Recueil d'essais consacrés à la pratique de l'artiste norvégienne et à la critique institutionnelle qu'elle effectue " de l'intérieur ".
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Although Marianne Heier abandons the traditional exhibition spaces in connection with her projects, Art with a capital A is still always measured against other social constructs. At this point of intersection, Heier looks at the typical features of the various economies or values of given fields and how they overlap and collide. What, for example, characterizes the value of art compared with the concept of value in the global market economy? What can be translated? What is not for sale? With this approach, Heier turns the focus on distinctions between cultural and economic capital, which are further problematized inasmuch as the physical works or interventions often end up as gifts to the institution with which she works. The gift economy as a phenomenon and theoretical entity is therefore central to Heier's art production. ---------- Through ''Surplus,'' an extensive physical intervention in front of Bergen Kunsthall, Heier demonstrated an unbudgeable faith that art has a value different from the one that can simply be negotiated on a market. Surplus can, from this perspective, also refer to a kind of ''surplus value.'' ------------ This publication builds on Heier's investigative process. Instead of a retrospective analysis of her oeuvre, contributions by writers and researchers from various disciplines have become an important part of the exhibition project in their own right. The project renders visible societal structures and consequences of such structures--of which we are not always aware. By shifting the perspective slightly, we can perhaps glimpse distinct values and new outcomes. ---------------- Copublished with Bergen Kunsthall --------------- Design by Blank Blank
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Books From California, Simi Valley, CA, Etats-Unis
hardcover. Etat : Very Good. N° de réf. du vendeur mon0003742264
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Vendeur : PsychoBabel & Skoob Books, Didcot, Royaume-Uni
Hardcover. Etat : New. Etat de la jaquette : No Dust Jacket. Hardcover. Spine and inner edge of front board are a little sunned. Item remains in original shrinkwrapping and is unopened. AF. N° de réf. du vendeur 420008
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Vendeur : Art Data, London, Royaume-Uni
Hardcover. Etat : Brand New. Hardcover.Width: 13 cm. Height: 20cm. 212 pages. English text. N° de réf. du vendeur 21356
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Vendeur : Borkert, Schwarz und Zerfaß GbR, Berlin, Allemagne
Pp. Etat : Sehr gut. 211 S. : Ill. Sehr guter Zustand. / Very good copy. - SIGNIERTES Exemplar / SIGNED copy. / Sprache: Englisch und Norwegisch. / Language: english and norwegian. / EN: Although Marianne Heier abandons the traditional exhibition spaces in connection with her projects, Art with a capital A is still always measured against other social constructs. At this point of intersection, Heier looks at the typical features of the various economies or values of given fields and how they overlap and collide. What, for example, characterizes the value of art compared with the concept of value in the global market economy? What can be translated? What is not for sale? With this approach, Heier turns the focus on distinctions between cultural and economic capital, which are further problematized inasmuch as the physical works or interventions often end up as gifts to the institution with which she works. The gift economy as a phenomenon and theoretical entity is therefore central to Heiers art production. Through Surplus, an extensive physical intervention in front of Bergen Kunsthall, Heier demonstrated an unbudgeable faith that art has a value different from the one that can simply be negotiated on a market. Surplus can, from this perspective, also refer to a kind of surplus value. This publication builds on Heiers investigative process. Instead of a retrospective analysis of her oeuvre, contributions by writers and researchers from various disciplines have become an important part of the exhibition project in their own right. The project renders visible societal structures and consequences of such structuresof which we are not always aware. By shifting the perspective slightly, we can perhaps glimpse distinct values and new outcomes. (Sternberg) / Content: Foreword, Solveig Ovstebo -- Economies Beyond Economies On Marianne Heier's Works, Kim West -- Surplus, Loretta Napoleoni -- A Surplus of Flows, Thomas Hylland Eriksen -- The Uncontainable: Reflections On Marianne Heier's Practice, Ranjit Hoskote -- Works and Images -- Vima -- Diamond, Marianne Heier. ISBN 9783943365092 Sprache: Englisch Gewicht in Gramm: 396. N° de réf. du vendeur 1219669
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