Return to the Postcolony: Specters of Colonialism in Contemporary Art - Couverture souple

Demos, T. J.

Couverture souple

ISBN 10 : 3943365425 ISBN 13 : 9783943365429

Editeur : Sternberg Press, 2013

Synopsis

Dans le sillage des États défaillants, des inégalités économiques et politiques croissantes, et des guerres en cours menées par les États-Unis et l'OTAN pour les ressources, la sécurité et la domination économique dans le monde entier, les artistes contemporains revisitent les anciennes colonies européennes, considérant les injustices passées car ils hantent les vivants tout en restant réprimés dans la conscience européenne. Avec une grande rapidité, les projets de Sven Augustijnen, Vincent Meessen, Zarina Bhimji, Renzo Martens et Pieter Hugo ont émergé lors du cinquantième anniversaire de l'indépendance pour de nombreux pays africains, inspirant une sorte de « migration inversée » — un retour à la postcolonie, qui conduit un ensemble d'impératifs éthico-politiques et esthétiques : apprendre à vivre avec gg hôtes, et de le faire plus justement.

A propos du livre

Présentation de l'éditeur

In the wake of failed states, growing economic and political inequality, and the ongoing US- and NATO-led wars for resources, security, and economic dominance worldwide, contemporary artists are revisiting former European colonies, considering past injustices as they haunt the living yet remain repressed in European consciousness. With great timeliness, projects by Sven Augustijnen, Vincent Meessen, Zarina Bhimji, Renzo Martens, and Pieter Hugo have emerged during the fiftieth anniversary of independence for many African countries, inspiring a ''reverse migration''--a return to the postcolony, which drives an ethico-political as well as aesthetic set of imperatives: to learn to live with ghosts, and to do so more justly. ----------------- T. J. Demos places contemporary art within the context of neoliberal globalization and what scholars have referred to as the ''colonial present.'' The analysis is complex and provocative, both for an understanding of the historical material as well as for the contemporary theoretical discourse. ''Return to the Postcolony'' is one of the most ambitious, intelligent, and readable texts on contemporary art related to the African context that I have read. --Alexander Alberro, author of ''Conceptual Art and the Politics of Publicity'' ----------------- The specters of colonialism continue to haunt the current global order. Far removed from universalist and ultimately empty demands for a ''global art history,'' T. J. Demos uses particular cases to explore the false universality of ''globalization'' as we know it. This is art writing at its best: determinate and determined. --Sven Lütticken, author of ''Idols of the Market: Modern Iconoclasm and the Fundamentalist Spectacle'' ---------------- Design by Kummer & Herrman

Revue de presse

T. J. Demos places contemporary art within the context of neoliberal globalization and what scholars have referred to as the »colonial present.« The analysis is complex and provocative, both for an understanding of the historical material as well as for the contemporary theoretical discourse. »Return to the Postcolony« is one of the most ambitious, intelligent, and readable texts on contemporary art related to the African context that I have read. (Alexander Alberro, author of »Conceptual Art and the Politics of Publicity«)

The specters of colonialism continue to haunt the current global order. Far removed from universalist and ultimately empty demands for a »global art history,« T. J. Demos uses particular cases to explore the false universality of »globalization« as we know it. This is art writing at its best: determinate and determined. (Sven Lütticken, author of »Idols of the Market: Modern Iconoclasm and the Fundamentalist Spectacle«)

Détails de l'édition

• Éditeur: Sternberg Press
• Date d'édition: 2013
• Langue: anglais
• ISBN 10: 3943365425
• ISBN 13: 9783943365429
• Reliure: Broché
• Nombre de pages: 176
• Coordonnées du fabricant: non disponible
• Personne responsable: non disponible