It's through a fictional dramatisation of reality that I try to reflect on artistic creativity, particularly when painting a picture. Through the logical immediacy of making, I try to unite two presences: the painting canvas and myself/body. I am therefore able to hinder a chaotic perception: a kind of voluntary hallucination on the pictorial material, a way for me, as a painter, to no longer be surprised by the distance that creates the anguish of lack. In fact, I see myself squarely in the other, and the most terrible thing is that I paint to give form to anguish so that I can exorcise it with gestures sketched out instinctively. The reader will notice that the discipline of painting disappears in favour of the gaze and fantastical speculation. ... The body, form, sound..., everything that is grasped by the artist's senses, ceases to be physical and is transformed into the substance of the spirit.
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Vendeur : BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Allemagne
Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -It's through a fictional dramatisation of reality that I try to reflect on artistic creativity, particularly when painting a picture. Through the logical immediacy of making, I try to unite two presences: the painting canvas and myself/body. I am therefore able to hinder a chaotic perception: a kind of voluntary hallucination on the pictorial material, a way for me, as a painter, to no longer be surprised by the distance that creates the anguish of lack. In fact, I see myself squarely in the other, and the most terrible thing is that I paint to give form to anguish so that I can exorcise it with gestures sketched out instinctively. The reader will notice that the discipline of painting disappears in favour of the gaze and fantastical speculation. . The body, form, sound., everything that is grasped by the artist's senses, ceases to be physical and is transformed into the substance of the spirit. 64 pp. Englisch. N° de réf. du vendeur 9786206140603
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Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Bdera Benarfa MalikaMalika Bdera Benarfa was born in Tunisia in 1981. She holds a doctorate in Art Science and Technology and is a university lecturer. A Franco-Tunisian painter, she has taken part in a number of exhibitions, notably. N° de réf. du vendeur 909351336
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Taschenbuch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -It's through a fictional dramatisation of reality that I try to reflect on artistic creativity, particularly when painting a picture. Through the logical immediacy of making, I try to unite two presences: the painting canvas and myself/body. I am therefore able to hinder a chaotic perception: a kind of voluntary hallucination on the pictorial material, a way for me, as a painter, to no longer be surprised by the distance that creates the anguish of lack. In fact, I see myself squarely in the other, and the most terrible thing is that I paint to give form to anguish so that I can exorcise it with gestures sketched out instinctively. The reader will notice that the discipline of painting disappears in favour of the gaze and fantastical speculation. . The body, form, sound., everything that is grasped by the artist's senses, ceases to be physical and is transformed into the substance of the spirit.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 64 pp. Englisch. N° de réf. du vendeur 9786206140603
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Vendeur : preigu, Osnabrück, Allemagne
Taschenbuch. Etat : Neu. The canvas being | Atropos and the path of sensitive intuition | Malika Bdera Benarfa | Taschenbuch | Englisch | 2023 | Our Knowledge Publishing | EAN 9786206140603 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu. N° de réf. du vendeur 127196436
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Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - It's through a fictional dramatisation of reality that I try to reflect on artistic creativity, particularly when painting a picture. Through the logical immediacy of making, I try to unite two presences: the painting canvas and myself/body. I am therefore able to hinder a chaotic perception: a kind of voluntary hallucination on the pictorial material, a way for me, as a painter, to no longer be surprised by the distance that creates the anguish of lack. In fact, I see myself squarely in the other, and the most terrible thing is that I paint to give form to anguish so that I can exorcise it with gestures sketched out instinctively. The reader will notice that the discipline of painting disappears in favour of the gaze and fantastical speculation. . The body, form, sound., everything that is grasped by the artist's senses, ceases to be physical and is transformed into the substance of the spirit. N° de réf. du vendeur 9786206140603
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