Tony Cragg. Signs of life. Catalogo della mostra tenutasi presso il MACRO - Museo d'Arte Contemporanea, Roma 6 giugno - 7 settembre 2003. 474 illustrazioni a colori. Alcune fotografie in bianco e nero. Introduzione di Kay Heymer. Testi di Germano Celant, Mark Francis, Peter Schjedahl, Demosthenes Davvetas, Danilo Eccher, Catherine Grenier et al. Catalogo delle opere esposte, biografia, Bibliografia. Edizione in inglese e italiano Design di Neil Holt, Colonia 4to (cm 28,5 x 23). pp. 552. . Ottimo (Fine). . . . Tony Cragg embarked on his fine art education in 1969, a time when Minimalism, Land Art, Conceptual Art, and Arte Povera were fresh and present. Those movements marked his artistic beginnings, and thus in his earliest works Cragg started out with found materials, which he stacked, heaped, or spread on to the floor so as to study and analyze their properties. To capture the receptacle forms of vessels and cells--understood as a metaphor for any biological organism--he used traditional materials such as cast iron, bronze, glass, or stone. More recently, his interest has been increasingly directed at converting one idea into numerous variations. For instance, in the Early Forms series, the inner and outer forms become ever more complex; in Rational Beings, the sculptural form becomes ever more volumetric and statuesque. In the end, Cragg's sculptures can never be unambiguously classified; they appear as sensual, poetic creatures, mutable and paradoxical. This present scholarly survey of Cragg's work distinguishes systematic and chronological aspects, reflects on ways of working and material resources, and makes apparent associations, interconnections, and evolutionary strands. Tony Cragg inizieograve; la sua educazione artistica nel 1969, un periodo in cui minimalismo, land art, arte concettuale e arte povera erano freschi e presenti. Quei movimenti segnarono i suoi inizi artistic
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Vendeur : Dublin Bookbrowsers, Dublin, NONE, Irlande
Hardcover. Etat : Fine. Etat de la jaquette : Near Fine. First Edition. Pp.552. Profusely illustrated, Near in v.g.+ d.j. N° de réf. du vendeur 016125
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Vendeur : DIAMOND HOLLOW BOOKS / MILES BELLAMY, ANDES, NY, Etats-Unis
Etat : VG. Etat de la jaquette : VG. Very Good hardcover in DJ - 552pp., 473 illustrations, most all in color. This copy's dust-jacket and text block and page edges are somewhat smoke-darkened due to the 2019 Saint Marks Place fire in the apartment of the late Peter Schjeldahl, one of the monograph's contributors. No images or text are obscured. Images upon request. N° de réf. du vendeur 2320
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Vendeur : Mungobooks, Poole, Royaume-Uni
Hardcover. Etat : Fine. Dust Jacket Included. 1st Edition. 1st edition 1st printing hardback in unclipped dustjacket. Book & jacket in fine condition with no inscriptions. A very nice copy. Not a book club edition, ex library or a remainder. I am happy to supply scans. Very heavy book so extra postage will be payable. N° de réf. du vendeur ABE-1656172751201
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Vendeur : Zed Books, New York, NY, Etats-Unis
Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. 4to. 552 pp. Gray cloth. Near Fine in Near Fine dust jacket. Jacket mildly wrinkled at extremities, rubbing to rear panel. Toning to extremities of leaves. N° de réf. du vendeur x07962
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Vendeur : art longwood books, Gloucester, MA, Etats-Unis
Hard Cover. Etat : Very Good Plus. Etat de la jaquette : Near Fine. First English Language Edition. cloth, hard cover in dust jacket. large and very heavy book., tiny black dot to bottom edge. faint aura of toning to some margins. gentle ripple to some edges. all low-level. no other flaws or wear. else, clean, no writing or text markings. no bumps, tears, chips. strong binding, hinges.; english text.; 552pp., 473 illustrations, most all in color. texts by 14 contributors, including the artist. catalogue and reference material. thorough, well illustrated. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue. N° de réf. du vendeur 17467
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Vendeur : Mooney's bookstore, Den Helder, Pays-Bas
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Vendeur : Studio Bibliografico Marini, ROMA, RM, Italie
