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Nazi exploitation: Exploitation Film, Sexploitation Film, Holocaust Pornography, Salon Kitty, Liliana Cavani, The Night Porter, Pier Paolo Pasolini, Luigi Batzella - Couverture souple

 
9786130382063: Nazi exploitation: Exploitation Film, Sexploitation Film, Holocaust Pornography, Salon Kitty, Liliana Cavani, The Night Porter, Pier Paolo Pasolini, Luigi Batzella

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Synopsis

Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Nazi exploitation (also Nazisploitation) is a subgenre of exploitation film and sexploitation film that involves villainous Nazis committing criminal acts of a sexual nature often as camp or prison overseers in World War II settings. Most follow the standard women in prison formula, only relocated to a death camp or Nazi brothel, with an added emphasis on sadism, gore, and degradation. The most infamous and influential title (and the one that set the standards of the genre) is perhaps Ilsa, She Wolf of the SS (1974), a Canadian production. Its surprise success and sequels led European film makers, mostly in Italy, to produce dozens of similar films depicting Nazi atrocities. While the Ilsa series and Salon Kitty were profitable, the other films were mostly box-office flops and the genre all but vanished by the mid 1980s.

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Présentation de l'éditeur

Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Nazi exploitation (also Nazisploitation) is a subgenre of exploitation film and sexploitation film that involves villainous Nazis committing criminal acts of a sexual nature often as camp or prison overseers in World War II settings. Most follow the standard women in prison formula, only relocated to a death camp or Nazi brothel, with an added emphasis on sadism, gore, and degradation. The most infamous and influential title (and the one that set the standards of the genre) is perhaps Ilsa, She Wolf of the SS (1974), a Canadian production. Its surprise success and sequels led European film makers, mostly in Italy, to produce dozens of similar films depicting Nazi atrocities. While the Ilsa series and Salon Kitty were profitable, the other films were mostly box-office flops and the genre all but vanished by the mid 1980s.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

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