This work is conceived as a de-construction ( as the French pholosopher J. Derrida defined it) of a famous score by Beethoven: the String Quartet op.130, including the Grosse Fugue, as its legitimate Finale.For this, the author used several procedures taken from electroacoustics and musical informatics, together with techniques found in generative grammars, particularly those free-of-context grammars (Chomsky sensu).With these complex tools he forged a series of sound organisms, from micro up to macro size(s).The entire score is a continuous series of transformations of different (micro)structures in Beethoven’s music, that become the new sound organisms,mentioned above.The main aim of the present work is to avoid, in a radical manner, the teleological traditional rhetoric of the classical music, but permanently emerging from this rhetoric.
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Vendeur : BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Allemagne
Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This work is conceived as a de-construction ( as the French pholosopher J. Derrida defined it) of a famous score by Beethoven: the String Quartet op.130, including the Grosse Fugue, as its legitimate Finale.For this, the author used several procedures taken from electroacoustics and musical informatics, together with techniques found in generative grammars, particularly those free-of-context grammars (Chomsky sensu).With these complex tools he forged a series of sound organisms, from micro up to macro size(s).The entire score is a continuous series of transformations of different (micro)structures in Beethoven's music, that become the new sound organisms,mentioned above.The main aim of the present work is to avoid, in a radical manner, the teleological traditional rhetoric of the classical music, but permanently emerging from this rhetoric. 84 pp. Englisch. N° de réf. du vendeur 9786200638441
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Vendeur : moluna, Greven, Allemagne
Etat : New. N° de réf. du vendeur 832785059
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Vendeur : buchversandmimpf2000, Emtmannsberg, BAYE, Allemagne
Taschenbuch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -This work is conceived as a de-construction ( as the French pholosopher J. Derrida defined it) of a famous score by Beethoven: the String Quartet op.130, including the Grosse Fugue, as its legitimate Finale.For this, the author used several procedures taken from electroacoustics and musical informatics, together with techniques found in generative grammars, particularly those free-of-context grammars (Chomsky sensu).With these complex tools he forged a series of sound organisms, from micro up to macro size(s).The entire score is a continuous series of transformations of different (micro)structures in Beethoven¿s music, that become the new sound organisms,mentioned above.The main aim of the present work is to avoid, in a radical manner, the teleological traditional rhetoric of the classical music, but permanently emerging from this rhetoric.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 84 pp. Englisch. N° de réf. du vendeur 9786200638441
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Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This work is conceived as a de-construction ( as the French pholosopher J. Derrida defined it) of a famous score by Beethoven: the String Quartet op.130, including the Grosse Fugue, as its legitimate Finale.For this, the author used several procedures taken from electroacoustics and musical informatics, together with techniques found in generative grammars, particularly those free-of-context grammars (Chomsky sensu).With these complex tools he forged a series of sound organisms, from micro up to macro size(s).The entire score is a continuous series of transformations of different (micro)structures in Beethoven's music, that become the new sound organisms,mentioned above.The main aim of the present work is to avoid, in a radical manner, the teleological traditional rhetoric of the classical music, but permanently emerging from this rhetoric. N° de réf. du vendeur 9786200638441
Quantité disponible : 1 disponible(s)
Vendeur : preigu, Osnabrück, Allemagne
Taschenbuch. Etat : Neu. lvbeet op130.133 [.] | For String Quartet and live electronics. Score | Fred Popovici | Taschenbuch | Englisch | 2023 | GlobeEdit | EAN 9786200638441 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu. N° de réf. du vendeur 126691573
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