In a revisionist reassessment of classic modernism, Matthias Bitzer (b. Stuttgart, 1975; lives and works in Berlin) combines portraiture with geometric construction, often drawing on the formal vocabulary, plots, and intellectual history of the nineteenth and early twentieth centuries. His work in media such as painting, sculpture, drawing, collage, and site-specific installation art speaks a characteristic symbolic language. Interweaving the lives of prominent figures like Anita Berber, Jorge Luis Borges, Emily Dickinson, Leopoldo Fregoli, Fernando Pessoa, and Arthur Schnitzler with his own biographical experience and contemporary life, Bitzer creates dense narrative fabrics that accommodate the viewer s abstract-figurative associations. The book documents the evolution of Bitzer s conceptions of time-space through four of his most representative solo exhibitions. With texts by Augusta Joyce, Roland Nachtigaller, Ursula Strobele, and Timotheus Vermeulen."
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
In a revisionist reassessment of classic modernism, Matthias Bitzer (b. Stuttgart, 1975; lives and works in Berlin) combines portraiture with geometric construction, often drawing on the formal vocabulary, plots, and intellectual history of the nineteenth and early twentieth centuries. His work in media such as painting, sculpture, drawing, collage, and site-specific installation art speaks a characteristic symbolic language. Interweaving the lives of prominent figures like Anita Berber, Jorge Luis Borges, Emily Dickinson, Leopoldo Fregoli, Fernando Pessoa, and Arthur Schnitzler with his own biographical experience and contemporary life, Bitzer creates dense narrative fabrics that accommodate the viewer s abstract-figurative associations. The book documents the evolution of Bitzer s conceptions of time-space through four of his most representative solo exhibitions. With texts by Augusta Joyce, Roland Nachtigaller, Ursula Strobele, and Timotheus Vermeulen."
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : ANARTIST, New York, NY, Etats-Unis
Four softcover books in printed die-cut slipcase; about 96 pages each; the slipcase has tears and bumps at edges; the books are as new condition except for tiny bumps to a couple corners; no internal marks. Foreign shipping may be extra. N° de réf. du vendeur MaBiDi75
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Vendeur : Rheinberg-Buch Andreas Meier eK, Bergisch Gladbach, Allemagne
Buch. Etat : Neu. Neuware -In a revisionist reassessment of classic modernism, Matthias Bitzer (b. Stuttgart, 1975; lives and works in Berlin) combines portraiture with geometric construction, often drawing on the formal vocabulary, plots, and intellectual history of the nineteenth and early twentieth centuries. His work in media such as painting, sculpture, drawing, collage, and site-specific installation art speaks a characteristic symbolic language. Interweaving the lives of prominent figures like Arthur Schnitzler, Emily Dickinson, Fernando Pessoa, Jorge Luis Borges, Anita Berber, and Leopoldo Fregoli with his own biographical experience and contemporary life, Bitzer creates dense narrative fabrics that accommodate the viewer's abstract-figurative associations.The book documents the evolution of Bitzer's conceptions of time-space through four of his most representative solo exhibitions to date. Individual catalogue sections illustrate the shows 'Anatol Echo' at Almine Rech, Paris, 'Amherst/Ether/Fields' at Francesca Minini, Milan, 'Saturnine Swing' at Marianne Boesky, New York, and 'The Collapse of Features' at KadelWillborn, Düsseldorf. Essays by Roland Nachtigäller, Timotheus Vermeulen, Ursula Ströbele, and Augusta Gordon Joyce as well as sketches, photographs, poems, and references compiled by the artist round out this survey of Matthias Bitzer's extensive oeuvre. 384 pp. Englisch, Deutsch. N° de réf. du vendeur 9783954761593
Quantité disponible : 2 disponible(s)
Vendeur : BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Allemagne
Buch. Etat : Neu. Neuware -In a revisionist reassessment of classic modernism, Matthias Bitzer (b. Stuttgart, 1975; lives and works in Berlin) combines portraiture with geometric construction, often drawing on the formal vocabulary, plots, and intellectual history of the nineteenth and early twentieth centuries. His work in media such as painting, sculpture, drawing, collage, and site-specific installation art speaks a characteristic symbolic language. Interweaving the lives of prominent figures like Arthur Schnitzler, Emily Dickinson, Fernando Pessoa, Jorge Luis Borges, Anita Berber, and Leopoldo Fregoli with his own biographical experience and contemporary life, Bitzer creates dense narrative fabrics that accommodate the viewer's abstract-figurative associations.The book documents the evolution of Bitzer's conceptions of time-space through four of his most representative solo exhibitions to date. Individual catalogue sections illustrate the shows 'Anatol Echo' at Almine Rech, Paris, 'Amherst/Ether/Fields' at Francesca Minini, Milan, 'Saturnine Swing' at Marianne Boesky, New York, and 'The Collapse of Features' at KadelWillborn, Düsseldorf. Essays by Roland Nachtigäller, Timotheus Vermeulen, Ursula Ströbele, and Augusta Gordon Joyce as well as sketches, photographs, poems, and references compiled by the artist round out this survey of Matthias Bitzer's extensive oeuvre. 384 pp. Englisch, Deutsch. N° de réf. du vendeur 9783954761593
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Vendeur : moluna, Greven, Allemagne
Etat : New. In a revisionist reassessment of classic modernism, Matthias Bitzer (b. Stuttgart, 1975 lives and works in Berlin) combines portraiture with geometric construction, often drawing on the formal vocabulary, plots, and intellectual history of the nineteenth a. N° de réf. du vendeur 121215617
Quantité disponible : 3 disponible(s)
Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Buch. Etat : Neu. Neuware - In a revisionist reassessment of classic modernism, Matthias Bitzer (b. Stuttgart, 1975; lives and works in Berlin) combines portraiture with geometric construction, often drawing on the formal vocabulary, plots, and intellectual history of the nineteenth and early twentieth centuries. His work in media such as painting, sculpture, drawing, collage, and site-specific installation art speaks a characteristic symbolic language. Interweaving the lives of prominent figures like Arthur Schnitzler, Emily Dickinson, Fernando Pessoa, Jorge Luis Borges, Anita Berber, and Leopoldo Fregoli with his own biographical experience and contemporary life, Bitzer creates dense narrative fabrics that accommodate the viewer's abstract-figurative associations.The book documents the evolution of Bitzer's conceptions of time-space through four of his most representative solo exhibitions to date. Individual catalogue sections illustrate the shows 'Anatol Echo' at Almine Rech, Paris, 'Amherst/Ether/Fields' at Francesca Minini, Milan, 'Saturnine Swing' at Marianne Boesky, New York, and 'The Collapse of Features' at KadelWillborn, Düsseldorf. Essays by Roland Nachtigäller, Timotheus Vermeulen, Ursula Ströbele, and Augusta Gordon Joyce as well as sketches, photographs, poems, and references compiled by the artist round out this survey of Matthias Bitzer's extensive oeuvre. N° de réf. du vendeur 9783954761593
Quantité disponible : 2 disponible(s)
Vendeur : preigu, Osnabrück, Allemagne
Buch. Etat : Neu. Matthias Bitzer | Buch | 384 S. | Deutsch | 2016 | Distanz Verlag | EAN 9783954761593 | Verantwortliche Person für die EU: Distanz Verlag GmbH Edel, Hallesches Ufer 78, 10963 Berlin, rene[dot]valjeur[at]edel[dot]com | Anbieter: preigu. N° de réf. du vendeur 103792899
Quantité disponible : 1 disponible(s)