Etat : Ottimo (Fine). Catalogo della mostra tenutasi presso il MACRO - Museo d'Arte Contemporanea, Roma 6 giugno - 7 settembre 2003. 474 illustrazioni a colori. Alcune fotografie in bianco e nero. Introduzione di Kay Heymer. Testi di Germano Celant, Mark Francis, Peter Schjedahl, Demosthenes Davvetas, Danilo Eccher, Catherine Grenier et al. Catalogo delle opere esposte, biografia, Bibliografia. Edizione in inglese e italiano Design di Neil Holt, Colonia. 4to (cm 28,5 x 23). pp. 552. . Ottimo (Fine). . . . Tony Cragg embarked on his fine art education in 1969, a time when Minimalism, Land Art, Conceptual Art, and Arte Povera were fresh and present. Those movements marked his artistic beginnings, and thus in his earliest works Cragg started out with found materials, which he stacked, heaped, or spread on to the floor so as to study and analyze their properties. To capture the receptacle forms of vessels and cells--understood as a metaphor for any biological organism--he used traditional materials such as cast iron, bronze, glass, or stone. More recently, his interest has been increasingly directed at converting one idea into numerous variations. For instance, in the Early Forms series, the inner and outer forms become ever more complex; in Rational Beings, the sculptural form becomes ever more volumetric and statuesque. In the end, Cragg's sculptures can never be unambiguously classified; they appear as sensual, poetic creatures, mutable and paradoxical. This present scholarly survey of Cragg's work distinguishes systematic and chronological aspects, reflects on ways of working and material resources, and makes apparent associations, interconnections, and evolutionary strands. Tony Cragg iniziò la sua educazione artistica nel 1969, un periodo in cui minimalismo, land art, arte concettuale e arte povera erano freschi e presenti. Quei movimenti segnarono i suoi inizi artistici, e quindi nelle sue prime opere Cragg iniziò con materiali trovati, che impilò, ammucchiò o sparse sul pavimento in modo da studiare e analizzare le loro proprietà. Per catturare le forme di vasi e cellule - inteso come metafora di qualsiasi organismo biologico - usò materiali tradizionali come ghisa, bronzo, vetro o pietra. Più recentemente, il suo interesse è stato sempre più diretto a convertire un'idea in numerose varianti. Ad esempio, nella serie Early Forms, le forme interne ed esterne diventano sempre più complesse; in Rational Beings, la forma scultorea diventa sempre più volumetrica e statuaria. Alla fine, le sculture di Cragg non possono mai essere classificate in modo inequivocabile; appaiono come creature sensuali, poetiche, mutevoli e paradossali. La presente indagine accademica sul lavoro di Cragg distingue aspetti sistematici e cronologici, riflette sul modo di lavorare e sulle risorse materiali e rende apparenti associazioni, interconnessioni e fili evolutivi. Rilegato tela, sovracoperta (cloth, dust jacket). Book. N° de réf. du vendeur 0000000219255
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Vendeur : Okmhistoire, St Rémy-des-Monts, SARTH, France
Couverture rigide. Etat : Comme neuf. Edition originale. Düsseldorf ,2004. Hardback , Quarto size . Reliure éditeur illustrée. Format in-4° ------ 552 pages . ********************* "" ************************** ref fav-08-75379. N° de réf. du vendeur 20029615
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Vendeur : BennettBooksLtd, Los Angeles, CA, Etats-Unis
Hardcover. Etat : New. In shrink wrap. Looks like an interesting title! N° de réf. du vendeur Q-3933807891
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Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Hardcover. Black cloth boards with gray lettering on front cover and spine, blue dust jacket with bw illustration on front and blue lettering, spine blue with black lettering on dust jacket, 552 pp, profusely illustrated in color and black and white illustrations. Contents include: Foreword / Wenzel Jacob -- Introduction / Kay Heymer -- Simple Processes / Tony Cragg -- Tony Cragg and Industrial Platonism / Germano Celant -- Full Circle: Tony Cragg's Work 1977-81 / Mark Francis -- Plates -- Documenta 1982 / Tony Cragg -- Tony Cragg -- Interview with Demosthenes Davvetas / Demosthenes Davvetas -- Cragg's Big Bang / Peter Schjeldahl -- Plates -- Pre-conditions / Tony Cragg -- Tony Cragg: Landscape Artist / Thomas McEvilley -- The Poetics of Fragment and Proportion / Danilo Eccher -- Plates -- Vantage Point / Tony Cragg -- Thinking Models / Lynne Cooke -- A Dictionary of Dematerialisation / Demosthenes Davvetas -- Plates -- Inside Images / Tony Cragg -- "I don't particularly like it when someone touches my works": Reflections on Tony Cragg's philosophy of sculpture / Carla Schulz-Hoffmann -- The Human Skin of the World -- Heterogeneous considerations on Tony Cragg's sculptures / Fernando Castro Florez -- Plates -- Sculpture -- Material Extensions / Tony Cragg -- Liquid Containers / David Batchelor -- Plates -- From notes on sculpture: Out of doors / Tony Cragg -- Explorer on the Moon / Catherine Grenier -- Plates -- To Viersen Sculpture / Tony Cragg -- Anthony Cragg -- Living in a material world / Ulrich Wilmes -- Inside Out -- Anthony Cragg's Sculptures / Erik Schonenberg -- Plates. Includes bibliographical references (pages 542-548). VG/VG (small black marker dot on bottom block edge but interior is clean). N° de réf. du vendeur 176006
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