Lighting the Archive, qui a été mis en ligne en 2020, est une série ouverte de conversations avec des artistes comme Annette Kelm, Elfie Semotan, Wolfgang Tillmans et Ulrich Wust sur les techniques photographiques, les structures d'ordre et les matériels. Les conversations sont invariablement encadrées par des questions sur l'endroit où les photographes voient les œuvres et l'héritage de leur vie à long terme - ce qui va devenir de leurs œuvres un jour. Dans Exposing Tears , Lighting the Archive engage l'écrivain et conservateur Mike Sperlinger dans un dialogue. Sperlinger a étudié les carrières des photographes Marianne Wex et Chauncey Hare à travers l'objectif de l'économie d'attention du marché de l'art et entrelacé des faits biographiques avec des circonstances extérieures façonnant leurs chemins, y compris leurs retraits du système artistique et leur redécouverte éventuelle en tant qu'«artistes oubliés». Un essai de Mike Sperlinger raconte comment ce dernier était possible ; Lighting the Archive's Maren Lu-bbke-Tidow et Rebecca Wilton ont parlé à l'auteur pour discuter du rôle central que la question de l'archive a joué dans ses efforts.
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Taschenbuch. Etat : Neu. Neuware -Exposing photographic archivesLighting the Archive, which went online in 2020, is an open-ended series of conversations with artists like Annette Kelm, Elfie Semotan, Wolfgang Tillmans, and Ulrich Wüst about photographic techniques, structures of order, and materialities. The conversations are invariably framed by questions about where the photographers see their life's works and legacies over the long term-what, in other words, is to become of their oeuvres one day. In Exposing Tears, Lighting the Archive engage the writer and curator Mike Sperlinger in dialogue. Sperlinger studied the careers of the photographers Marianne Wex and Chauncey Hare through the lens of the art market's economy of attention and interwove biographical facts with external circumstances shaping their paths, including their withdrawals from the art system and their eventual rediscovery as 'forgotten artists.' An essay by Mike Sperlinger relates how the latter was possible; Lighting the Archive's Maren Lübbke-Tidow and Rebecca Wilton spoke to the author to discuss the central role that the question of the archive played in his efforts. 128 pp. Englisch. N° de réf. du vendeur 9783954764860
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Taschenbuch. Etat : Neu. Neuware -Exposing photographic archivesLighting the Archive, which went online in 2020, is an open-ended series of conversations with artists like Annette Kelm, Elfie Semotan, Wolfgang Tillmans, and Ulrich Wüst about photographic techniques, structures of order, and materialities. The conversations are invariably framed by questions about where the photographers see their life's works and legacies over the long term-what, in other words, is to become of their oeuvres one day. In Exposing Tears, Lighting the Archive engage the writer and curator Mike Sperlinger in dialogue. Sperlinger studied the careers of the photographers Marianne Wex and Chauncey Hare through the lens of the art market's economy of attention and interwove biographical facts with external circumstances shaping their paths, including their withdrawals from the art system and their eventual rediscovery as 'forgotten artists.' An essay by Mike Sperlinger relates how the latter was possible; Lighting the Archive's Maren Lübbke-Tidow and Rebecca Wilton spoke to the author to discuss the central role that the question of the archive played in his efforts. 128 pp. Englisch. N° de réf. du vendeur 9783954764860
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Taschenbuch. Etat : Neu. Neuware -Exposing photographic archivesLighting the Archive, which went online in 2020, is an open-ended series of conversations with artists like Annette Kelm, Elfie Semotan, Wolfgang Tillmans, and Ulrich Wüst about photographic techniques, structures of order, and materialities. The conversations are invariably framed by questions about where the photographers see their life's works and legacies over the long term-what, in other words, is to become of their oeuvres one day. In Exposing Tears, Lighting the Archive engage the writer and curator Mike Sperlinger in dialogue. Sperlinger studied the careers of the photographers Marianne Wex and Chauncey Hare through the lens of the art market's economy of attention and interwove biographical facts with external circumstances shaping their paths, including their withdrawals from the art system and their eventual rediscovery as 'forgotten artists.' An essay by Mike Sperlinger relates how the latter was possible; Lighting the Archive's Maren Lübbke-Tidow and Rebecca Wilton spoke to the author to discuss the central role that the question of the archive played in his efforts. N° de réf. du vendeur 9783954764860
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