Richard Phillips: Early Works on Paper - Couverture rigide

 
9783935567374: Richard Phillips: Early Works on Paper

Synopsis

The years 1993 and 1994 were bum years for Richard Phillips. Creative years too, since that was when he made the 30-odd drawings in this portfolio. With the air so cold and the heat not working and the rent going unpaid for eight months, Phillips, drawing in his kitchen, conjured one image after another: a homeless man is burned alive by a thug; a deranged blonde cuddles with a white rabbit, certain they must be sisters; a monumental god carved into a temple at Angkor Wat mirrors the face of Alice Cooper--two gods in one! Phillips' sources were discarded newspapers, but if you look behind the mottled surfaces the pictures really derive from the conflicted state of his soul.

Each of these drawings is a complete work; none were intended only as studies. "They were meant to be entertaining," Phillips tells author Linda Yablonsky, "but they also pushed me to go farther and farther." Ultimately, these drawings gave Phillips the freedom to paint. What they give us is the power to see through the dark.

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Présentation de l'éditeur

Richard Phillips’s new work hinges on the self-awareness of real-life subjects, using collaborative forms of image production to reorder the relationship of pop art to its subjects. For Richard Phillips, critique is as much an intrinsic material in the conception and staging of his work as the materials of their making. His conflating of subject and genre continues to provide challenging commentary on the condition and reach of contemporary art. His first two films, Lindsay Lohan (2011) and Sasha Grey (2011), are erotically posed "motion portraits." The notorious actresses pose erotically—Grey in a modernist John Lautner home, and Lohan in an aquamarine infinity pool. First Point (2012) marks his second collaboration with Lohan and third collaboration with legendary surf filmmaker Taylor Steele. In addition to working with Lohan and Grey, Phillips has collaborated with Brazilian supermodel Adriana Lima to create a series of paintings that depict her against backdrops of iconic Brazilian landmarks. The staging and format of his films present their subjects as paintings, forming the foundation for lush, large-scale, realist portraits of the placeholders of their own mediated existence. The book is generously illustrated with film stills and the paintings made from the films.

Biographie de l'auteur

Richard Phillips is represented in important public and private collections worldwide, including the Museum of Modern Art, New York; Tate Modern, London; Van Abbemuseum, Eindhoven, The Netherlands; and the Whitney Museum of American Art, New York.

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