German Design 1949-1989 Two Countries One History - Couverture souple

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9783945852446: German Design 1949-1989 Two Countries One History

Synopsis

Dans ce catalogue d\x27exposition, le Vitra Design Museum s\x27emploie à supprimer les idées reçues qui opposent systématiquement les designs en plastique coloré de l\x27Allemagne de l\x27Est au fonctionnalisme ouest\-allemand. Plus de 30 ans après la réunification, il présente un aperçu complet de l\x27histoire du design allemand de l\x27après\-guerre. Avec plus de 300 illustrations et de nombreux exemples dans les domaines du design \- mode, mobilier, graphisme, automobile, intérieurs et design industriel \- ce livre étudie le design dans la vie quotidienne des deux côtés du mur, le rôle important qu\x27il a joué dans le processus de reconstruction. et comment il a servi d\x27outil de propagande pendant la guerre froide. Les principaux objets et protagonistes \- de Dieter Rams ou Otl Aicher à l\x27Ouest à Rudolf Horn ou Renate Müller à l\x27Est \- sont présentés aux côtés d\x27influences comme le Bauhaus et la Hochschule für Gestaltung (HfG) Ulm.

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À propos de la quatrième de couverture

The cheap, colourful plastic designs from East Germany pitted against the cool functionalism of West German design: The publication German Design 1949 – 1989: Two Countries, One History does away with such clichés. More than 30 years after German reunification, it presents a comprehensive overview of German design history of the post-war period for the first time ever. With over 380 illustrations and numerous examples from the fields of design―fashion, furniture, graphics, automobile, industrial, and interiors―the book shows how design featured in daily life on both sides of the Wall, the important part it played in the reconstruction process and how it served as a propaganda tool during the Cold War. Key objects and protagonists―from Dieter Rams or Otl Aicher in the West to Rudolf Horn or Renate Müller in the East―are presented alongside formative factors such as the Bauhaus legacy and important institutions. The exceptional case of the division of Germany allows a unique comparative perspective on the role design played in promoting socialism and capitalism. While in the Federal Republic to the West, it became a generator of the export economy and the "Made in Germany" brand, in the East it was intended to fuel the socialist planned economy and affordability for broad sections of the population was key. While the book highlights the different realities of East and West, the many cross references that connected design in both are also examined. It impressively illustrates the many facets of German design history in the post-war period.

With contributions by Paul Betts, Greg Castillo, Petra Eisele, Siegfried Gronert, Jana Scholze, Katharina Pfützner, Eli Rubin, Katrin Schreiter, Oliver Sukrow, Carsten Wolff, among others; interviews with Prem Krishnamurthy, Renate Müller and Dieter Rams.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.