This book focuses on opera house acoustics based on subjective preference theory; it targets researchers in acoustics and vision who are working in physics, psychology and brain physiology. This book helps readers to understand any subjective attributes in relation to objective parameters based on the powerful and workable model of the auditory system.
It is reconfirmed here that the well-known Helmholtz theory, which was based on a peripheral model of the auditory system, may not well describe pitch, timbre and duration as well as the spatial sensations described in this book, nor overall responses such as subjective preference of sound fields and the annoyance of environmental noise.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Yoichi Ando is an expert in the areas of concert hall acoustics architectural acoustics, brain activities, and environmental design. He has been awarded the AIA Institute Honor, American Institute of Architects in 1995: For 30 years of work developing and applying new theories of concert hall acoustics have helped the way music is heard. A scientist, author, and educator, his achievements are a benefit to both the world of architecture and the world of music. He has also been awarded the "Laurea Honoris Causa" (Dottore ad Honorem) by University of Ferrara, Italy on 12 June 2002, and serves as Editor-In-Chief, of the Journal of Temporal Design in Architecture and the Environment. Peter Cariani works in the fields of auditory neurophysiology; temporal coding of pitch, timbre, and consonance; neural networks for temporal processing; music perception and cognition.
This book focuses on opera house acoustics based on subjective preference theory; it targets researchers in acoustics and vision who are working in physics, psychology, and brain physiology. This book helps readers to understand any subjective attributes in relation to objective parameters based on the powerful and workable model of the auditory system.
It is reconfirmed here that the well-known Helmholtz theory, which was based on a peripheral model of the auditory system, may not well describe pitch, timbre, and duration as well as the spatial sensations described in this book, nor overall responses such as subjective preference of sound fields and the annoyance of environmental noise.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Buch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book focuses on opera house acoustics based on subjective preference theory; it targets researchers in acoustics and vision who are working in physics, psychology and brain physiology. This book helps readers to understand any subjective attributes in relation to objective parameters based on the powerful and workable model of the auditory system.It isreconfirmed here that the well-known Helmholtz theory, which was based on a peripheral model of the auditory system, may not well describe pitch, timbre and duration as well as the spatial sensations described in this book, nor overall responses such as subjective preference of sound fields and the annoyance of environmental noise. 196 pp. Englisch. N° de réf. du vendeur 9784431554226
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Gebunden. Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Examines the balance of a vocal source on the stage and music in the orchestra pitShares recommended visions on the stage blending with operaProposes a new type of opera house acousticsThis book focuses on opera house acou. N° de réf. du vendeur 20969266
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Buch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - This book focuses on opera house acoustics based on subjective preference theory; it targets researchers in acoustics and vision who are working in physics, psychology and brain physiology. This book helps readers to understand any subjective attributes in relation to objective parameters based on the powerful and workable model of the auditory system.It isreconfirmed here that the well-known Helmholtz theory, which was based on a peripheral model of the auditory system, may not well describe pitch, timbre and duration as well as the spatial sensations described in this book, nor overall responses such as subjective preference of sound fields and the annoyance of environmental noise. N° de réf. du vendeur 9784431554226
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Buch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -This book focuses on opera house acoustics based on subjective preference theory; it targets researchers in acoustics and vision who are working in physics, psychology and brain physiology. This book helps readers to understand any subjective attributes in relation to objective parameters based on the powerful and workable model of the auditory system.It is reconfirmed here that the well-known Helmholtz theory, which was based on a peripheral model of the auditory system, may not well describe pitch, timbre and duration as well as the spatial sensations described in this book, nor overall responses such as subjective preference of sound fields and the annoyance of environmental noise.Springer-Verlag KG, Sachsenplatz 4-6, 1201 Wien 196 pp. Englisch. N° de réf. du vendeur 9784431554226
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