DRAWING is the expression of an idea: “Art must come from within, and not from without. This fact has led some to assert that the study of nature is not essential to the student, and that careful training in the study of the representation of the actual appearance is mechanical and harmful. Such persons forget that all art ideas and sentiments must be based upon natural objects, and that a person who cannot represent truly what he sees will be entirely unable to express the simplest ideal conceptions so that others may appreciate them. Study of nature is, then, of the first and greatest importance to the art student. OBJECTS FOR STUDY: We hear a great deal now about the cultivation of the sense of beauty by the choice of drawing models. Many go so far as to say that nothing but the most beautiful forms should be given from the start, and, asserting that the cube, cylinder,and other type forms are not beautiful, they say that they should not be used, but that beautiful variations of these type forms should be provided. More definite information than this is rarely given. We are not told what natural objects are beautiful, and cheap enough to be provided, or how these objects
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DRAWING is the expression of an idea: “Art must come from within, and not from without. This fact has led some to assert that the study of nature is not essential to the student, and that careful training in the study of the representation of the actual appearance is mechanical and harmful. Such persons forget that all art ideas and sentiments must be based upon natural objects, and that a person who cannot represent truly what he sees will be entirely unable to express the simplest ideal conceptions so that others may appreciate them. Study of nature is, then, of the first and greatest importance to the art student.
OBJECTS FOR STUDY:
We hear a great deal now about the cultivation of the sense of beauty by the choice of drawing models. Many go so far as to say that nothing but the most beautiful forms should be given from the start, and, asserting that the cube, cylinder,and other type forms are not beautiful, they say that they should not be used, but that beautiful variations of these type forms should be provided. More definite information than this is rarely given. We are not told what natural objects are beautiful, and cheap enough to be provided, or how these objects
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Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The experience which I have had as a teacher and my acquaintance and sympathy with the requirements of students of Art have led me to the conclusion that hitherto too much stress has been laid on the nomenclature and technical details of Human Anatomy, and too little emphasis placed on the relation of these details to the surface forms. What the student requires is not a minute description of every bone, muscle, and joint, but only such an account as will enable him to appreciate their influence on the modelling of the figure. Names convey little to his mind, forms alone interest him. In the following pages, which are based on the lectures which I have had the honour of giving at the Royal College of Art, South Kensington, I have endeavoured to carry out as far as possible these principles. With this intention every effort has been made to avoid unnecessary detail, and to rid the text as far as possible of technicalities. Where there are English equivalents for the scientific terms more commonly employed, they have been made use of; but unfortunately their number is limited, and the student is left with no other alternative than to accept the scientific nomenclature. In place of adopting, as is usual, the method of furnishing a complete description of the bones, succeeded by an equally detailed account of the joints and muscles, I have incorporated them in the description of regions.AUTHOR / A. Thomson 160 pp. Englisch. N° de réf. du vendeur 9786256004498
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Taschenbuch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -The experience which I have had as a teacher and my acquaintance and sympathy with the requirements of students of Art have led me to the conclusion that hitherto too much stress has been laid on the nomenclature and technical details of Human Anatomy, and too little emphasis placed on the relation of these details to the surface forms. What the student requires is not a minute description of every bone, muscle, and joint, but only such an account as will enable him to appreciate their influence on the modelling of the figure. Names convey little to his mind, forms alone interest him. In the following pages, which are based on the lectures which I have had the honour of giving at the Royal College of Art, South Kensington, I have endeavoured to carry out as far as possible these principles. With this intention every effort has been made to avoid unnecessary detail, and to rid the text as far as possible of technicalities. Where there are English equivalents for the scientific terms more commonly employed, they have been made use of; but unfortunately their number is limited, and the student is left with no other alternative than to accept the scientific nomenclature. In place of adopting, as is usual, the method of furnishing a complete description of the bones, succeeded by an equally detailed account of the joints and muscles, I have incorporated them in the description of regions.AUTHOR / A. ThomsonBooks on Demand GmbH, Überseering 33, 22297 Hamburg 160 pp. Englisch. N° de réf. du vendeur 9786256004498
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Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The experience which I have had as a teacher and my acquaintance and sympathy with the requirements of students of Art have led me to the conclusion that hitherto too much stress has been laid on the nomenclature and technical details of Human Anatomy, and too little emphasis placed on the relation of these details to the surface forms. What the student requires is not a minute description of every bone, muscle, and joint, but only such an account as will enable him to appreciate their influence on the modelling of the figure. Names convey little to his mind, forms alone interest him. In the following pages, which are based on the lectures which I have had the honour of giving at the Royal College of Art, South Kensington, I have endeavoured to carry out as far as possible these principles. With this intention every effort has been made to avoid unnecessary detail, and to rid the text as far as possible of technicalities. Where there are English equivalents for the scientific terms more commonly employed, they have been made use of; but unfortunately their number is limited, and the student is left with no other alternative than to accept the scientific nomenclature. In place of adopting, as is usual, the method of furnishing a complete description of the bones, succeeded by an equally detailed account of the joints and muscles, I have incorporated them in the description of regions.AUTHOR / A. Thomson. N° de réf. du vendeur 9786256004498
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Taschenbuch. Etat : Neu. Free-Hand Drawing | Anson K. Cross | Taschenbuch | Englisch | 2025 | E-Kitap Projesi & Cheapest Books | EAN 9786256004498 | Verantwortliche Person für die EU: Bookmundo, Delftsestraat 33, 3013 AE ROTTERDAM, NIEDERLANDE, info[at]bookmundo[dot]com | Anbieter: preigu. N° de réf. du vendeur 131038506
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