Performance Technical Guide of Makrokosmos Volume II by George Crumb: An Extension of the Piano - Couverture souple

Deng, Liang

9786139845064: Performance Technical Guide of Makrokosmos Volume II by George Crumb: An Extension of the Piano

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ISBN 10 : 6139845068 ISBN 13 : 9786139845064

Editeur : LAP LAMBERT Academic Publishing, 2018

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George Crumb often writes music in a radical way for the piano, constantly asking the performer to play on the inside of the piano, a technique in which he is pretty much a pioneer. The exploitation of a new and hitherto unexplored range of colour which can be accessed with the hands and fingers inside the piano or by inserting sound-altering devices into the strings. However, he writes in textures and styles that clearly relate to Debussy and Chopin, particularly in his use of the sustaining pedal and in the way he sets up a layer of sustained sound through the pedal, into which he then places his melodic and rhythmic ideas. He often mentions his indebtedness to these great masters of the past in his music programme notes. He even sometimes quotes directly the music of Chopin or Beethoven within his own compositions. In that regard, Crumb sees his music in an evolutionary way. In George Crumb’s piano music Makrokosmos Volume II, the pianist has the added issues of often having to play while standing including playing on the keys and inside the piano while standing. These, and many other physical difficulties abound in this music, and are dealt with throughout this guide book.

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�diteur: LAP LAMBERT Academic Publishing
Date d'�dition: 2018
Langue: anglais
ISBN 10: 6139845068
ISBN 13: 9786139845064
Reliure: Broch�
Nombre de pages: 88
Coordonn�es du fabricant: non disponible
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Performance Technical Guide of Makrokosmos Volume II by George Crumb

Liang Deng

Edit� par LAP LAMBERT Academic Publishing Mai 2018, 2018

ISBN 10 : 6139845068 ISBN 13 : 9786139845064

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Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -George Crumb often writes music in a radical way for the piano, constantly asking the performer to play on the inside of the piano, a technique in which he is pretty much a pioneer. The exploitation of a new and hitherto unexplored range of colour which can be accessed with the hands and fingers inside the piano or by inserting sound-altering devices into the strings. However, he writes in textures and styles that clearly relate to Debussy and Chopin, particularly in his use of the sustaining pedal and in the way he sets up a layer of sustained sound through the pedal, into which he then places his melodic and rhythmic ideas. He often mentions his indebtedness to these great masters of the past in his music programme notes. He even sometimes quotes directly the music of Chopin or Beethoven within his own compositions. In that regard, Crumb sees his music in an evolutionary way. In George Crumb's piano music Makrokosmos Volume II, the pianist has the added issues of often having to play while standing including playing on the keys and inside the piano while standing. These, and many other physical difficulties abound in this music, and are dealt with throughout this guide book. 88 pp. Englisch. N� de r�f. du vendeur 9786139845064

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Performance Technical Guide of Makrokosmos Volume II by George Crumb

Liang Deng

Edit� par LAP LAMBERT Academic Publishing, 2018

ISBN 10 : 6139845068 ISBN 13 : 9786139845064

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Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Deng LiangDr. DENG Liang, DMA at The University of Auckland. Managing Editor of Accelerando: Belgrade Journal of Music and Dance. Currently Associate Professor at the Art Faculty, Southwest Minzu University in Chengdu, China.Geor. N� de r�f. du vendeur 385874006

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Performance Technical Guide of Makrokosmos Volume II by George Crumb

Liang Deng

Edit� par LAP LAMBERT Academic Publishing Mai 2018, 2018

ISBN 10 : 6139845068 ISBN 13 : 9786139845064

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Taschenbuch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -George Crumb often writes music in a radical way for the piano, constantly asking the performer to play on the inside of the piano, a technique in which he is pretty much a pioneer. The exploitation of a new and hitherto unexplored range of colour which can be accessed with the hands and fingers inside the piano or by inserting sound-altering devices into the strings. However, he writes in textures and styles that clearly relate to Debussy and Chopin, particularly in his use of the sustaining pedal and in the way he sets up a layer of sustained sound through the pedal, into which he then places his melodic and rhythmic ideas. He often mentions his indebtedness to these great masters of the past in his music programme notes. He even sometimes quotes directly the music of Chopin or Beethoven within his own compositions. In that regard, Crumb sees his music in an evolutionary way. In George Crumb�s piano music Makrokosmos Volume II, the pianist has the added issues of often having to play while standing including playing on the keys and inside the piano while standing. These, and many other physical difficulties abound in this music, and are dealt with throughout this guide book.VDM Verlag, Dudweiler Landstra�e 99, 66123 Saarbr�cken 88 pp. Englisch. N� de r�f. du vendeur 9786139845064

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Performance Technical Guide of Makrokosmos Volume II by George Crumb : An Extension of the Piano

Liang Deng

Edit� par LAP LAMBERT Academic Publishing, 2018

ISBN 10 : 6139845068 ISBN 13 : 9786139845064

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Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - George Crumb often writes music in a radical way for the piano, constantly asking the performer to play on the inside of the piano, a technique in which he is pretty much a pioneer. The exploitation of a new and hitherto unexplored range of colour which can be accessed with the hands and fingers inside the piano or by inserting sound-altering devices into the strings. However, he writes in textures and styles that clearly relate to Debussy and Chopin, particularly in his use of the sustaining pedal and in the way he sets up a layer of sustained sound through the pedal, into which he then places his melodic and rhythmic ideas. He often mentions his indebtedness to these great masters of the past in his music programme notes. He even sometimes quotes directly the music of Chopin or Beethoven within his own compositions. In that regard, Crumb sees his music in an evolutionary way. In George Crumb's piano music Makrokosmos Volume II, the pianist has the added issues of often having to play while standing including playing on the keys and inside the piano while standing. These, and many other physical difficulties abound in this music, and are dealt with throughout this guide book. N� de r�f. du vendeur 9786139845064

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