The first time Junya Ishigami made himself known in Europe, with his proposal for the Japan Pavilion for the Venice Architecture Biennale 2008, he was a young an almost unknown architect who had worked for several years with Kazuo Sejima and had not long with his studio junya.ishigami +associates, founded in 2004. In the Venice pavilion, Ishigami filled all the interior walls of the pavilion with delicate a somehow naïf drawings of gardens and decided to build several greenhouses with real gardens in the outdoor gardens of the building. The following year, he finished the Kanagawa Institute of Technology Workshop, and with only two works he was acclaimed as one of the most innovative proposals of the recent Japanese architecture. Forcing the limits of transparency and lightness in the beginning, his latest works explore in a conceptual way the relationships between the built matter and the nature, in works such as the Botanical Farm Garden in Tochigi, a multi confessional chapel in China or the house and restaurant for a chef in Japan, where the exploration of the tectonic merges with the telluric and the nature.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
The first time Junya Ishigami made himself known in Europe, with his proposal for the Japan Pavilion for the Venice Architecture Biennale 2008, he was a young an almost unknown architect who had worked for several years with Kazuo Sejima and had not long with his studio junya.ishigami +associates, founded in 2004. In the Venice pavilion, Ishigami filled all the interior walls of the pavilion with delicate a somehow naïf drawings of gardens and decided to build several greenhouses with real gardens in the outdoor gardens of the building. The following year, he finished the Kanagawa Institute of Technology Workshop, and with only two works he was acclaimed as one of the most innovative proposals of the recent Japanese architecture. Forcing the limits of transparency and lightness in the beginning, his latest works explore in a conceptual way the relationships between the built matter and the nature, in works such as the Botanical Farm Garden in Tochigi, a multi confessional chapel in China or the house and restaurant for a chef in Japan, where the exploration of the tectonic merges with the telluric and the nature.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Hennessey + Ingalls, Los Angeles, CA, Etats-Unis
Trade Paperback. Etat : New. Imagining an environment that bases social life on organic principlesJapanese architect Junya Ishigami (born 1974) became known for his proposal for the Japan Pavilion at the Venice Architecture Biennale 2008. The following year, he completed the Kanagawa Institute of Technology Workshop, and with these two works he was already acclaimed as one of the most innovative Japanese architects. Issue 78 of 2G surveys his career to date. For Ishigami (born 1974), architecture is a field of infinite possibilities that affect every area of life, raising existential questions and requiring both scientific and artistic observation. Here, the Japanese architect demonstrates what an environment that bases social life on organic principles might look like. N° de réf. du vendeur 313566
Quantité disponible : 2 disponible(s)
Vendeur : Antiquariat UEBUE, Zürich, Suisse
Softcover. Etat : Sehr gut. 1. Auflage. Z : Flexibound, 23 x 30 cm, 160 Seiten/pages with 175 color illustrations. - Japanese architect Junya Ishigami (born 1974) became known for his proposal for the Japan Pavilion at the Venice Architecture Biennale 2008. The following year, he completed the Kanagawa Institute of Technology Workshop, and with these two works he was already acclaimed as one of the most innovative Japanese architects. Issue 78 of 2G surveys his career to date. N° de réf. du vendeur ABE-1632222324519
Quantité disponible : 1 disponible(s)
Vendeur : Licus Media e.K., Utting a. Ammersee, Allemagne
kart. Etat : Neu. en. 160 Seiten ; 31 cm NEW ! + + + The first time Junya Ishigami made himself known in Europe, with his proposal for the Japan Pavilion for the Venice Architecture Biennale 2008, he was a young an almost unknown architect who had worked for several years with Kazuo Sejima and had not long with his studio junya.ishigami+associates, founded in 2004. In the Venice pavilion, Ishigami filled all the interior walls of the pavilion with delicate a somehow naà f drawings of gardens and decided to build several greenhouses with real gardens in the outdoor gardens of the building. The following year, he finished the Kanagawa Institute of Technology Workshop, and with only two works he was acclaimed as one of the most innovative proposals of the recent Japanese architecture. Forcing the limits of transparency and lightness in the beginning, his latest works explore in a conceptual way the relationships between the built matter and the nature, in works such as the Botanical Farm Garden in Tochigi, a multi confessional chapel in China or the house and restaurant for a chef in Japan, where the exploration of the tectonic merges with the telluric and the nature. 9783960980964 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. ***ATTENTION U.S. CUSTOMERS: Due to the new tariffs, we are unable to ship packages to the USA at this time. Thank you for understanding.*** Sprache: Englisch Gewicht in Gramm: 550. N° de réf. du vendeur 6605
Quantité disponible : 5 disponible(s)