First extensive monograph on Kiki Kogelnik, a real must-have about one of the most important Austrian born female Pop Art artists
Kiki Kogelnik (1935–1997) is one of the most important Austrian born artists of the 20th century who lived and worked on an international level. She is considered the only Austrian protagonist of Pop Art, although her art goes far beyond this categorization. Kogelnik’s playful, colorful, and highly political work ranges from paintings, drawings, ceramics and installations to performative practices, and has an astonishing topicality in terms of its subject matter. Already in the early 1960s, she addressed topics such as gender equality, medical ethics, the digital era or a sustainable lifestyle in her art—questions that are highly present in today’s daily discourses.
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Kiki Kogelnik (1935–1997) was an Austrian painter, sculptor and printmaker. Born in southern Austria, she studied at the Vienna Academy of Fine Arts and moved to New York City in 1961 where she joined a close-knit group of artists that included Roy Lichtenstein, Claes Oldenburg, Andy Warhol, Joan Mitchell, Robert Rauschenberg and Jasper Johns. Kogelnik is considered Austria's most important pop-related artist, despite having been known to take issue with being considered part of the pop art movement.
Kiki Kogelnik (1935-1997) is one of the most important Austrianborn artists of the 20th century, who lived and worked on an international level. Today, the artist is considered the only Austrian protagonist of Pop Art, but her art goes far beyond this categorization. Kogelnik's playful, colorful, and highly political work ranges from painting, drawing, ceramics and installation to performative practices, and has an astonishing topicality in terms of its subject matter. In spring 2023, the Bank Austria Kunstforum Wien will show the largest solo presentation of this outstanding artist to date.
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hardcover. Etat : Acceptable. 1st Edition. May have underlining, highlighting, margin notes, remainder marks, inscriptions, book plates, tears, significant wear, and/or a missing dust jacket, box, or discs. Damaged item. N° de réf. du vendeur 1567152
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Hardcover. Etat : new. Hardcover. Having completed her studies at the Academy of Applied Arts and the Academy of Fine Arts in Vienna in the 1950s, Kogelnik was part of the young St. Stephan Group. After extensive travels through Europe and through her acquaintance with Sam Francis, Kogelnik relocated to New York in 1962, where she began to work within the newly forming Pop Art movement and developed friendships with artists such as Roy Liechtenstein, Claes Oldenburg and Carolee Schneemann. This extremely incisive period at the beginning of the 1960s also signified a reorientation in her artistic work - the works created during this phase form the crucial centre of the exhibition. The artist explicitly addressed her interest in, but also her critical attitude towards, consumer society, technical progress, medicine and diagnostics, and the (female) body and its implications, as well as the reality of her own life as an artist, mother, and wife, starting in the early 1960s - long before today's omnipresent discourses on gender equality, medical ethics, the digital age, and sustainable lifestyles. With humour, sharp punchlines, the bold aesthetic and sense of mission of pop and new materials such as vinyl, Kiki Kogelnik finds her unique way and, from today's perspective, proves to be one of the most diverse and independent examples of early postmodern art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783969001073
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Vendeur : Kloof Booksellers & Scientia Verlag, Amsterdam, Pays-Bas
Etat : as new. Heidelberg : Kehrer, 2023. Hardcover. 279 pp. illustrations (chiefly color) ; 31 cm. - First extensive monograph on Kiki Kogelnik, a real must-have about one of the most important Austrian born female Pop Art artists Kiki Kogelnik (1935-1997) is one of the most important Austrian born artists of the 20th century, who lived and worked on an international level. She is considered the only Austrian protagonist of Pop Art, although her art goes far beyond this categorization. Kogelnik's playful, colorful, and highly political work ranges from paintings, drawings, ceramics and installations to performative practices, and has an astonishing topicality in terms of its subject matter. Already in the early 1960s, she addressed topics such as gender equality, medical ethics, the digital era or a sustainable lifestyle in her art -- questions that are highly present in today's daily discourses. Contents : The exhibition at Galerie St. Stephan: the Viennese debut -- Kiki Kogelnik in New York: pop and new realities -- Now is the time: on the concept of the present in the work of Kiki Kogelnik / Lisa Ortner-Kreil -- Space art, robots, and the hybrid body -- Kiki Kogelnik: robots in love / Marie Laurberg and Birgitte Thorsen Vilslev -- Masquerades: representations of the self -- A walking work of art: thoughts on the influences and impulses from fashion in the work of Kiki Kogelnik / Cathe rine Hug -- Being and pretending: Kogelnik's portraits of women from the 1970s -- The day the world turned dayglo / Mai-Thu Perret -- Big city freedoms: ceramics and animal motifs -- On the edge of destruction: life and death in the art of Kiki Kogelnik / Flavia Frigeri -- Into space, through time: art, death, and life -- A letter to Kiki Kogelnik / Sylvie Fleury. Condition : as new copy. ISBN 9783969001073. Keywords : ART, Pop art. N° de réf. du vendeur 300435
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Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Hardcover. Etat : VG+: As new. Color-illustrated boards with the title printed in white down a multi-colored (pinks, yellows, blues) spine. "Kiki Kogelnik (1935-1997) is one of the most important Austrian born artists of the 20th century, who lived and worked on an international level. She is considered the only Austrian protagonist of Pop Art, although her art goes far beyond this categorization. Kogelnik's playful, colorful, and highly political work ranges from paintings, drawings, ceramics and installations to performative practices, and has an astonishing topicality in terms of its subject matter. Already in the early 1960s, she addressed topics such as gender equality, medical ethics, the digital era or a sustainable lifestyle in her art -- questions that are highly present in today's daily discourses." Contents are as follows: The exhibition at Galerie St. Stephan: the Viennese debut -- Kiki Kogelnik in New York: pop and new realities -- Now is the time: on the concept of the present in the work of Kiki Kogelnik / Lisa Ortner-Kreil -- Space art, robots, and the hybrid body -- Kiki Kogelnik: robots in love / Marie Laurberg and Birgitte Thorsen Vilslev -- Masquerades: representations of the self -- A walking work of art: thoughts on the influences and impulses from fashion in the work of Kiki Kogelnik / Cathérine Hug -- Being and pretending: Kogelnik's portraits of women from the 1970s -- The day the world turned dayglo / Mai-Thu Perret -- Big city freedoms: ceramics and animal motifs -- On the edge of destruction: life and death in the art of Kiki Kogelnik / Flavia Frigeri -- Into space, through time: art, death, and life -- A letter to Kiki Kogelnik / Sylvie Fleury. N° de réf. du vendeur 202792
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 45758233
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. 2023. 1st Edition. hardcover. . . . . . N° de réf. du vendeur V9783969001073
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