David Claerbout's large-scale film projections are characterized by their extremely slow-motion image sequences that are created using computer-generated methods. Moving images freeze into still images. The themes of transience and stasis, and above all the majestic, unwavering nature of time, take on their own aesthetic in Claerbout's visual language. Based on this, the American art historian Russell Ferguson analyzes David Claerbout's relationship to contemporary photography in his essay and explains his extremely precise working process, which often takes years. In a conversation with Thomas D. Trummer, David Claerbout talks about his philosophy and his perception of the world and the present, in particular against the background of the installations shown at the Kunsthaus Bregenz.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
David Claerbout's large-scale film projections are characterized by their extremely slow-motion image sequences that are created using computer-generated methods. Moving images freeze into still images. The themes of transience and stasis, and above all the majestic, unwavering nature of time, take on their own aesthetic in Claerbout's visual language. Based on this, the American art historian Russell Ferguson analyzes David Claerbout's relationship to contemporary photography in his essay and explains his extremely precise working process, which often takes years. In a conversation with Thomas D. Trummer, David Claerbout talks about his philosophy and his perception of the world and the present, in particular against the background of the installations shown at the Kunsthaus Bregenz.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Antiquariat UEBUE, Zürich, Suisse
Hardcover. Etat : Sehr gut. 1. Auflage. Z : 178 Seiten/pages, 22 x 27 cm - Charakteristisch für die großformatigen Filmprojektionen David Claerbouts sind die extrem verlangsamten Bildsequenzen, die über computergenerierte Methoden erzeugt werden. Bewegtbilder gefrieren dabei zu Standbildern. Die Themen Vergänglichkeit und Stillstand, vor allem die majestätische Unbeirrbarkeit der Zeit, erhalten in der Bildsprache Claerbouts eine eigene Ästhetik. Von dieser ausgehend analysiertder amerikanische Kunsthistoriker Russell Ferguson in seinem Essay David Claerbouts Verhältnis zur zeitgenössischen Fotografie und erläutert dessen oft Jahre beanspruchende, höchst präzise Arbeitsweise. In einem Gespräch mit Thomas D. Trummer spricht David Claerbout über seine Philosophie und seine Wahrnehmung von Welt und Gegenwart. N° de réf. du vendeur ABE-1632222291490
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Vendeur : Mispah books, Redhill, SURRE, Royaume-Uni
hardcover. Etat : New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book. N° de réf. du vendeur ERICA82939609835576
Quantité disponible : 1 disponible(s)