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A Second Look: Alfred Hitchcock: The Birds, Blake Edwards: The Party, Ridley Scott: Blade Runner, Stefan Ruzowitzky: Anatomy, Ridley Scott: Gladiator - Couverture rigide
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A Second Look: Alfred Hitchcock: The Birds, Blake Edwards: The Party, Ridley Scott: Blade Runner, Stefan Ruzowitzky: Anatomy, Ridley Scott: Gladiator
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Der Zweite Blick / The Second View : Alfred Hitchcock: Die Vogel / The Birds: Blake Edwards: Der Partyschreck / The Party: Ridley Scott: Blade Runner: Stefan Ruzowitzky: Anatomie /Anatomy: Ridley Scott: Gladiator -Language: German
Edité par
Edition Axel Menges, 2013
ISBN 10 : 3936681546
ISBN 13 : 9783936681543
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Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 15573203
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EUR 41,20
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Der Zweite Blick / The Second View : Alfred Hitchcock: Die Vogel / The Birds: Blake Edwards: Der Partyschreck / The Party: Ridley Scott: Blade Runner: Stefan Ruzowitzky: Anatomie /Anatomy: Ridley Scott: Gladiator -Language: German
Edité par
Edition Axel Menges, 2013
ISBN 10 : 3936681546
ISBN 13 : 9783936681543
Neuf
Couverture rigide
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
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Etat : New. N° de réf. du vendeur 15573203-n
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SECOND VIEW: THE BIRDS EDWARDS THE PARTY Format: Hardcover
Edité par
Simon and Schuster, 2013
ISBN 10 : 3936681546
ISBN 13 : 9783936681543
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Etat : As New. Unread copy in mint condition. N° de réf. du vendeur SS9783936681543
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SECOND VIEW: THE BIRDS EDWARDS THE PARTY Format: Hardcover
Edité par
Simon and Schuster, 2013
ISBN 10 : 3936681546
ISBN 13 : 9783936681543
Neuf
Couverture rigide
Vendeur : INDOO, Avenel, NJ, Etats-Unis
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Etat : New. N° de réf. du vendeur 9783936681543
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Second Look (Hardcover)
Edité par
Edition Axel Menges, Fellbach, 2012
ISBN 10 : 3936681546
ISBN 13 : 9783936681543
Neuf
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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
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Hardcover. Etat : new. Hardcover. Text in English & German. Like literary texts, films often tell stories on multiple levels. Ridley Scott made an ironic reference to this when he called his legendary science-fiction film Blade Runner a "700-layer cake". These buried structures are created in two ways: by elements that resonate throughout the film itself and by references to other films, texts, myths, paintings, historical events etc. that are adapted in a specific way by the director, the scriptwriter and the production team. The heroine in Hitchcock's film The Birds, for instance, is a modern Aphrodite / Venus. Just as Venus, born from the sea foam, was carried to land on a seashell, Melanie is carried across Bodega Bay in a boat that is not much bigger than Venus' vessel in Botticelli's painting. Melanie's name is another reference to Aphrodite, who was also known as Melaina, "the black one". In the fist scene of the film, in which she enters the pet shop where she later gets to know Mitch and buys the love birds, Melanie is also dressed in black. The Venus-like Melanie is felt to be a threat by others within their world, and especially by more conventional women. One of them screams at her hysterically: "I think you're evil! Evil!". This creates a particular connection between love and horror in the film. The classical Aphrodite also had a dark side -- her union with Ares produced not only Harmonia, but also Deimos and Phobos: "dread" and "fear". Detecting hidden references is only the first step in creating an analysis; the next step is to elucidate the function of the reference within the film. For instance, what does it mean that Hitchcock's heroine is attacked by birds, whereas Venus was depicted accompanied by a dove? And why does Melanie, our "Venus", wear furs? Kirsch's investigations of this and other questions open up new perspectives on a number of films, with extensive illustrations allowing the reader to follow these in detail. The book invites us to take a second look at The Birds, Blake Edwards' The Party, Ridley Scott's Blade Runner and Gladiator and Stefan Ruzowitzky's Anatomy. Konrad Kirsch is a PhD in literature and an enthusiastic viewer of films. He has published texts on Georg Buechner, Elias Canetti, Robert Walser, Franz Kafka and William Shakespeare. Most recently, his article on Heinrich von Kleist was published in the Zeitschrift fuer deutsche Philologie. Like literary texts, films often tell stories on multiple levels. Ridley Scott made an ironic reference to this when he called his legendary science-fiction film Blade Runner a 700-layer cake. These buried structures are created in two ways: by elements that resonate throughout the film itself and by references to other films, texts, myths, paintings, historical events etc. that are adapted in a specific way by the director, the scriptwriter and the production team. The heroine in Hitchcocks film The Birds, for instance, is a modern Aphrodite / Venus. Just as Venus, born from the sea foam, was carried to land on a seashell, Melanie is carried across Bodega Bay in a boat that is not much bigger than Venus vessel in Botticellis painting. Mela-nies name is another reference to Aphrodite, who was also known as Melaina, the black one. In the fist scene of the film, in which she enters the pet shop where she later gets to know Mitch and buys the love birds, Melanie is also dressed in black. The Venus-like Melanie is felt to be a threat by others within their world, and especially by more conventional women. One of them screams at her hysterically: I think youre evil! Evil! This creates a particular connection between love and horror in the film. The classical Aphrodite also had a dark side her union with Ares produced not only Harmonia, but also Deimos and Phobos: dread and fear. Detecting hidden references is only the first step in crea Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783936681543
