Right-wing populism is not new. Yet our current historical conjuncture presents emergent and extreme forms that demand critical inquiry. This is true at the level of the spatially imagined, the virtually performed, and the designed and physically built--as each in different ways is facilitating the unprecedented development of right-wing politics. In Europe and abroad, neo-Nazism, fundamentalism, and hate-based ideologies rooted in violent patriarchies have gained institutional acceptance and political sponsorship at a variety of scales. This reader considers new ways of moving through space and new patterns of occupying space, and investigates the implicit relationship between design and politics. Material is never neutral.
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Markus Miessen is a Berlin-based architect, writer, and Professor at the Academy of Design, University of Gothenburg, Sweden.
Zoë Ritts is an architectural designer based in Berlin. Benjamin H. Bratton is a theorist whose work spans philosophy, computer science, and design. He is Associate Professor of Visual Arts and Director of the Center for Design and Geopolitics at the University of California, San Diego. He is also Visiting Professor of Critical Studies at SCI-Arc (the Southern California Institute of Architecture) and Professor of Digital Design at the European Graduate School in Saas-Fee, Switzerland. Markus Miessen is a Berlin-based architect, writer, and Professor at the Academy of Design, University of Gothenburg, Sweden. Jonas Staal is an artist and founder of New World Summit, an artistic and political organization that develops parliaments with and for stateless, blacklisted, and autonomist organizations. Recent publications include Nosso Lar, Brasília. His artwork has been exhibited at venues including the 7th Berlin Biennale, the Stedelijk Museum in Amsterdam, the Victoria and Albert Museum in London, and the 31st São Paulo Biennale. Markus Miessen is a Berlin-based architect, writer, and Professor at the Academy of Design, University of Gothenburg, Sweden. Zoë Ritts is an architectural designer based in Berlin.Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. An investigation of the social, spatial, and material reality of right-wing populism.Para-Platforms investigates the social, spatial, and material reality of right-wing populism. Three case studies-presented in a symposium organized by Markus Miessen at the Gothenburg Design Festival in November 2017-form the core from which this collection of essays has grown: journalist Hannes Grassegger on Trump and Brexit; architectural theorist Stephan Tr by on spaces of right-wing extremism in Germany; and Christina Varvia on Forensic Architecture's investigation of the murder of Halit Yozgat, a young German man of Turkish descent, at the hands of a far-right group in 2006. The presentations are reproduced along with the ensuing conversations with Miessen and the audience members.An essay by anthropologist Mahmoud Keshavarz opens the book by discussing the capacity of design to create the conditions for certain politics. Among the other theoretical, artistic, and historical contributions, editor Zoe Ritts interviews artist Wolfgang Tillmans regarding his pro-EU poster series, the ongoing project truth study centre, and guest-edited volume What Is Different? The volume concludes with a comic by artist Liam Gillick animating a block of granite-culled from the Swedish quarry responsible for extracting the red granite intended for the Third Reich's architectural ambitions-as the messiah of spatial and material politics. An investigation of the social, spatial, and material reality of right-wing populism. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783956793929
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