The short-lived Japanese magazine Provoke is recognized as a major achievement in world photography of the postwar era, uniting the country’s most contentious examples of protest photography, vanguard fine art, and critical theory of the late 1960s and early 70s in only three issues overall. Provoke is accordingly treated here as a model synthesis of the complexities and overlapping uses of photography in postwar Japan. The writing and images by Provoke’s members – critic Koji Taki, poet Takahiko Okada, photographers Takuma Nakahira, Yutaka Takanashi, Daido Moriyama – were suffused with the tactics developed in some Japanese protest books which made use of innovative graphic design and provocatively “poor” materials. Recording live actions, photography in these years was also an expressive form suited to emphasize and critique the mythologies of modern life with a wide spectrum of performing artists such as Nobuyoshi Araki, Koji Enokura and Jiro Takamatsu. This catalogue accompanies the first exhibition ever to be held about the magazine and its creators and focuses on its historical context. It covers the preliminary period leading to its first and the aftermath following its last issue. Provoke takes shape as a strongly interpretative explanation of currents in Japanese art and society at a moment of historical collapse and renewal.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
The short-lived Japanese magazine Provoke is recognized as a major achievement in world photography of the postwar era, uniting the country’s most contentious examples of protest photography, vanguard fine art, and critical theory of the late 1960s and early 70s in only three issues overall. Provoke is accordingly treated here as a model synthesis of the complexities and overlapping uses of photography in postwar Japan. The writing and images by Provoke’s members – critic Koji Taki, poet Takahiko Okada, photographers Takuma Nakahira, Yutaka Takanashi, Daido Moriyama – were suffused with the tactics developed in some Japanese protest books which made use of innovative graphic design and provocatively “poor” materials. Recording live actions, photography in these years was also an expressive form suited to emphasize and critique the mythologies of modern life with a wide spectrum of performing artists such as Nobuyoshi Araki, Koji Enokura and Jiro Takamatsu. This catalogue accompanies the first exhibition ever to be held about the magazine and its creators and focuses on its historical context. It covers the preliminary period leading to its first and the aftermath following its last issue. Provoke takes shape as a strongly interpretative explanation of currents in Japanese art and society at a moment of historical collapse and renewal.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Design Books, New York, NY, Etats-Unis
Soft Cover. Etat : Near Fine. This is a near fine softcover copy with light wear. Front cover upper right corner creased, and the first page corner too, and rear cover lower corner. Else fine, the spine is pristine. Stated first edition. This catalog was prepared to accompany the exhibition 'Provoke: Between Protest and Performance: Photography in Japan 1960-1975' which opened at the Albertina in Vienna from Jannuary 29 to May 8, 2016. The exhibition also traveled to the Fotomuseum, Winterthur, LE BAL in Paris and the Art Institute in Chicago in 2017. Edited by Diane Dufour, Matthew Witkovsky, with Duncan Forbes and Walter Moser. Illustrated throughout in black & swhite. The catalog documents the short lived 1960's and early 70's Japanese photography magazine Provoke. Essays and interviews and hundreds of photographs. 10" high X 7" wide, 679 pages. Stout heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. N° de réf. du vendeur 019398
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Vendeur : BooksRun, Philadelphia, PA, Etats-Unis
Paperback. Etat : Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. N° de réf. du vendeur 3958291007-8-1
Quantité disponible : 1 disponible(s)
Vendeur : Moroccobound Fine Books, IOBA, Lewis Center, OH, Etats-Unis
Soft cover. Etat : Fine. 680 pp. Bound in wraps. Unmarked. "The short-lived Japanese magazine Provoke is recognized as a major achievement in world photography of the postwar era, uniting the country's most contentious examples of protest photography, vanguard fine art, and critical theory of the late 1960s and early 70s in only three issues overall. Provoke is accordingly treated here as a model synthesis of the complexities and overlapping uses of photography in postwar Japan." - publisher. Published on the occasion of the 2016 exhibition Provoke: Between Protest and Performance - Photography in Japan 1960/1975.The exhibit opened at the Albertina in Vienna and traveled to Paris and Chicago subsequently. N° de réf. du vendeur ABE-1778702941024
Quantité disponible : 1 disponible(s)