Articles liés à Ute Behrend: Zimmerpflanzen

Ute Behrend: Zimmerpflanzen - Couverture rigide

Ribbat, Christoph; Stremmel, Kerstin

 
9783936859980: Ute Behrend: Zimmerpflanzen

Synopsis

?In photography?, says Jeff Wall, ?the unattributed, anonymous, poetry of the world itself appears, probably for the first time?. Its beauty ?is rooted in the great collage which everyday life is, a combination of absolutely concrete and specific things created by no-one and everyone, all of which become available once it is unified into a picture?. Ute Behrend's works come always in twos. Instead of meticulously dissecting the dual components of what you see and what it might signify, Behrend in-fuses her series of images with both elements. She fears neither disorder nor decoration, neither ornament, she takes private photographs, but it is an undefinable privacy, temporally localised as the present day in a place situated somewhere between the city and the surrounding environs andthe holidays, of a generation between youth and mid-life. One's eye oscillates between one and the other image.It compares, contrasts, combines, engendering in turn mini-narratives that start on the left and end on the right orstart on the right and end on the left. Or become long narratives encompassing several images-narratives thatbranch out, leaf, blossom.

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

À propos de la quatrième de couverture

?In photography?, says Jeff Wall, ?the unattributed, anonymous, poetry of the world itself appears, probably for the first time?. Its beauty ?is rooted in the great collage which everyday life is, a combination of absolutely concrete and specific things created by no-one and everyone, all of which become available once it is unified into a picture?. Ute Behrend's works come always in twos. Instead of meticulously dissecting the dual components of what you see and what it might signify, Behrend in-fuses her series of images with both elements. She fears neither disorder nor decoration, neither ornament, she takes private photographs, but it is an undefinable privacy, temporally localised as the present day in a place situated somewhere between the city and the surrounding environs andthe holidays, of a generation between youth and mid-life. One's eye oscillates between one and the other image.It compares, contrasts, combines, engendering in turn mini-narratives that start on the left and end on the right orstart on the right and end on the left. Or become long narratives encompassing several images-narratives thatbranch out, leaf, blossom.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.