Friedensreich Hundertwasser shaped 20th-century art beyond the borders of Austria as a painter, designer of living spaces and pioneer of the environmental movement. His life-long, intense exploration of the personality and oeuvre of Egon Schiele is largely unknown. At the age of 20, when he was a student at the Vienna Academy of Fine Arts, the artist discovered Viennese Modernism through exhibitions and books: Schiele, especially, would later become a central point of reference for the internationally active artist. Shining the spotlight on central motifs and themes in the works of both artists, such as ensouled nature and the relationship between the individual and society, the catalogue illustrates analogies in their oeuvres that go beyond formal similarities. The exhibition retraces the artistic and spiritual kinship of two extraordinary artists.
At the age of 20, when Hundertwasser was a student at the Vienna Academy of Fine Arts, the artist discovered Viennese Modernism through exhibitions and books: Schiele, especially, would later become a central point of reference for the internationally active artist. Hundertwasser honed his draftsmanship by studying Schiele's drawings, successfully propagated Schiele's art amongst his fellow artists in Paris, and in 1965 gave one of his works the title 622 Mourning Egon Schiele. Until his death, Hundertwasser surrounded himself in his studios and homes in Venice and New Zealand with reproductions of paintings and drawings by his highly esteemed fellow artist. Hundertwasser's poetic text "I Love Schiele", written in 1951, illustrates the extent to which he related to the artist: "I often dream like Schiele, my father, about flowers that are red, and birds and flying fish and gardens in velvet and emerald green and human beings who walk, weeping, in red-yellow and ocean-blue."
Today, 20 years after Hundertwasser's death, the Leopold Museum is dedicating an exhibition, conceived as a dialogue, to these two iconic artists, which comprises some 170 exhibits. Shining the spotlight on central motifs and themes in the works of both artists, such as ensouled nature and the relationship between the individual and society, the exhibition illustrates analogies in their oeuvres that go beyond formal similarities. Through eminent loans from Austrian and international collections and archival material published for the first time, the exhibition retraces the artistic and spiritual kinship of two extraordinary 20th-century Austrian artists, who never had the chance to meet.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Friedensreich Hundertwasser shaped 20th-century art beyond the borders of Austria as a painter, designer of living spaces and pioneer of the environmental movement. His life-long, intense exploration of the personality and oeuvre of Egon Schiele is largely unknown. At the age of 20, when he was a student at the Vienna Academy of Fine Arts, the artist discovered Viennese Modernism through exhibitions and books: Schiele, especially, would later become a central point of reference for the internationally active artist. Shining the spotlight on central motifs and themes in the works of both artists, such as ensouled nature and the relationship between the individual and society, the catalogue illustrates analogies in their oeuvres that go beyond formal similarities. The exhibition retraces the artistic and spiritual kinship of two extraordinary artists.
At the age of 20, when Hundertwasser was a student at the Vienna Academy of Fine Arts, the artist discovered Viennese Modernism through exhibitions and books: Schiele, especially, would later become a central point of reference for the internationally active artist. Hundertwasser honed his draftsmanship by studying Schiele's drawings, successfully propagated Schiele's art amongst his fellow artists in Paris, and in 1965 gave one of his works the title 622 Mourning Egon Schiele. Until his death, Hundertwasser surrounded himself in his studios and homes in Venice and New Zealand with reproductions of paintings and drawings by his highly esteemed fellow artist. Hundertwasser's poetic text "I Love Schiele", written in 1951, illustrates the extent to which he related to the artist: "I often dream like Schiele, my father, about flowers that are red, and birds and flying fish and gardens in velvet and emerald green and human beings who walk, weeping, in red-yellow and ocean-blue."
Today, 20 years after Hundertwasser's death, the Leopold Museum is dedicating an exhibition, conceived as a dialogue, to these two iconic artists, which comprises some 170 exhibits. Shining the spotlight on central motifs and themes in the works of both artists, such as ensouled nature and the relationship between the individual and society, the exhibition illustrates analogies in their oeuvres that go beyond formal similarities. Through eminent loans from Austrian and international collections and archival material published for the first time, the exhibition retraces the artistic and spiritual kinship of two extraordinary 20th-century Austrian artists, who never had the chance to meet.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
hardcover. Etat : Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. N° de réf. du vendeur M396098765XZ3
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Vendeur : Amnesty Bookshop - Brighton, Brighton, Royaume-Uni
Hardcover. Etat : Good. In German and English. Boards are a little scuffed in places Some spotting of the book's top edge. Slight internal tanning. pp. 271. 250 x 280 mm. Please note that, depending on destination, we may request a payment to cover any extra shipping & postage charges. Proceeds to Amnesty International. Abe2551. This item is being sold under the Retail Gift Aid scheme to support Amnesty International UK Section Charitable Trust. Gift Aid enables us to increase the value of donations by 25%. Amnesty International UK Section is acting as an agent selling this item on behalf of one of our Gift Aid Donors. N° de réf. du vendeur ABE-1765985639731
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Vendeur : Antiquariat Willi Braunert, München, Allemagne
4°, hardcover. New book. Sprache: Englisch Gewicht in Gramm: 0. N° de réf. du vendeur 28063
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Vendeur : Matthaeus Truppe Antiquariat, Graz, Autriche
Kl.-4°. OPp. (kl. Gebrssprn.). 271 S. mit zahlr. meist farb ganzseit. Abb. Erste Ausgabe. - Katalog zur Ausstellung in Wien im Leopold Museum 2020. - Enthält Textbeiträge von Bazon Brock, Robert Fleck, Alexandra Matzner und Hans-Peter Wipplinger. - Kaum gebräunt. *** *** Copyright: Matthaeus TRUPPE Buchhandlung & Antiquariat - Stubenberggasse 7 - A-8010 Graz - ++43 (0)316 - 829552 *** *** Sprache: Deutsch Gewicht in Gramm: 0. N° de réf. du vendeur 24745
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Vendeur : Buchhandlung Gerhard Höcher, Wien, AT, Autriche
Etat : Neu. 274 Seiten mit zahlreichen Abbildungen, Sehr guter Zustand - neu - noch originalverschweißt. Zweisprachig: Deutsch - Englisch. Erschien anläßlich der Ausstellung "Hundertwasser - Schiele. Imagine Tomorrow" im wiener Leopoldmuseum, von 21. Februar 2020 bis 10. Januar 2021. Sprache: Deutsch Gewicht in Gramm: 1616 illustrierter OPappband, 28,6 x 24,5 cm. N° de réf. du vendeur 47330
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Vendeur : Librairie Thé à la page, Montélimar, France
Couverture rigide. Etat : Neuf. Verlag der Buchhandlung Walther Konig collection , 2020. 1 volume relié(s) format In-4 neuf. N° de réf. du vendeur 434427
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Vendeur : BUCHSERVICE / ANTIQUARIAT Lars Lutzer, Wahlstedt, Allemagne
Etat : gut. 2020. Hundertwasser - Schiele. Imagine tomorrow: Ausst. Kat. Leopold Museum, 2020 In deutscher Sprache. pages. N° de réf. du vendeur BN261727
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