Time and again, the language of collecting and preservation is cloaked in florid rhetoric whenever museums, their purposes and their holdings are evoked - even though the museum world is scarcely bound by legal definition. A closer look at the history and evolution of any institution, not least our own, quickly dispels such illusions. This volume contrasts the bourgeois collecting ideals of prominent nineteenth- and early twentieth-century owners with the Marxist-Leninist notion of collecting as practised in the GDR. The research centre DIGITAL ORGANOLOGY at the Museum of Musical Instruments, University of Leipzig, brings together an expanding pool of closely interlinked research data across multiple collections. These data provide a framework for tracing the histories of musical instruments and the collections to which they belong. This infrastructure is designed not only to support detailed, object-based studies, but also to enable large-scale analysis through distant-reading tools. The same applies to provenance research, which, with its legal and ethical obligations, poses major challenges for university museums - in organological scholarship, academic teaching, and the wider transfer of knowledge to society.
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Buch. Etat : Neu. Neuware -Time and again, the language of collecting and preservation iscloaked in florid rhetoric whenever museums, their purposes andtheir holdings are evoked - even though the museum world isscarcely bound by legal definition. A closer look at the history andevolution of any institution, not least our own, quickly dispels suchillusions. This volume contrasts the bourgeois collecting ideals ofprominent nineteenth- and early twentieth-century owners withthe Marxist-Leninist notion of collecting as practised in the GDR.The research centre DIGITAL ORGANOLOGY at the Museum of MusicalInstruments, University of Leipzig, brings together an expandingpool of closely interlinked research data across multiple collections.These data provide a framework for tracing the histories of musicalinstruments and the collections to which they belong. This infrastructureis designed not only to support detailed, object-basedstudies, but also to enable large-scale analysis through distant-readingtools. The same applies to provenance research, which, with itslegal and ethical obligations, poses major challenges for universitymuseums - in organological scholarship, academic teaching, andthe wider transfer of knowledge to society. 216 pp. Englisch. N° de réf. du vendeur 9783990946404
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Buch. Etat : Neu. Neuware -Time and again, the language of collecting and preservation iscloaked in florid rhetoric whenever museums, their purposes andtheir holdings are evoked - even though the museum world isscarcely bound by legal definition. A closer look at the history andevolution of any institution, not least our own, quickly dispels suchillusions. This volume contrasts the bourgeois collecting ideals ofprominent nineteenth- and early twentieth-century owners withthe Marxist-Leninist notion of collecting as practised in the GDR.The research centre DIGITAL ORGANOLOGY at the Museum of MusicalInstruments, University of Leipzig, brings together an expandingpool of closely interlinked research data across multiple collections.These data provide a framework for tracing the histories of musicalinstruments and the collections to which they belong. This infrastructureis designed not only to support detailed, object-basedstudies, but also to enable large-scale analysis through distant-readingtools. The same applies to provenance research, which, with itslegal and ethical obligations, poses major challenges for universitymuseums - in organological scholarship, academic teaching, andthe wider transfer of knowledge to society. 216 pp. Englisch. N° de réf. du vendeur 9783990946404
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Buch. Etat : Neu. Neuware -Time and again, the language of collecting and preservation iscloaked in florid rhetoric whenever museums, their purposes andtheir holdings are evoked - even though the museum world isscarcely bound by legal definition. A closer look at the history andevolution of any institution, not least our own, quickly dispels suchillusions. This volume contrasts the bourgeois collecting ideals ofprominent nineteenth- and early twentieth-century owners withthe Marxist-Leninist notion of collecting as practised in the GDR.The research centre DIGITAL ORGANOLOGY at the Museum of MusicalInstruments, University of Leipzig, brings together an expandingpool of closely interlinked research data across multiple collections.These data provide a framework for tracing the histories of musicalinstruments and the collections to which they belong. This infrastructureis designed not only to support detailed, object-basedstudies, but also to enable large-scale analysis through distant-readingtools. The same applies to provenance research, which, with itslegal and ethical obligations, poses major challenges for universitymuseums - in organological scholarship, academic teaching, andthe wider transfer of knowledge to society. N° de réf. du vendeur 9783990946404
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Buch. Etat : Neu. Neuware -Time and again, the language of collecting and preservation iscloaked in florid rhetoric whenever museums, their purposes andtheir holdings are evoked - even though the museum world isscarcely bound by legal definition. A closer look at the history andevolution of any institution, not least our own, quickly dispels suchillusions. This volume contrasts the bourgeois collecting ideals ofprominent nineteenth- and early twentieth-century owners withthe Marxist-Leninist notion of collecting as practised in the GDR.The research centre DIGITAL ORGANOLOGY at the Museum of MusicalInstruments, University of Leipzig, brings together an expandingpool of closely interlinked research data across multiple collections.These data provide a framework for tracing the histories of musicalinstruments and the collections to which they belong. This infrastructureis designed not only to support detailed, object-basedstudies, but also to enable large-scale analysis through distant-readingtools. The same applies to provenance research, which, with itslegal and ethical obligations, poses major challenges for universitymuseums - in organological scholarship, academic teaching, andthe wider transfer of knowledge to society.Hollitzer Wissenschaftsverlag, Trautsongasse 6/6, 1080 Wien 216 pp. Englisch. N° de réf. du vendeur 9783990946404
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Buch. Etat : Neu. Neuware - Time and again, the language of collecting and preservation iscloaked in florid rhetoric whenever museums, their purposes andtheir holdings are evoked - even though the museum world isscarcely bound by legal definition. A closer look at the history andevolution of any institution, not least our own, quickly dispels suchillusions. This volume contrasts the bourgeois collecting ideals ofprominent nineteenth- and early twentieth-century owners withthe Marxist-Leninist notion of collecting as practised in the GDR.The research centre DIGITAL ORGANOLOGY at the Museum of MusicalInstruments, University of Leipzig, brings together an expandingpool of closely interlinked research data across multiple collections.These data provide a framework for tracing the histories of musicalinstruments and the collections to which they belong. This infrastructureis designed not only to support detailed, object-basedstudies, but also to enable large-scale analysis through distant-readingtools. The same applies to provenance research, which, with itslegal and ethical obligations, poses major challenges for universitymuseums - in organological scholarship, academic teaching, andthe wider transfer of knowledge to society. N° de réf. du vendeur 9783990946404
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Buch. Etat : Neu. The GDR as a Collector | Ethics and Curatorial Concept at the Museum of Musical Instruments | Josef Focht (u. a.) | Buch | 216 S. | Englisch | 2026 | Hollitzer Wissenschaftsv. | EAN 9783990946404 | Verantwortliche Person für die EU: Hollitzer Wissenschaftsverlag, Trautsongasse 6/6, 1080 WIEN, ÖSTERREICH, kontakt[at]hollitzer[dot]at | Anbieter: preigu. N° de réf. du vendeur 135373826
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