This musical score contains a specific notation based on the establishment of a unique style in the design for live electronics with acoustic instruments. The composer/author himself calls this notation as A.R.G.N (Approximate Reductionist Graphical Notation). The entire composition is conceived as a determined interaction between the sound synthesizer and the ensemble. The conductor determines the duration of the space in which the instruments agitate through the predetermined musical models. The content of the models itself is left to the interpreters, which means that it is desirable that there is no fixed content, but that it is always changeable. In the stated principle lies the simplicity and effectiveness of the aforementioned notation system. The author leaves the possibility for interpreters to be composers while acting in this work. In addition to this, the relation between the performers and the composer becomes much more intimate and connected, and the very composition becomes an act created by the composer and the performers.
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Vendeur : BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Allemagne
Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This musical score contains a specific notation based on the establishment of a unique style in the design for live electronics with acoustic instruments. The composer/author himself calls this notation as A.R.G.N (Approximate Reductionist Graphical Notation). The entire composition is conceived as a determined interaction between the sound synthesizer and the ensemble. The conductor determines the duration of the space in which the instruments agitate through the predetermined musical models. The content of the models itself is left to the interpreters, which means that it is desirable that there is no fixed content, but that it is always changeable. In the stated principle lies the simplicity and effectiveness of the aforementioned notation system. The author leaves the possibility for interpreters to be composers while acting in this work. In addition to this, the relation between the performers and the composer becomes much more intimate and connected, and the very composition becomes an act created by the composer and the performers. 56 pp. Englisch. N° de réf. du vendeur 9786202062534
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Vendeur : Books Puddle, Woodside, NY, Etats-Unis
Etat : New. 1st edition NO-PA16APR2015-KAP. N° de réf. du vendeur 26401059159
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Vendeur : Majestic Books, Hounslow, Royaume-Uni
Etat : New. Print on Demand. N° de réf. du vendeur 395317896
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Vendeur : Biblios, Frankfurt am main, HESSE, Allemagne
Etat : New. PRINT ON DEMAND. N° de réf. du vendeur 18401059165
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Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This musical score contains a specific notation based on the establishment of a unique style in the design for live electronics with acoustic instruments. The composer/author himself calls this notation as A.R.G.N (Approximate Reductionist Graphical Notation). The entire composition is conceived as a determined interaction between the sound synthesizer and the ensemble. The conductor determines the duration of the space in which the instruments agitate through the predetermined musical models. The content of the models itself is left to the interpreters, which means that it is desirable that there is no fixed content, but that it is always changeable. In the stated principle lies the simplicity and effectiveness of the aforementioned notation system. The author leaves the possibility for interpreters to be composers while acting in this work. In addition to this, the relation between the performers and the composer becomes much more intimate and connected, and the very composition becomes an act created by the composer and the performers. N° de réf. du vendeur 9786202062534
Quantité disponible : 1 disponible(s)
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. 56 pages. 8.66x5.91x0.13 inches. In Stock. N° de réf. du vendeur zk6202062533
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Vendeur : moluna, Greven, Allemagne
Etat : New. N° de réf. du vendeur 385923970
Quantité disponible : Plus de 20 disponibles
Vendeur : buchversandmimpf2000, Emtmannsberg, BAYE, Allemagne
Taschenbuch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -This musical score contains a specific notation based on the establishment of a unique style in the design for live electronics with acoustic instruments. The composer/author himself calls this notation as A.R.G.N (Approximate Reductionist Graphical Notation). The entire composition is conceived as a determined interaction between the sound synthesizer and the ensemble. The conductor determines the duration of the space in which the instruments agitate through the predetermined musical models. The content of the models itself is left to the interpreters, which means that it is desirable that there is no fixed content, but that it is always changeable. In the stated principle lies the simplicity and effectiveness of the aforementioned notation system. The author leaves the possibility for interpreters to be composers while acting in this work. In addition to this, the relation between the performers and the composer becomes much more intimate and connected, and the very composition becomes an act created by the composer and the performers.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 56 pp. Englisch. N° de réf. du vendeur 9786202062534
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Vendeur : Buchpark, Trebbin, Allemagne
Etat : Hervorragend. Zustand: Hervorragend | Seiten: 56 | Sprache: Englisch | Produktart: Bücher | This musical score contains a specific notation based on the establishment of a unique style in the design for live electronics with acoustic instruments. The composer/author himself calls this notation as A.R.G.N (Approximate Reductionist Graphical Notation). The entire composition is conceived as a determined interaction between the sound synthesizer and the ensemble. The conductor determines the duration of the space in which the instruments agitate through the predetermined musical models. The content of the models itself is left to the interpreters, which means that it is desirable that there is no fixed content, but that it is always changeable. In the stated principle lies the simplicity and effectiveness of the aforementioned notation system. The author leaves the possibility for interpreters to be composers while acting in this work. In addition to this, the relation between the performers and the composer becomes much more intimate and connected, and the very composition becomes an act created by the composer and the performers. N° de réf. du vendeur 30406557/1
Quantité disponible : 1 disponible(s)