"Performing Religion" investigates the relationship between texts, actors, and contexts in the study of Islam. Research in Islamic Studies to date has taken texts primarily as a medium of information. This volume emphasizes the material quality of texts, both written and oral. It focuses on the sound and rhythm of their performance, on nonverbal elements, and practices of framing and embedding. "Performing Religion" also looks at the interpretation of religious practices not based on lengthy textual foundations but which nevertheless constitute an important part of believers' lives. The assembled case studies encompass contemporary as well as historic perspectives and include examples from Andalusia, Egypt, Italy, Greater Syria, Turkey, Central Asia, Yemen, Iran, and India. Part I explores objects, actions, and notions in the context of the acquisition of blessing ("baraka"). Part II asks how believers use, alter, and publically enact texts in ritual settings and what kinds of performance are inscribed into the text. Part III analyses the negotiation of meanings, aesthetics, and identity which occurs in new and often transcultural contexts. Rather than viewing texts as a repository of ideas, the present volume accentuates their ritual functions and the aesthetic experiences they provide.
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Hardcover. Etat : new. Hardcover. "Performing Religion" investigates the relationship between texts, actors, and contexts in the study of Islam. Research in Islamic Studies to date has taken texts primarily as a medium of information. This volume emphasizes the material quality of texts, both written and oral. It focuses on the sound and rhythm of their performance, on nonverbal elements, and practices of framing and embedding. "Performing Religion" also looks at the interpretation of religious practices not based on lengthy textual foundations but which nevertheless constitute an important part of believers' lives. The assembled case studies encompass contemporary as well as historic perspectives and include examples from Andalusia, Egypt, Italy, Greater Syria, Turkey, Central Asia, Yemen, Iran, and India. Part I explores objects, actions, and notions in the context of the acquisition of blessing ("baraka"). Part II asks how believers use, alter, and publically enact texts in ritual settings and what kinds of performance are inscribed into the text. Part III analyses the negotiation of meanings, aesthetics, and identity which occurs in new and often transcultural contexts. Rather than viewing texts as a repository of ideas, the present volume accentuates their ritual functions and the aesthetic experiences they provide. Research in Islamic Studies to date has taken texts primarily as a medium of information. This volume emphasizes the material quality of texts, both written and oral. It focuses on the sound and rhythm of their performance, on nonverbal elements, and practices of framing and embedding. "Performing Religion" also looks at the interpre Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783956502354
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Etat : Gut. [1. Auflage]. 260 Seiten ; 24 cm, 704 g. Ein gutes und sauberes Exemplar. - "Performing Religion" investigates the relationship between texts, actors, and contexts in the study of Islam. Research in Islamic Studies to date has taken texts primarily as a medium of information. This volume emphasizes the material quality of texts, both written and oral. It focuses on the sound and rhythm of their performance, on nonverbal elements, and practices of framing and embedding. "Performing Religion" also looks at the interpretation of religious practices not based on lengthy textual foundations but which nevertheless constitute an important part of believers' lives. The assembled case studies encompass contemporary as well as historic perspectives and include examples from Andalusia, Egypt, Italy, Greater Syria, Turkey, Central Asia, Yemen, Iran, and India. Part I explores objects, actions, and notions in the context of the acquisition of blessing ("baraka"). Part II asks how believers use, alter, and publically enact texts in ritual settings and what kinds of performance are inscribed into the text. Part III analyses the negotiation of meanings, aesthetics, and identity which occurs in new and often transcultural contexts. Rather than viewing texts as a repository of ideas, the present volume accentuates their ritual functions and the aesthetic experiences they provide. - Content: Ines Weinrich: Introduction. From Texts to Performances -- Marianus Hundhammer: Antique Phallic Symbol or Mobile Relic? Remarks on the Cult of the quba' in Hadramawt -- Nour Farra-Haddad: Shared Rituals through ziyarat in Lebanon. A Typology of Christian and Muslim Practices -- Gebhard Fartacek / Lorenz Nigst: Conforming to and Breaking with Social Norms: Two Contrary Modes of baraka -- Stefan Reichmuth: The Quest for Sufi Transmissions as Links to the Prophet. Murtada al-Zabidi (d. 1791) and his Encyclopedic Collections of Sufi salasil -- Ines Weinrich: Between Poem and Ritual. The Burda by al-Busiri (d. 1294-1297 -- Jeanine Elif Dagyeli: A "Deserted Site of Display": Performing the Crafts' risala in Pre-socialist Central Asia -- Roxane Haag-Higuchi: Woe, a Hundred Woes! 19th-Century Muharram Elegies in Iran as Performative Poetry -- Sabine Dorpmüller: Preaching Performances Revisited. The Narrative Restaging of Sermons in the Travelogue of Ibn Jubayr (d. 1217) -- Susanne Enderwitz: Everyday Islamic Practice in Modern Egyptian Literature -- Jan Scholz / Max Stille: The Open Ritual. Indeterminacy in a Modern Sufi Ceremony -- Paola Abenante: Essentializing Difference. Text, Knowledge, and Ritual Performance in a Sufi Brotherhood in Italy -- Songül Karahasanoglu: Burning With Love. Consumerism and Recent Trends in Islamic Music in Turkey. ISBN 9783956502354 Sprache: Englisch Gewicht in Gramm: 783 Fadengehefteter Originalpappband. N° de réf. du vendeur 1069920
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