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EUR 56,34
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Second Look
Edité par
Edition Axel Menges, DE, 2012
ISBN 10 : 3936681546
ISBN 13 : 9783936681543
Neuf
Couverture rigide
Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Évaluation du vendeur 5 sur 5 étoiles
Hardback. Etat : New. Text in English and German. Like literary texts, films often tell stories on multiple levels. Ridley Scott made an ironic reference to this when he called his legendary science-fiction film Blade Runner a "700-layer cake". These buried structures are created in two ways: by elements that resonate throughout the film itself and by references to other films, texts, myths, paintings, historical events etc. that are adapted in a specific way by the director, the scriptwriter and the production team. The heroine in Hitchcock's film The Birds, for instance, is a modern Aphrodite / Venus. Just as Venus, born from the sea foam, was carried to land on a seashell, Melanie is carried across Bodega Bay in a boat that is not much bigger than Venus' vessel in Botticelli's painting. Melanie's name is another reference to Aphrodite, who was also known as Melaina, "the black one". In the fist scene of the film, in which she enters the pet shop where she later gets to know Mitch and buys the love birds, Melanie is also dressed in black. The Venus-like Melanie is felt to be a threat by others within their world, and especially by more conventional women. One of them screams at her hysterically: "I think you're evil! Evil!". This creates a particular connection between love and horror in the film. The classical Aphrodite also had a dark side -- her union with Ares produced not only Harmonia, but also Deimos and Phobos: "dread" and "fear". Detecting hidden references is only the first step in creating an analysis; the next step is to elucidate the function of the reference within the film. For instance, what does it mean that Hitchcock's heroine is attacked by birds, whereas Venus was depicted accompanied by a dove? And why does Melanie, our "Venus", wear furs? Kirsch's investigations of this and other questions open up new perspectives on a number of films, with extensive illustrations allowing the reader to follow these in detail. The book invites us to take a second look at The Birds, Blake Edwards' The Party, Ridley Scott's Blade Runner and Gladiator and Stefan Ruzowitzky's Anatomy. Konrad Kirsch is a PhD in literature and an enthusiastic viewer of films. He has published texts on Georg Büchner, Elias Canetti, Robert Walser, Franz Kafka and William Shakespeare. Most recently, his article on Heinrich von Kleist was published in the Zeitschrift für deutsche Philologie. N° de réf. du vendeur LU-9783936681543
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Second Look
Edité par
Edition Axel Menges, 2013
ISBN 10 : 3936681546
ISBN 13 : 9783936681543
Neuf
Couverture rigide
Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
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Etat : New. 2013. Bilingual. Hardcover. Num Pages: 160 pages, 220 illus. BIC Classification: AFKP. Category: (G) General (US: Trade). Dimension: 217 x 256 x 22. Weight in Grams: 820. . . . . . N° de réf. du vendeur V9783936681543
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Der Zweite Blick / The Second View : Alfred Hitchcock: Die Vogel / The Birds: Blake Edwards: Der Partyschreck / The Party: Ridley Scott: Blade Runner: Stefan Ruzowitzky: Anatomie /Anatomy: Ridley Scott: Gladiator -Language: German
Edité par
Edition Axel Menges, 2013
ISBN 10 : 3936681546
ISBN 13 : 9783936681543
Neuf
Couverture rigide
Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
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Etat : New. N° de réf. du vendeur 15573203-n
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Second Look
Edité par
Edition Axel Menges, 2013
ISBN 10 : 3936681546
ISBN 13 : 9783936681543
Neuf
Couverture rigide
Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
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Etat : New. 2013. Bilingual. Hardcover. Num Pages: 160 pages, 220 illus. BIC Classification: AFKP. Category: (G) General (US: Trade). Dimension: 217 x 256 x 22. Weight in Grams: 820. . . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9783936681543
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Der zweite Blick / The Second View
Edité par
Edition Axel Menges, 2012
ISBN 10 : 3936681546
ISBN 13 : 9783936681543
Neuf
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Vendeur : moluna, Greven, Allemagne
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Etat : New. Like literary texts, films often tell stories on multiple levels. Ridley Scott made an ironic reference to this when he called his legendary science-fiction film Blade Runner a 700-layer cake . These buried structures are created in two ways: by elements t. N° de réf. du vendeur 5686588
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