The most comprehensive publication of Helen Levitt’s photographs from the New York subway, many of which are published here for the first time.
Helen Levitt’s pictures haunt like an intimate ghost – ever present, never forceful, curious, and receptive. In 1938 Levitt accompanied Walker Evans on a number of trips when he photographed passengers on the New York subway and soon she was taking her own shots. More empathetic and informal with a camera, Levitt's finest photographs came from being present to the world, allowing herself to be seen as a fellow citizen, not as a photographer setting herself apart. The disarming ease of Levitt's pictures builds up, page after page, into an undeniably singular attitude to the medium and the world. It was around 1978 that Levitt made her return to the subway, a full four decades after that first foray. She seems to have picked up exactly where she had left off in 1938, but in general her photography was less restricted, more in keeping with her looser street photographs. By the 1970s, public behaviour on the subway was much less formal, there was ?elbow room'. This is the most comprehensive publication of Helen Levitt's photographs from the New York subway, many of which are published here for the first time.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
The most comprehensive publication of Helen Levitt’s photographs from the New York subway, many of which are published here for the first time.
Helen Levitt’s pictures haunt like an intimate ghost – ever present, never forceful, curious, and receptive. In 1938 Levitt accompanied Walker Evans on a number of trips when he photographed passengers on the New York subway and soon she was taking her own shots. More empathetic and informal with a camera, Levitt's finest photographs came from being present to the world, allowing herself to be seen as a fellow citizen, not as a photographer setting herself apart. The disarming ease of Levitt's pictures builds up, page after page, into an undeniably singular attitude to the medium and the world. It was around 1978 that Levitt made her return to the subway, a full four decades after that first foray. She seems to have picked up exactly where she had left off in 1938, but in general her photography was less restricted, more in keeping with her looser street photographs. By the 1970s, public behaviour on the subway was much less formal, there was ?elbow room'. This is the most comprehensive publication of Helen Levitt's photographs from the New York subway, many of which are published here for the first time.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : BooksRun, Philadelphia, PA, Etats-Unis
Hardcover. Etat : Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. N° de réf. du vendeur 3960981228-11-1
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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Hardcover. Etat : new. Hardcover. The most comprehensive publication of Helen Levitt's photographs from the New York subway, many of which are published here for the first time. Helen Levitt's pictures haunt like an intimate ghost - ever present, never forceful, curious, and receptive. In 1938 Levitt accompanied Walker Evans on a number of trips when he photographed passengers on the New York subway and soon she was taking her own shots. More empathetic and informal with a camera, Levitts finest photographs came from being present to the world, allowing herself to be seen as a fellow citizen, not as a photographer setting herself apart. The disarming ease of Levitts pictures builds up, page after page, into an undeniably singular attitude to the medium and the world. It was around 1978 that Levitt made her return to the subway, a full four decades after that first foray. She seems to have picked up exactly where she had left off in 1938, but in general her photography was less restricted, more in keeping with her looser street photographs. By the 1970s, public behaviour on the subway was much less formal, there was elbow room. This is the most comprehensive publication of Helen Levitts photographs from the New York subway, many of which are published here for the first time. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783960981220
Quantité disponible : 1 disponible(s)
Vendeur : Majestic Books, Hounslow, Royaume-Uni
Etat : New. N° de réf. du vendeur 385541818
Quantité disponible : 3 disponible(s)
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Hardcover. Etat : Brand New. 01 edition. 72 pages. French language. 8.50x9.75x0.75 inches. In Stock. N° de réf. du vendeur __3960981228
Quantité disponible : 1 disponible(s)
Vendeur : Biblios, Frankfurt am main, HESSE, Allemagne
Etat : New. N° de réf. du vendeur 18378362223
Quantité disponible : 3 disponible(s)
Vendeur : Photofile Books, Leawood, KS, Etats-Unis
Hardcover. Etat : New. New, Hardcover, published by Verlag Der Buchhandlung Walther König in 2017. No dust jacket as issued. In 1938 Helen Levitt (1913-2009) accompanied Walker Evans on a project to photograph passengers on the New York subway. Soon she was taking her own pictures. More empathetic and informal than Evans', Levitt's finest photographs are the product of her willingness to participate as a fellow citizen, not as a photographer setting herself apart. The disarming ease of Levitt's pictures quickly accrues into an undeniably singular attitude to both the medium and the world. Around 1978?a full four decades after her first foray?Levitt returned to the New York subway, by which time public behavior on the subway was visibly less formal. She seems to have picked up exactly where she had left off in 1938, but in general her photography was even less restricted?more in keeping with her looser street photographs. This is the most comprehensive publication of Helen Levitt's photographs from the New York subway, many of which are published here for the first time. N° de réf. du vendeur 272
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Vendeur : Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, Etats-Unis
Hardcover. Etat : Fine. First Edition. First edition. Introduction by David Campany. Frontispiece portrait of Levitt by Minor White. Oblong small quarto. Measuring 9¾" x 8½". 81pp. Gray cloth titled in silver and applied pictorial only on cover. One tiny rubbed spot on the foredge and cloth the tiniest bit scuffed, about fine. N° de réf. du vendeur 626553
Quantité disponible : 1 disponible(s)
Vendeur : AussieBookSeller, Truganina, VIC, Australie
Hardcover. Etat : new. Hardcover. The most comprehensive publication of Helen Levitt's photographs from the New York subway, many of which are published here for the first time. Helen Levitt's pictures haunt like an intimate ghost - ever present, never forceful, curious, and receptive. In 1938 Levitt accompanied Walker Evans on a number of trips when he photographed passengers on the New York subway and soon she was taking her own shots. More empathetic and informal with a camera, Levitts finest photographs came from being present to the world, allowing herself to be seen as a fellow citizen, not as a photographer setting herself apart. The disarming ease of Levitts pictures builds up, page after page, into an undeniably singular attitude to the medium and the world. It was around 1978 that Levitt made her return to the subway, a full four decades after that first foray. She seems to have picked up exactly where she had left off in 1938, but in general her photography was less restricted, more in keeping with her looser street photographs. By the 1970s, public behaviour on the subway was much less formal, there was elbow room. This is the most comprehensive publication of Helen Levitts photographs from the New York subway, many of which are published here for the first time. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9783960981220
Quantité disponible : 1 disponible(s)