An artist charts the historical context and aftermath of a concert--by Leonard Cohen at the Ramallah Cultural Palace in Palestine--that never happened.
Michael Rakowitz's project I'm good at love, I'm good at hate, it's in between I freeze (2009-ongoing) charts the historical context and aftermath of a concert that never happened. In 2009 Leonard Cohen was scheduled to perform in Israel. Because of increasing pressure from pro-Palestinian voices to dissuade Cohen from performing in Israel, a twin event in Palestine was organized. Amid protests and claims that the latter concert was a token show of solidarity and a hollow attempt to appease demonstrators, the concert was boycotted and eventually canceled. But the story, as Rakowitz's work demonstrates, did not end there. Conjoining the cultural histories of Palestine and Israel with the ethical dilemmas faced by performers under the conditions of a boycott, this volume, the first in the Research/Practice series, brings to light the research that went into this multifaceted work and plots the future arc of its trajectory.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Michael Rakowitz (b. 1973, New York) is an artist living and working in Chicago and Professor of Art Theory and Practice at Northwestern University.
Anthony Downey is Professor of Visual Culture in the Middle East and North Africa within the Faculty of Arts, Design and Media at Birmingham City University.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Bellwetherbooks, McKeesport, PA, Etats-Unis
paperback. Etat : Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages. N° de réf. du vendeur mon0000010716
Quantité disponible : 7 disponible(s)
Vendeur : AwesomeBooks, Wallingford, Royaume-Uni
Paperback. Etat : Very Good. I`m good at love, I`m good at hate, it`s in between I freeze (Sternberg Press / Research/Practice): 1 This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. . N° de réf. du vendeur 7719-9783956794766
Quantité disponible : 1 disponible(s)
Vendeur : Bahamut Media, Reading, Royaume-Uni
Paperback. Etat : Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee. N° de réf. du vendeur 6545-9783956794766
Quantité disponible : 1 disponible(s)
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. N° de réf. du vendeur 35876531-n
Quantité disponible : Plus de 20 disponibles
Vendeur : INDOO, Avenel, NJ, Etats-Unis
Etat : New. N° de réf. du vendeur 9783956794766
Quantité disponible : Plus de 20 disponibles
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 35876531
Quantité disponible : Plus de 20 disponibles
Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Paperback. Etat : new. Paperback. An artist charts the historical context and aftermath of a concert-by Leonard Cohen at the Ramallah Cultural Palace in Palestine-that never happened.Michael Rakowitz's project I'm good at love, I'm good at hate, it's in between I freeze (2009-ongoing) charts the historical context and aftermath of a concert that never happened. In 2009 Leonard Cohen was scheduled to perform in Israel. Because of increasing pressure from pro-Palestinian voices to dissuade Cohen from performing in Israel, a twin event in Palestine was organized. Amid protests and claims that the latter concert was a token show of solidarity and a hollow attempt to appease demonstrators, the concert was boycotted and eventually canceled. But the story, as Rakowitz's work demonstrates, did not end there. Conjoining the cultural histories of Palestine and Israel with the ethical dilemmas faced by performers under the conditions of a boycott, this volume, the first in the Research/Practice series, brings to light the research that went into this multifaceted work and plots the future arc of its trajectory. An artist charts the historical context and aftermath of a concert--by Leonard Cohen at the Ramallah Cultural Palace in Palestine--that never happened. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783956794766
Quantité disponible : 1 disponible(s)
Vendeur : INDOO, Avenel, NJ, Etats-Unis
Etat : As New. Unread copy in mint condition. N° de réf. du vendeur RH9783956794766
Quantité disponible : Plus de 20 disponibles
Vendeur : Rarewaves USA, OSWEGO, IL, Etats-Unis
Paperback. Etat : New. N° de réf. du vendeur LU-9783956794766
Quantité disponible : 8 disponible(s)
Vendeur : Massive Bookshop, Greenfield, MA, Etats-Unis
Paperback. Etat : New. N° de réf. du vendeur 9783956794766
Quantité disponible : 10 disponible(s)