Parallel Lines. High Modernism in Croatia 1949–1998 documents an exhibition of the same name at Bucharest’s National Museum of Contemporary Art in 2025. Organized jointly with the National Museum of Modern Art in Zagreb, the show illuminates with 188 works the unique art scene after 1948’s Cominform resolution, which marked Yugoslavia’s break from Soviet influence. In the 1960s, Zagreb, with its “New Tendencies,” became a hub for artistic experimentation in response to the genre of socialist realist painting. Parallel Lines highlights the coexistence of institutionally supported and alternative art within Yugoslav “socialism with a human face.” Through public dialogues and debates, these parallel movements fostered a dynamic cultural landscape.
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Paperback. Etat : New. 1. Parallel Lines. High Modernism in Croatia 1949-1998 documents an exhibition of the same name at Bucharest's National Museum of Contemporary Art in 2025. Organized jointly with the National Museum of Modern Art in Zagreb, the show illuminates with 188 works the unique art scene after 1948's Cominform resolution, which marked Yugoslavia's break from Soviet influence. In the 1960s, Zagreb, with its "New Tendencies," became a hub for artistic experimentation in response to the genre of socialist realist painting. Parallel Lines highlights the coexistence of institutionally supported and alternative art within Yugoslav "socialism with a human face." Through public dialogues and debates, these parallel movements fostered a dynamic cultural landscape. N° de réf. du vendeur LU-9783969122624
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Taschenbuch. Etat : Neu. Neuware -'Parallel Lines. High Modernism in Croatia 1949-1998' documents an exhibition of the same name at Bucharest's National Museum of Contemporary Art in 2025. Organized jointly with the National Museum of Modern Art in Zagreb, the show illuminates with 188 works the unique art scene after 1948's Cominform resolution, which marked Yugoslavia's break from Soviet influence. In the 1960s, Zagreb, with its 'New Tendencies,' became a hub for artistic experimentation in response to the genre of socialist realist painting. Parallel Lines highlights the coexistence of institutionally supported and alternative art within Yugoslav 'socialism with a human face.' Through public dialogues and debates, these parallel movements fostered a dynamic cultural landscape.; 'Parallel Lines. High Modernism in Croatia 1949-1998' dokumentiert die gleichnamige Ausstellung in Bukarests Nationalmuseum für Zeitgenössische Kunst im Jahr 2025. Gemeinsam mit dem Nationalmuseum für Moderne Kunst in Zagreb organisiert, beleuchtete sie mit 188 Positionen die Kunstszene nach der Kominform-Resolution von 1948, die Jugoslawiens Bruch von sowjetischem Einfluss markierte. Die 60er Jahre sahen Zagreb mit seinen 'Neuen Tendenzen' als Zentrum experimenteller Kunst in Antwort auf die Malerei des sozialistischen Realismus. Parallel Lines verweist auf das Nebeneinander institutionell geförderter und alternativer Kunst im jugoslawischen 'Sozialismus mit menschlichem Antlitz'. Mit öffentlichen Dialogen und Debatten sorgten die parallelen Strömungen für eine dynamische Kulturlandschaft. 232 pp. Englisch. N° de réf. du vendeur 9783969122624
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Taschenbuch. Etat : Neu. Neuware -'Parallel Lines. High Modernism in Croatia 1949-1998' documents an exhibition of the same name at Bucharest's National Museum of Contemporary Art in 2025. Organized jointly with the National Museum of Modern Art in Zagreb, the show illuminates with 188 works the unique art scene after 1948's Cominform resolution, which marked Yugoslavia's break from Soviet influence. In the 1960s, Zagreb, with its 'New Tendencies,' became a hub for artistic experimentation in response to the genre of socialist realist painting. Parallel Lines highlights the coexistence of institutionally supported and alternative art within Yugoslav 'socialism with a human face.' Through public dialogues and debates, these parallel movements fostered a dynamic cultural landscape.; 'Parallel Lines. High Modernism in Croatia 1949-1998' dokumentiert die gleichnamige Ausstellung in Bukarests Nationalmuseum für Zeitgenössische Kunst im Jahr 2025. Gemeinsam mit dem Nationalmuseum für Moderne Kunst in Zagreb organisiert, beleuchtete sie mit 188 Positionen die Kunstszene nach der Kominform-Resolution von 1948, die Jugoslawiens Bruch von sowjetischem Einfluss markierte. Die 60er Jahre sahen Zagreb mit seinen 'Neuen Tendenzen' als Zentrum experimenteller Kunst in Antwort auf die Malerei des sozialistischen Realismus. Parallel Lines verweist auf das Nebeneinander institutionell geförderter und alternativer Kunst im jugoslawischen 'Sozialismus mit menschlichem Antlitz'. Mit öffentlichen Dialogen und Debatten sorgten die parallelen Strömungen für eine dynamische Kulturlandschaft. 232 pp. Englisch. N° de réf. du vendeur 9783969122624
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Taschenbuch. Etat : Neu. Neuware -'Parallel Lines. High Modernism in Croatia 1949-1998' documents an exhibition of the same name at Bucharest's National Museum of Contemporary Art in 2025. Organized jointly with the National Museum of Modern Art in Zagreb, the show illuminates with 188 works the unique art scene after 1948's Cominform resolution, which marked Yugoslavia's break from Soviet influence. In the 1960s, Zagreb, with its 'New Tendencies,' became a hub for artistic experimentation in response to the genre of socialist realist painting. Parallel Lines highlights the coexistence of institutionally supported and alternative art within Yugoslav 'socialism with a human face.' Through public dialogues and debates, these parallel movements fostered a dynamic cultural landscape. N° de réf. du vendeur 9783969122624
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Taschenbuch. Etat : Neu. Neuware -'Parallel Lines. High Modernism in Croatia 1949-1998' documents an exhibition of the same name at Bucharest's National Museum of Contemporary Art in 2025. Organized jointly with the National Museum of Modern Art in Zagreb, the show illuminates with 188 works the unique art scene after 1948's Cominform resolution, which marked Yugoslavia's break from Soviet influence. In the 1960s, Zagreb, with its 'New Tendencies,' became a hub for artistic experimentation in response to the genre of socialist realist painting. Parallel Lines highlights the coexistence of institutionally supported and alternative art within Yugoslav 'socialism with a human face.' Through public dialogues and debates, these parallel movements fostered a dynamic cultural landscape.GPSR Kontakt, Heinrich-Schütz-Allee 35, 34131 Kassel 232 pp. Englisch. N° de réf. du vendeur 9783969122624
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