anthropomorphic element. If certain features in facades are reminiscent of a pair of eyes, then architectural physiognomy helps us to a dialogue: the building is looking at us, in the direct sense of the word. In the world of Christian symbolism the church -- spatially and theologically -- is constantly compared with the body of Christ, and thus becomes an image of a man-god.The church is the 'mysterious body of Christ', and all parts of the building become metaphors of Christ and his congregation.The 'organic' architecture of the 20th century in its three-dimensional and sculptural manifestations constantly addresses the corporeality of biological creatures. In very recent times we are surprised how often the metaphor of man and architecture occurs: in the work of Ricardo Porro, Imre Makovecz, Santiago Calatrava, Reima Pietila and others. Zoomorphic architecture is a variant of anthropomorphic architecture. Elephants, birds, fishes, insects do not just appear in many current works of modern architecture like those of Frank O Gehry and Coop Himmelblau, they are also absurd manifestations of trivial architecture that has also to be considered in its everyday quality. If we are talking about 'expanded' architecture, then cities, the world and even the cosmos have to be included. Mankind is still moved by the transfer from man as microcosm to the universe as macrocosm. Feuerstein has found analogies between buildings and human beings and buildings and animals in the work of famous architects. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783930698875
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Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur GZ-9783930698875
Quantité disponible : 3 disponible(s)
Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. Mankind needs to relate to inanimate matter as well. Mankind 'animates' stones, mountains, rivers, yes even the world and the cosmos so that it can communicate with them. Zoomorphic architecture is a variant of anthropomorphic architecture. Num Pages: 188 pages, 205 b&w illustrations. BIC Classification: AMA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 294 x 242 x 21. Weight in Grams: 1180. . 2001. 0th Edition. Hardcover. . . . . N° de réf. du vendeur V9783930698875
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Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur GZ-9783930698875
Quantité disponible : 3 disponible(s)
Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Etat : New. Mankind needs to relate to inanimate matter as well. Mankind 'animates' stones, mountains, rivers, yes even the world and the cosmos so that it can communicate with them. Zoomorphic architecture is a variant of anthropomorphic architecture. Num Pages: 188 pages, 205 b&w illustrations. BIC Classification: AMA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 294 x 242 x 21. Weight in Grams: 1180. . 2001. 0th Edition. Hardcover. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9783930698875
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Vendeur : Buchpark, Trebbin, Allemagne
Etat : Gut. Zustand: Gut - Gebrauchs- und Lagerspuren.2002. Außen: vergilbt. Innen: Seiten vergilbt. Aus der Auflösung einer renommierten Bibliothek. Kann Stempel beinhalten. | Seiten: 208 | Sprache: Englisch | Produktart: Bücher. N° de réf. du vendeur 282693/203
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Vendeur : AussieBookSeller, Truganina, VIC, Australie
Hardcover. Etat : new. Hardcover. Text in English and German. Mankind needs to relate to inanimate matter as well. Manking 'animates' stones, mountains, rivers, yes even the world and the cosmos so that it can communicate with them. There is quite clearly a need to initiate individual contact also with architecture, with our surroundings. This is easier if we can also recognise certain characteristics of our own bodies in the constructed bodies of the built environment. We can go well beyond the common phenomenon of corporeality to find countless analogies between buildings and human beings, thus demonstrating a first step towards an anthropomorphy of architecture. These statements become clearer if a column is interpreted as an anthropomorphic element. If certain features in facades are reminiscent of a pair of eyes, then architectural physiognomy helps us to a dialogue: the building is looking at us, in the direct sense of the word. In the world of Christian symbolism the church -- spatially and theologically -- is constantly compared with the body of Christ, and thus becomes an image of a man-god.The church is the 'mysterious body of Christ', and all parts of the building become metaphors of Christ and his congregation.The 'organic' architecture of the 20th century in its three-dimensional and sculptural manifestations constantly addresses the corporeality of biological creatures. In very recent times we are surprised how often the metaphor of man and architecture occurs: in the work of Ricardo Porro, Imre Makovecz, Santiago Calatrava, Reima Pietila and others. Zoomorphic architecture is a variant of anthropomorphic architecture. Elephants, birds, fishes, insects do not just appear in many current works of modern architecture like those of Frank O Gehry and Coop Himmelblau, they are also absurd manifestations of trivial architecture that has also to be considered in its everyday quality. If we are talking about 'expanded' architecture, then cities, the world and even the cosmos have to be included. Mankind is still moved by the transfer from man as microcosm to the universe as macrocosm. Feuerstein has found analogies between buildings and human beings and buildings and animals in the work of famous architects. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9783930698875
Quantité disponible : 1 disponible(s)